There There [2018] – ★★★★
There There is a debut book by Tommy Orange, a Cheyenne and Arapaho author who has a goal to draw attention to the lives of Native Americans living in an urban setting in the present day US. We follow twelve different characters who all live in Oakland, California and struggle in some form in their lives. From marginalised and criminally-minded Tony Loneman to internet-obsessed and lonely Edwin Black; and from history-inspired Dene Oxendene to poverty-stricken, troubled sisters – Opal Bear Shield and Jacquie Red Feather, Tommy Orange presents a heart-wrenching overview of the struggles of the people who want to re-connect with their families and their Native American heritage. The characters’ lives are intertwined and there is a feeling like they are all moving towards an explosive finale in the story. The result is a powerful tribute to Native Americans living in big US cities today, trying to make their heritage feel relevant and important, even if Orange’s story as a narrative falls short of its mark because of its overly-ambitious multiple perspectives’ focus, as well as its dissatisfying ending. Continue reading “Review: There There by Tommy Orange”





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I. Totally should’ve gotten a sequel
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Serena [2008] – ★★★★1/2
II. What do you consider to be the best book-to-film adaptation?







“Knowledge itself is power…but none of…knowledge is of the least use until it is informed by understanding. Knowledge is simply a kind of fuel; it needs the motor of understanding to convert it into power” 




“Each face, each stone, of this venerable monument, is a page of the history, not only of the country, but of the science and the art” (Victor Hugo, The Hunchback of Notre-Dame [1831: 110]).














“What a wee little part of a person’s life are his acts and his words! His real life is lead in his head, and is known to none but himself. All day long, and every day, the mill of his brain is grinding, and his thoughts, (which are but the mute articulation of his feelings,) not those other things are his history. His acts and his words are merely the visible thin crust of his world, with its scattered snow summits and its vacant wastes of water-and they are so trifling a part of his bulk! a mere skin enveloping it. The mass of him is hidden-it and its volcanic fires that toss and boil, and never rest, night nor day. These are his life, and they are not written, and cannot be written” [
The People in the Trees [2013] – 





I noticed this tag yesterday at
I. Designated Driver: What re-read book is reliable to get you out of a reading slump? 

I. Memory [1948]
Please Look After Mother [2008] – ★★★★
“He is already part of you. Though you fly to Greece, and never see him again, or forget his very name, George will work in your thoughts till you die. It isn’t possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal” 



The Innocent Anthropologist: Notes from a Mud Hut [1983] by 









For this challenge I am going for a very modest goal of reading 12 books by Asian authors by the end of the year, and will be updating my progress on 

I. Sir John Soane’s Museum 

“He was not sure that he wanted to see the Countess Olenska again; but ever since he had looked at her from the path above the bay he had wanted, irrationally and indescribably, to see the place she was living in, and to follow the movements of her imagined figure…The longing was with him day and night, an incessant undefinable craving, like the sudden whim of a sick man for food and drink once tasted and long since forgotten. He could not see beyond the craving, or picture what it might lead to…He simply felt that if he could carry away the vision of the spot of earth she walked on…the rest of the world might seem less empty” [Edith Wharton, 1920: 191].


The Miniaturist [2014] – ★★

II. Brave New World [1932] by Aldous Huxley












Nearby, there is also the infamous and majestic-looking, in all its Gothic glory, Dakota Building, which was built in 1884 across from Central Park and was the city’s first luxury apartment block. It notoriously housed a number of celebrities, including Leonard Bernstein, Rosemary Clooney, Boris Karloff, Judy Garland and Rudolf Nureyev. The interesting trivia here is that the building has its own in-house power plant to provide heating for its notable residents, and the applicants who were rejected by the board to be residents include Cher, Madonna and Antonio Banderas. The site can now be considered strangely eerie and tragic since in the building’s entrance corridor occurred the murder of John Lennon and the building also features in the psychological horror by Roman Polanski Rosemary’s Baby [1968].
“There was, she thought, so much to be said in favour of a game of cards. One was not compelled to pretend, could be silent without being dull, could frown without people being overtly solicitous about one’s happiness, could triumph over a man and not have to giggle and simper when one did it. One could kill time, obliterate loneliness, have a friendship with strangers one would never see again and live on that sweet, oiled cycle of anticipation, the expectation that something delicious was about to happen” 

“Nothing is stranger or more ticklish than a relationship between people who know each other only by sight, who meet and observe each other daily – no hourly – and are nevertheless compelled to keep up the pose of an indifferent stranger, neither greeting nor addressing each other, whether out of etiquette or their own whim. Between them there exists a disquiet, a strained curiosity, the hysteria of an unsatisfied, unnaturally repressed need for recognition and exchange of thoughts – and also, especially, a sort of nervous respect. For one person loves and honours another only as long as he is unable to assess him, and yearning is a result of a lack of knowledge” (Thomas Mann, Death in Venice [1912:41]).
It seems that every allegorical painting opens a door to deeper truth. The Calumny of Appelles was painted by Sandro Botticelli in 1494 from the description of a lost painting by Apelles, a Greek painter, who lived in the 4th century BC.


These are the portraits painted by
I. In Praise of Shadows [1933] by Junichiro Tanizaki
II. Quiet [2012] by Susan Cain