The Literary Adaptation Book Tag

Since my two recent book reviews were of books that resulted in major films – Fried Green Tomatoes at the Whistle Stop Café and The Night of the Hunter – I have decided to have a go at this book tag about literary adaptations, slightly changing the original book tag seen at Milibroteca (a Spanish language book blog).

The English Patient Film PosterI. What is your favourite literary adaptation? 

Anthony Minghella’s The English Patient [1996] adapted from the novel of the same name [1992] by Michael Ondaatje.

The English Patient is far from being the most faithful adaptation, but Minghella (The Talented Mr Ripley [1999]) conveyed the spirit and atmosphere of the novel perfectly, and the film boasts great performances from Ralph Fiennes, Kristin Scott Thomas and Juliette Binoche. The score by Gabriel Yared (Betty Blue [1986]) is one of the most beautiful ever produced, too.

Virgin Suicides Film PosterII. What do you consider to be the best book-to-film adaptation?

Sofia Coppola’s The Virgin Suicides [1999] adapted from the novel of the same name [1993] by Jeffrey Eugenides. 

In my opinion, some of the best ever literary adaptations include Gone with the Wind [1939], Rosemary’s Baby [1968] and Harry Potter and the Philosopher’s Stone [2001], but there is still something very special about Sofia Coppola’s The Virgin Suicides, so I choose that film. It is a beautiful, haunting adaptation which remains largely faithful to the source material. Coppola did an amazing job conveying the suburban claustrophobia and hidden despair and tension of the girls. Continue reading “The Literary Adaptation Book Tag”

10 “Must-Read” Existentialist Novels with Memorable Lines

I. Albert Camus – The Stranger [1942]

Mother died today. Or maybe yesterday, I don’t know.” [1984: 9, Camus/translation]. “You could never change your life…[and] that in any case one life was as good as another and…I wasn’t at all dissatisfied with mine here” [1984: 44, Camus/translation]. 

II. José Saramago – The Cave [2000] 

Human vocabulary is still not capable, and probably never will be, of knowing, recognising and communicating everything that can be humanly experienced and felt” [2002: 254, Saramago/translation]. “What a strange scene you describe and what strange prisoners, They are just like us” [Plato, The Republic, Book VII].  Continue reading “10 “Must-Read” Existentialist Novels with Memorable Lines”