This non-fiction book comes from Daniel Keyes, the writer of classic sci-fi Flowers for Algernon. The Minds of Billy Milligan tells the amazing story of Billy Milligan, the first man in the US history to successfully plead the insanity defence in court based on his proven multiple personality disorder and, therefore, be held not responsible for his major crimes (three counts of robbery and rape). Billy Milligan had twenty-four personalities (or “people”) living inside him, competing for spotlight (or consciousness) at any one time, and some of them developed when he was a toddler and suffering from trauma. This is no fiction as numerous eminent psychiatrists who observed Milligan for years testified repeatedly to his condition and the chances that Milligan could have somehow faked all twenty-four personalities over so many years are close to zero. This is because his personalities were truly different people, observed to have different body temperatures, hand-writing, accents, vocabulary, speech patterns, mannerism, IQ, skills, knowledge, experience and even brain waves. Daniel Keyes traces Milligan’s case, beginning from his arrest and childhood and culminating with Milligan being dragged from one hospital to another, battling public prejudice. This is a mind-blowing account of the most remarkable case of a disorder that lies at the very heart of uncovering the mystery of the human mind and consciousness.
Jacek Yerka (1952-) is a Polish artist whose surrealist art combines fantastical vision with a “meticulous Flemish technique”. Salvador Dali, Remedios Varo and Giuseppe Arcimboldo are undoubtedly influences, and below I present eight works that explore (i) imaginary worlds, (ii) dream-worlds and (iii) interiors.
I. Imaginary Worlds (4): (1) Don’t Slam the Door ; (2) The Winter Wave ; (3) Brontosaurus Civitas  & (4) Wegener’s Theory .
These four absurdist, fantastical, gravity-defying landscape paintings fire imagination. The second painting’s starting point might have been Hokusai‘s The Great Wave and the fourth painting takes Alfred Wegener’s the then original theory further that continental landmasses are “drifting”, “interacting” with each other in the process.
The Bilingual Brain: And What It Tells Us About the Science of Language [2017/2021] – ★★★1/2
Albert Costa was a Research Professor at Pompeu Fabra University (UPF) in Barcelona, and in this short book, which was translated from the Spanish by John W. Schwieter, he explores bilingualism, the mysteries surrounding a human brain that is used “to juggle” two languages daily. “How do two languages coexist in the same brain?…What are the implications of this coexistence? and “is there anything special about being bilingual?” [2017/2021: ix], asks Professor Costa. Referring to many studies and evidence from neuro-imaging techniques, the author meditates on such topics as (i) how bilingual babies acquire languages, (ii) why some people with brain injuries lose their language abilities, (iii) what effect a second language may have on a dominant one, and (iv) how the choice of a language affects human judgement. Instead of providing convincing or concrete arguments, the book rather emphasises the awesomeness of bilinguals and the fact that many questions are still open to debate in this field. However, where Professor Costa’s essay lacks in rigour and depth, it certainly makes up in piquing curiosity and stimulating conversation.
Did you know that a music piece (a Septet) that made Beethoven’s name in the nineteenth century is hardly ever played today? Or that later pieces by Beethoven that are now known to everyone were considered in the composer’s time too complex and brazen to merit any attention? Beethoven’s elusive “Immortal Beloved” is still without identity, and his attempts at self-promotion were not always successful. Through just nine musical pieces, Laura Tunbridge places Beethoven in a particular time and place in her well-researched book, presenting an intimate and detailed image of the great composer. Rather than Beethoven being an isolated genius making music masterpieces on his own, the author talks of Beethoven as a gifted person that was depended on others (such as on his friends and patrons), as well as on the particular time, norms and politics, as well as on the musical tradition in which he lived. Tunbridge demonstrates how Vienna and Beethoven’s own personal life affected his music, and how changing perceptions, as well as tastes of nobility, ultimately dictated and shaped the man and his music that is now admired by millions.
Miraculous Mysteries: Locked-Room Murders and Impossible Crimes – ★★★★1/2
This is a fabulous collection of short murder mysteries (sixteen in total) that concern the so-called “impossible crime” scenario, where, seemingly, a murder could not have taken place or a murderer could not have possibly escaped after the commission of their crime (“locked-room” mysteries). I first saw the book reviewed at FictionFan’s Book Reviewsand was immediately intrigued. Most of the stories concern the situation of “appearances deceiving” and come from various authors, from Arthur Conan Doyle and G. K. Chesterton to Margery Allingham and Sax Rohmer. In this book, there are such situations as (i) a confused policeman is not believed when he tells his tale of one gruesome murder scene he witnessed at one mysterious house no 13 – only, as it happens, there is no such house in existence; (ii) a night guard gets murdered in a museum room to which there is absolutely no access at night for anyone; and (iii) one invisible force striking people with an ornamented dagger. In this short review, I will highlight only three of these sixteen stories (these three are not necessarily the best or the most memorable ones, but simply the ones I chose for review).
I watchedthis2013 Bolshoi Theatre-Teatro alla Scala production of Roland Petit’s 1967 ballet Notre Dame de Paris, based on the novel of the same name by Victor Hugo. This is a magnificent ballet based on my all-time favourite classic book. Esmeralda is played by Russian ballerina Natalia Osipova, who is currently a principal ballerina at the Royal Ballet in London, and Roberto Bolle, a well-known Italian danseur, is Quasimodo. This avant-garde ballet fuses traditional ballet elements with modern dance techniques, and tells the story of a poor gypsy girl Esmeralda who becomes the object of ardent desire on part of three distinct men: strict priest Claude Frollo, hideous, but kind-hearted bell-ringer Quasimodo and handsome Captain Phoebus. Flamboyant, colourful costumes, designed by no other than Yves Saint Laurent, as well as music by film composer Maurice Jarre (Lawrence of Arabia ) help turn this production into a real feast for the eyes (and ears!), as the ballet also deals in such themes as religious devotion, duty, romantic love and erotic longing.
This is an opera by Giacomo Puccini, with a libretto by Luigi Illica and Giuseppe Giacosa, based on a short story Madame Butterfly by John Luther Long, which, in turn, was inspired by Pierre Loti’s novel Madame Chrysanthème . In this story, Lieutenant Pinkerton of the US Navy stationed in Nagasaki marries a fifteen-year old Japanese girl from a once rich, but now impoverished family. Pinkerton is restless, fickle and is simply looking forward to romancing a pretty girl, while Cio-Cio-San (his new wife (Madame Butterfly)) seems to have taken her vows with the same zeal and devotion one takes holy orders. Pinkerton disappears shortly after the wedding, promising to return. But, will he? When the Lieutenant finally decides to return, the situation is far more complicating that either he or Madame Butterfly could imagine. First premiered in Milan in 1905, Madama Butterfly is an opera of great emotional depth and psychological insight. The beautiful music with lots of drama and touches of light charm often accentuates hope born, dashed and then re-born as Madame Butterfly tries to come to terms with her situation throughout the story, clinging desperately to her unreachable western ideal.
Mad in America: Bad Science, Bad Medicine and the Enduring Mistreatment of the Mentally Ill  – ★★★★1/2
Robert Whitaker opens his book with this quote by David Cohen: “We are still mad about the mad. We still don’t understand them and that lack of understanding makes us mean and arrogant, and makes us mislead ourselves, and so we hurt them”. His book is an engaging overview of the methods to treat mentally ill patients through centuries (starting in the pre-1750s period and continuing to the present day), and how changes in societal attitudes and perceptions, as well as in psychiatry politics and business considerations impacted the treatment. “Scientific” and “therapeutic” approaches to treating mentally ill had competed with each other for centuries, and Whitaker shows how politics of this or that time period ultimately dictated what mentally ill patients were supposed “to need”, with mentally ill people often caught in a trap of doctors and businesses’ ambitions to make a mark in science or earn money respectively.
Today (9th May) is Victory Day in my native Russia and, as is now “customary” on my blog, I am highlighting notable people and their distinguished actions during the World War II. I would like to to talk about Lyubov Shevtsova and Ulyana Gromova, who were both Soviet partisans and members of Krasnodon’s undercover anti-Nazi organisation TheYoung Guard. They both received the titles of the Hero of the Soviet Union posthumously. The young (nearly all of them younger than eighteen) members of this organisation became known for their actions that displayed unimaginable bravery, unbelievable stoicism and selfless hard-work fighting Fascism and defending their motherland. This year I would also like to pay tribute to my grandfather, Gennadiy Kovalskiy, by talking about his experience being a paratrooper (military parachutist) during the war.
Lyubov Shevtsova [8 September 1924 – 9 February 1943]
After the start of the war in 1941, Lyubov Shevtsova attended briefly nursing courses and wanted to become a nurse for the Red Army, but was rejected because she was too young. Before the war, she also wanted to be a theatre actress, and even applied to the Rostov university, but the war intervened. So, in 1942, at the age 18, Shevtsova received a qualification of radio-operator (signaller) at the Voroshilovgrad school for the preparation of partisans and undercover agents. She started working undercover for the Young Guard of Voroshilovgrad (Luhansk) and her job involved passing to the Red Army Intelligence Centre the information gathered by the partisans. As a member of The Young Guard, Shevtsova was also conducting spy-work on the enemy, helped Soviet prisoners-of-war to hide from the Nazis, distributed anti-Nazi flyers and sourced medication. She was also involved in the arson of the German Labour Exchange in Krasnodon on 6 December 1942. During this event, a list of about 2000 Krasnodon citizens who were intended for the deportation into Germany was burnt, meaning these people were saved. In 1943, Shevtsova was arrested by the Krasnodon police. The Fascists were actively seeking Shevtsova in particular because she was a Soviet radio-operator and they wanted to know all the transmission codes. Therefore, Shevtsova was subjected to an even longer and more savage than usual torture by the Nazis (source). However, after a month of torture, her interrogators realised that they were wasting their time with Shevtskova because she never said a word. Shevtsova was eventually executed in a forest on 9 February 1943. She met death with dignity and those were allegedly her last words: “…Soviet youth will still see many beautiful springs and gold-leafed autumns. There are peaceful, clear blue skies ahead, as well as lovely full moon nights; there will be good times in our beloved and dear motherland”.
An Autobiography: The Story of My Experiments with Truth [1929/48] by Mohandas K. Gandhi – ★★★★★
In this frank, unputdownable autobiography, Mahatma Gandhi talks about his life, from his upbringing in India (including child marriage) and travel to the UK (to study law) to actions in India, and thoughts on everything, from his relationship with his wife, to the WWI, religion and racism. I particularly appreciated book passages on his vegetarianism and Gandhi’s comments on introversion. Rather than it being a weakness or some “fault”, it helped him to establish that “quiet power” to conquer hearts and minds, and try to lead people to a better life; a very philosophical and deeply honest book with important life lessons.
This short novella was a heart-breaking read and probably goes well with the film of the same name by Max Ophüls. It is as much a story of hidden and forbidden passion as it is a tale about coming to terms with life disappointments and acknowledging people affected by one’s spur-of-the-moment whims and short-lived desires.
Today, 20th April, is the unofficial Detective Fiction Day since on this day in 1841 Edgar Allan Poe’s story The Murders in the Rue Morgue was published by a magazine and many cite it as the world’s first detective story. Sir Arthur Conan Doyle, the creator of Sherlock Holmes, even wrote: “Each [of Poe’s detective stories] is a root from which a whole literature has developed… Where was the detective story until Poe breathed the breath of life into it?” So, to celebrate this occasion, I am presenting 15 books (in no particular order) which I reviewed on this blog and which all focus on solving of some murders.
Woven tapestries date as far back as the times of ancient Egypt, and the most famous series of medieval tapestries is probably The Lady and the Unicorn [c. 1460]. This mysterious series of tapestries has each piece representing one of the five senses (taste, hearing, sight, smell and touch), as well as the elusive sixth sense or concept titled only as À mon seul désir. These tapestries’ precise meaning remains unclear, and the same theme can also be seen in the series of paintings by Brueghel the Elder and Peter Paul Rubens‘ titled The Five Senses [1617-18]. While some medieval tapestries focus on scenes from the lives of nobility, including royal hunting and tournaments, others centre on everyday life, religious themes and landscapes. Below are four tapestries from the Middle Ages which are as beautiful as they are enigmatic.
The Unicorn Rests in a Garden/The Unicorn in Captivity (the Unicorn Tapestries) [1495 – 1505]
Woven from a French design in either Belgium or the Netherlands, the so-called “Unicorn Tapestries” are a series of tapestries that are often considered to be the most beautiful and enigmatic of all arts that survived to us from the Middle Ages. The tapestry on the right shows a unicorn in captivity, and is probably a part of this series of six other woven artworks that all show the entrapment of a mythical animal – the magical unicorn.
As part of other “Unicorn” tapestries, The Unicorn in Captivity represents the culmination of an arduous work – the sighting, the taming and the capture of the animal that ancient sources say could only be tamed by a virgin. Thus, the tapestries show the hunting for and the trapping of this magnificent animal by various huntsmen. However, the precise symbolic meaning of the tapestries still eludes historians and critics who point out this or that mysterious detail in the tapestries, discuss the various sequences in which the tapestries could be presented and their mysterious origin, and, generally, debate their multiple interpretations. Interpretations that rely on pagan and Christian symbolism, as well as on alchemy (“unseen forces finally seen and conquered”) were all proposed. Moreover, those who believe that The Unicorn in Captivity is a standalone tapestry say that the artwork may simply symbolise “the desire finally tamed”, one’s beloved finally “captured in the nets of his or her lover’s charm”, an allegory of “love being triumphant” and “a subject of affection conquered”. Those who favour the latter interpretation point out that the unicorn seems to be at peace and even content in its confinement (the fence is not high and the animal may escape since it is not securely chained to the tree). Also, the presence of “ripe pomegranates” on the tree pictured may symbolise both marriage and fertility.The tapestry can be found at the Metropolitan Museum of Art in New York, NY, US.
I previously wrote inone of my posts that F. Scott Fitzgerald wanted to title his novel The Great Gatsby as Trimalchio in West Egg and that Pride and Prejudice by Jane Austen was originally titled First Impressions. In this post I look at ten other books that changed their original titles.
I. 1984 by George Orwell
Original Title:The Last Man in Europe
George Orwell titled his most famous book The Last Man in Europe before his publisher intervened and suggested 1984. Allegedly, the author also tweaked with the title for Animal Farm .
II. Catch-22 by Joseph Heller
Original Title: Catch-11orCatch-18
Heller seriously considered calling his satirical book either Catch-11 or Catch-18. However, because, in 1961, at the moment of the publication, there was already something titled Ocean’s 11 (the original heist film with Frank Sinatra and Dean Martin), as well Leon Uris’ novel Mila 18 , Heller and his publisher finally settled for Catch-22. The reasoning was that, after all, 22 is simply 11 doubled.
The opposite of love is not hatred, it’s indifference. This novella by an Austrian author, which was adapted into a major film of 1948 directed by Max Ophüls and starring Joan Fontaine and Louis Jourdan, tells the story of a man who receives a strange letter one morning penned by one unknown-to-him woman. What this woman tells him is something much more than a mere confession. It is a soul-searching, gut-wrenching effort at personal liberation, a last cry to be finally understood in life and one fearful culmination of a life lived with one endless hope, a fruitless succession of attempts at happiness and one final tragic resignation. R. is a handsome man and a celebrated novelist who always had a lot of affection from women. The unknown woman is a dreamy and impressionable person from a much more modest family. What ties them together? From his point of view: three, very brief life episodes which can be counted by mere hours and which he forgot the moment they happened. From her point of view: absolutely everything, including three most important moments in her life, her whole world-view and the very point of her existence. Stefan Zweig wrote a powerful, sincere and moving account of one unrequited love and close examination of a person on the very fringes of another person’s life always looking in, hoping in vain to become a full-time participant.
I would like to thank Cathy at 746books for recommending this book to me after I compiled list 7 Great Novels Revolving Around Visual Art. Tuesday Nights in 1980 presents New York City’s art scene of 1980. At the centre are three people whose destinies collide in the background of creative bohemia filled with liberties of all kinds, boundless artistic inspiration and ambition, and spurs of unusual creativity: James Bennett is a misunderstood person and a renowned art critic who has synaesthesia, a condition which means that he experiences ideas, people and objects as colours or a combination of colours; Raul Engales is a “free spirit” and up-and-coming Argentinean artist who left behind in his country one past better not recalled; and Lucy Olliason is a girl from Idaho who has just recently arrived to NYC and is open to everything and anything. Evocatively, even if exaggeratedly, Molly Prentiss captures in her story the thrill of being young and artistic in NYC, which itself starts to undergo many changes. Amidst obsessive art-making and pleasures of falling in love, there are also a transitory nature of success, creative doubts and personal tragedies.
I don’t think I shared a jazz piece before, so I thought I would share this composition sung by Ella Fitzgerald to brighten everyone’s Monday. “Skylark”  was composed by Hoagy Carmichael (“Georgia on My Mind“ ) with lyrics by Johnny Mercer (“Moon River” ).
This book review is my second contribution to theJapanese Literature Challenge 14 hosted by Meredith atDolce Bellezza. Winner of the prestigious Yomiuri Prize, Fires on the Plain details the experience of a Japanese soldier in the Philippines during the last months of the World War II (the Leyte island landing). This sometimes gruesome and traumatic, but vividly introspective and unputdowanable novel full of conviction is filled with psychological and philosophical insights. Drawing from his own experience of the WWII, Shōhei Ōoka wrote about the degradation, futility and meaninglessness of war through the experience of one injured and stranded soldier who gets suspended between complete despair, increasing apathy and little choice, but to commit war crimes, on the one hand, and glimpses of hope and religious visions, on the other. Plagued by contradictions and irrational thoughts, Private Tamura finds himself psychologically distancing from war horrors around him, as Ōoka makes a powerful statement on one situation where such concepts as morality or rationality no longer seem to have any meaning. Fires on the Plain is probably one of the most important anti-war novels ever written.
This is a story that I read in Russian. This novella by Chekhov is set in the Caucasus, near the Black Sea, and tells of Laevsky, a lazy, egoistic, good-for-nothing government official who spends his days playing cards, swimming, drinking, arguing with his mistress and getting deeper into debt. Laevsky is increasingly tired of and frustrated by his mistress, Nadezhda Fedorovna, the wife of another man, and decides “to get rid” of her by going away. However, he starts to understand that he is both out of money and out of friends. On his path then appears Von Koren, a scientist and a man of principles, who does not think twice about challenging Laevsky to a duel.
Chekhov had this incredible talent of conjuring up deep and unforgettable character studies/insights in a very few words and paragraphs, and The Duel is a classic tale of disillusionment, crushed ideals, deceiving appearances and humanity caught in an endless cycle of other people’s opinions and judgement. Everyone “has their own truth” in the story, especially Laevsky, who finds himself at the biggest crossroad in his life, facing the possibility of the weight of harsh reality crushing him. The largest sorrow in life may consist in the actual realisation of the truth of one’s existence and past actions, as well as in the process of brutal self-confrontation. With humour and wit, Chekhov takes a penetrating look at the human nature in The Duel, trying to answer the question whether even self-acknowledged scoundrels like Laevsky could hope for forgiveness and redemption; whether even these people are deserving of hope; and whether even they could also find their place among the virtuous and the good, mending their ways.
Enchanted forests have always had a special place in fairy-tales, folklore and mythology. In fantasy fiction, the forest is often perceived as a place of danger where anything can happen and where dark magicians or other dark forces dwell. In Slavic folklore, for example, the forest is a home to Baba Yaga, a kind of an evil witch who lives in a hut “on chicken legs”, and likes to cook and eat her victims. Similarly, in Hansel and Gretel, a brother and a sister find a gingerbread house deep in the forest, only to realise that its resident is a wicked witch. The Forbidden Forest in Harry Potter is equally a place of danger and morbid fascination, where centaurs, giant spiders and unicorns roam. Moreover, the forest can act as both a place to do evil deeds secretly and a place to hide and find the necessary refuge, as in the case of Snow White & the Seven Dwarfs, where the forest first acted as a place where the Queen’s huntsman had a task to kill Snow White, but then it became a welcoming abode for the Princess. In England, Sherwood Forest in Nottinghamshire is probably the most famous forest where the legend of Robin Hood is played out, and many cultures also have the tradition of a sacred grove (a holy place associated with secret rites and spiritual rituals). Below are three other examples of enchanted forests from mythology and folklore.
There are many character types in fiction and I have decided to create this tag to showcase some of them, taking inspiration from this website on writing. The first five character types presented below simply reflect the characters’ roles in a story (there are seven such roles overall), while the last five are typical archetypes (there are twelve overall, as categorised by Carl Jung and Joseph Campbell, among others).
I. Protagonist: “The main character of the story is the protagonist” – Klara from Kazuo Ishiguro’s sci-fi novel Klara and the Sun 
Klara is a very curious choice for a protagonist and I don’t think I’ve ever read a book before with such an unusual narrator. Klara and her vision of the world are presented convincingly and the readers are constantly wondering how much of a “human” Klara really is or is becoming. It is precisely when we follow Klara’s “mental-processes” that Ishiguro’s new novel really “shines”, which also means the beginning is one of this novel’s strengths.
In Kazuo Ishiguro’s new book, Klara is an AF (Artificial Friend) or a highly advanced girl-robot created to be a companion for a child. Together with another AF Rosa, Klara spends her time shifting positions inside the store in a hope that some child will eventually choose her and she will fulfil her destiny. Relying on and worshipping the Sun, Klara never misses an opportunity to catch its rays: “…the big thing, silently understood by us all, was the Sun and his nourishment” [Ishiguro, 2021: 5]. She is both puzzled by and interested in humans. Then comes Josie, a kind, but sick child. As Klara enters Josie’s world, she gets to know more about humans and life, including its sorrows and unpredictability.
Klara and the Sun is Toy Story (together with the toy’s existential crisis)meets Never Let Me Go by way of one robot’s obsession with the Sun. It is a bitter-sweet and curious book with one fascinating narrator and a theme of hope. However, it also has a very “thin” story with vague world-building, severely under-explored themes, and characters and topics “recycled” from the author’s Never Let Me Go. A torrent of never-ending and sometimes pointless dialogue in the story does little service to Ishiguro, an author who is capable of far greater depth, nuance, subtlety, emotion, evocativeness and intelligence, than he delivered in this latest trendy, crowd-pleasing, YA-like book.
Louisiana, 1828. Manon Gaudet, the wife of a domineering owner of a sugar plantation, tells us about her life, at times recalling her past. Her husband rules the house and the plantation with an iron fist, signalling slave girl Sarah as his lover. However, their stable life is soon repeatedly threatened by slaves’ rebellions in their region, making both re-evaluate their life positions. Although the novel is uneven and the narrator is made intentionally unlikeable, Valerie Martin still wrote a chilling, eye-opening and interesting account of slavery and the meaning of ownership in the mid-nineteenth century US, not least because of her particular focus on the perspective of a slave-owner.
This novel, which spans from 1848 to 1888, focuses on Jean Marie Latour, a young Frenchman recently appointed as a Vicar Apostolic in the state of New Mexico, a part of land which has only recently been annexed to the US. The Father becomes a new Bishop in the region and he came there with his loyal friend and compatriot Father Joseph Vaillant. The two priests face a whole array of problems in establishing a religious jurisdiction in the new area, from the region’s isolation and merciless climate to authority challenges on the part of Mexican priests. This historical novel can be called a “descriptive tour de force”, rather than a straightforward narrative story. It is more of an anthropological/historical travelogue, focusing on the nature of land and on the people living on it, rather than a linear story. However, this does not make this book a “lesser” novel. On the contrary, Cather leaves plenty of space in the book for colourful descriptions of exotic environs, paying attention to the particular themes, including the ardour of religious duty and the dilemmas of missionary work.
John Everett Millais [1829–1896] was a British painter and a founding member of the Pre-Raphaelite Brotherhood. He fused realism and romanticism in his paintings, and is known for his striking portraits and dramatic scenes in paintings. Some of his well-known paintings include Ophelia  and The Princes in the Tower , and he also painted such historic and fictional personages as Joan of Arc, Cinderella and Isabella (from John Keats’s poem).
I. Apple Blossoms/Spring 
This painting seems to celebrate the coming of spring, youth and merriment, showing eight girls relaxing on the green lawn under the apple blossoms. The girls are all dressed in different-coloured dresses taking their refreshments. However, the painting also has one disturbing connotation. In the right-hand corner, there is a scythe, a tool which has notoriously been associated with death. The girl in the yellow dress lying on the grass also makes the painting a little eerie as her gaze is directed straight on to the viewer, challenging them to return the stare as she carelessly plays with a a grass stemin her mouth. The scythe, which is probably intentionally situated near the girl dressed in black, seems to hint at the idea that even the most joyful and healthy beings must come to an end and every representation of beauty must, by nature, hide a more sinister meaning.
I. Genghis Khan and the Making of the Modern World by Jack Weatherford – ★★★★
“They can do all because they think they can“. Virgil
“Attack him where he is unprepared, appear where you are not expected. The supreme art of war is to subdue the enemy without fighting”. Sun Tzu
Based on the ancient account The Secret History of the Mongols (dating c. 1227), this book tells of the life of Genghis Khan, his first foreign campaigns and his later conquests of other countries. Although dramatised and sometimes not entirely objective, the book is a very engaging, endlessly fascinating and perceptive account of the world’s most successful invaders. It demonstrates all the reasons for Genghis Khan’s unprecedented success in conquest since, historically, the Mongol army was the one to whom fell numerous countries and millions of people kneeled, as the army started to dominate virtually two continents, including the majority of China, India, Russia, Persia, Eastern Europe, the Middle East and the South-East Asia.
Meredith atDolce Bellezza is hostingThe Japanese Literature Challenge 14, which takes place from January to March 2021, and this post on five Japanese short stories is my contribution to the challenge (see all the other exciting entries here and for my entries to the previous Japanese Literature Challenge 13 see my reviews hereand here).
I. Murder in the Age of Enlightenment  by Ryunosuke Akutagawa –★★★★
This memorable story with confident prose by the “father” of Japanese short stories Akutagawa (Hell Screen ) is told through a letter and diary entries written by one young man to Viscount and Viscountess Honda. The story’s unreliable narration that deludes the truth and makes motives questionable introduces us to one hidden obsession as we plunge deep into the psyche of one disturbed man. If Akutagawa’s short story The Spider’s Thread  relied on Dostoyevsky’s story of a woman and an onion from The Brothers Karamazov , here we also see certain close similarities with other works. The story starts close to The Sorrows of Young Werther  by Goethe (unrequited, forbidden and passionate love/drastic action), but finishes very similarly to Doctor Glas  by Hjalmar Söderberg (doctor/mental torment/similar action taken to secure the future of a beloved woman). I read this story in Murder in The Age of Enlightenment (Essential Stories) by Ryunosuke Akutagawa [translated by Bryan Karetnyk, Pushkin Press 2020].
Tennessee Williams (A Streetcar Named Desire ) published his partly-autobiographical play The Glass Menagerie in 1944 and this debut became an instant theatrical success. The play has only a handful of main characters, and centres on Amanda, a domineering mother to her two grown-up children – quietly rebellious Tom and completely submissive and “hopeless” Laura who “lives in a world of her own”. When Tom arranges for “a young gentleman caller” to come over for dinner so that he can meet Laura, the family’s hidden neurosesand insecurities come to the surface. Still reliving her years as a southern belle (probably as a way to cope with the Depression era realities), Amanda “overpowers” each individual around her, and her children devised special strategies to deal with their mother’s encroachment, and general isolation and loneliness. If Tom “goes to the movies” and drinks, Amanda’s unmarried and disabled daughter Laura retreats in her own imaginary world of glass figurines (which stand for the fragile world of dreams that is about to be shattered by brutal reality).
Ivan Aivazovsky [1817 – 1900] was a Russian painter and one of the greatest masters of marine art who is predominately known for his masterpieces that depict seascapes: coastlines and seas. As a child growing up in Feodosia (Crimea), Aivazovsky fell in love with the sea (the Black Sea) and this passion for water and all things marine never left him. Below is just a tiny fraction of his paintings, where I focus on the themes of “sea chapels” and shipwrecks, and Aivazovsky is also known for depicting Armenian themes and battles. Some of my other favourite Aivazovsky’s paintings include his depictions of the Bay of Naples and Constantinople.
I. Clock-wise from the upper left-hand corner: Sea View with Chapel , Misty Morning in Italy  and Chapel by the Coast on a Moonlit Night 
These paintings of chapels by the sea create an impression of an idyllic scenery, a harmonic fusion of the man’s spirituality/religion and nature’s wonder. It is no wonder Aivazovsky’s paintings are often compared to beautiful poetry. Chapels by the sea were not uncommon. Sailors have always been a religious and superstitious class of people, and for a good reason. Sea is one of the most unpredictable environments one may find themselves in, and, in past times, sea-travel was fraught with various difficulties, culminating in disasters and death with frequency which is staggering by today’s standards. Thus, the protection of sailors and safe journeying on sea were issues of paramount importance. Chapels near the sea must have served a welcoming sight, symbolising the man’s “illusionary” control over the uncontrollable, and they often contain statues of saints, which only leave chapels on special days and festivals. Both Charles Dickens (in American Notes ) and Herman Melville (in Moby-Dick ) were fascinated by “sea chapels”, and patron saints of sailors and marine travel include St Brendan, a celebrated traveller, whose worship promises safe passage, St. Christopher, the legendary patron saint of travel, and St Erasmus, an ex-Bishop, who suffered much for his faith. In past times, such chapels also worked similar to lighthouses, signalling the way to the bay.
I spotted this book tag at Anniek’s Libraryand thought it would be fun to do. The original creator is theYouTube Channel Bookables.
I. How many books are you planning to read this year?
I never set myself goals to read a specific number of books (if anything, I need to set myself goals to read less, because my free time is all about reading, as opposed to doing other beneficial activities!). I think I read around 80 books last year, so I think I may do about the same this year.
II.Name five books you didn’t get to read in 2020, but want to make a priority in 2021?
A History of the Universe in 21 Stars  – ★★★1/2
In this new non-fiction book, the author explains key scientific discoveries through stars: from Polaris and the calculation of sky angles/directions and the discovery of Mizar’s double nature and what it ultimately said about star systems, to the mysteries of sunspots and the discovery of the existence of black holes through the exploration of Cygnus X-1. Although A History of the Universe does engage in a lot of confused “cherry-picking” of scientific facts and discoveries, and the language does get quite annoying, the book can still be described as a pure “starry” wonder and a good read for all those interested in stars and key scientific discoveries related to them.
I saw this meme at Golden Books Girl and the original author is The Broke and and the Bookish. It challenges one to name 10 favourite books from one’s childhood (I listed 12 because why not). Although my childhood was spent in Russia, I read a lot of books from foreign-language authors (translated to Russian, of course). I did not read Harry Potter as a child since when I finally got my hands on a translated-to-Russian edition of the first book (probably in the very early 2000s) I was already in the “middle adolescence” age group. My childhood and YA books were generally fairy-tales and adapted-to-a-young-reader stories of Charles Dickens (Oliver Twist), Jack London (The Sea-Wolf), Robert Louis Stevenson (The Black Arrow), Jules Verne (Journey to the Centre of the Earth) and Mayne Reid (Osceola the Seminole). I also read a lot of Agatha Christie when I was in middle school. So, in no particular order:
I. The Wind in the Willows by Kenneth Graham
I had a very colourfully-illustrated version of this book, and though I don’t remember much of the plot now, I do recall its vivid characters: Mole, Rat, Mr. Toad & Mr. Badger, as well as a sense of adventure. The book has some moral messages (such as on the importance of friendship), and fosters a sense of wonder at nature (the setting is a riverbank).
Today (2 January) is the National Science Fiction Day (US), which also corresponds to the birthday of famous sci-fi author Isaac Asimov (1920 – 1992). This is a day to celebrate all things sci-fi, from films and books to art and shows. Therefore, I have taken this opportunity to highlight below 10 sci-fi books (in no particular order) that I reviewed over the course of a last couple of years (these also include “dystopia”). Also, see my list of favourite sci-fi books.
In this novel by Thomas Hardy, Grace Melbury is torn between her feelings for simple farmer Giles Winterborne and her emotions towards sophisticated doctor Edred Fitzpiers. Evoking the beauty of rural life and nature, Hardy paints in his story a powerful image of imperfect characters who find themselves in circumstances beyond their immediate control. Themes of unbridgeable class divide, marriage confines and the negative effects of growing industrialisation all feature in this great novel by Hardy.
Japanese Death Poems: Written by Zen Monks and Haiku Poets on the Verge of Death [1985/1998] by Yoel Hoffmann – ★★★★★
“I cleansed the mirror/of my heart – now it reflects/the moon“ [Renseki, 1789];
“A tune of non-being/filling the void:/spring sun/snow whiteness/bright clouds/clear wind” [Daido Ichi’i, 1370].
Japan has always stood unique in the world in its attitudes towards death, including death taboos and rituals, and there was a centuries’ old tradition in Japan to write “death/final farewell poems” (jisei). This well-researched book compiles these poems written by both traditional haikuwriters and zen monks, and some of the poems in the book have been translated to English for the first time. If poems by zen monks are full of (hidden) meaning and profound philosophy, poems by traditional haiku poets are more evocative. The book is a “must-read” for anyone interested in Japanese haiku (a type of short form poetry) or Zen Buddhism (because the introduction by the author also elucidates on many complex Zen Buddhism concepts, quoting direct sources and providing numerous examples).
“The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth” [Ecclesiastes 7:4].
In this book, Lily Bart, a young woman from once aristocratic but now impoverished family, has reached her twenty-ninth year without finding a husband. Her beauty and financial resources declining, she notices changes in the society’s perception of her. Miss Bart, free-spirited, fun-loving, popular and, in her own words, “horribly poor – [but] very expensive] [1905: 12], soon faces an unenviable position worsened by the fact that she still loves shopping, jewellery and luxury. To what extent can she still count on the kindness of others to survive in the world that is increasingly becoming unforgiving and even hostile, full of social traps and intrigues? Considered scandalous upon its release, but converted Wharton into a successful author virtually overnight, this satire on New York City’s high society through the in-depth portrayal of a modern and increasingly fragile woman conveys the sheer pathos of a situation whereby individual willpower and the independence of spirit find themselves at odds with societal demands and expectations.
17 December 2020 marks 250 years since the birth of Ludwig van Beethoven (he was baptised on 17 December 1770, but his real date of birth was probably 16 December 1770). Considered by many to be the greatest composer who has ever lived, Beethoven composed some of the world-famous classical music compositions, from Piano Sonata No. 14 (“Moonlight Sonata”) to “Emperor Concerto”. I would like take this opportunity to share one of his masterpieces – the beginning of “Sonata Pathetique”, No. 8. My favourite performance of this piece is by Vladimir Ashkenazy at the University of Essex in Colchester in 1972.
This is a list of five books which I am eager to read in 2021. As usual, I am drawing attention to books from different genres: (i) literary fiction; (ii) non-fiction; (iii) thriller; (iv) dark mystery/horror; and (v) historical fiction.
I. Klara & The Sun by Kazuo Ishiguro
This is the first novel by Kazuo Ishiguro since he won his Nobel Prize in Literature in 2017. The Penguin Random House says on its website that this new novel “tells the story of Klara, an Artificial Friend with outstanding observational qualities, who, from her place in the store, watches carefully the behaviour of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her. Klara and the Sun is a thrilling book that offers a look at our changing world through the eyes of an unforgettable narrator, and one that explores the fundamental question: what does it mean to love?“. Obviously, my expectations are sky high regarding this book and I think Ishiguro can pull this one off beautifully since he previously distinguished himself as the author of a literary “dystopia” Never Let Me Go  and his books often emphasise the pains of love and missed opportunities. My only hope is that he would not follow the path of Ian McEwan and his Machines Like Me  and keep his narrative “grounded” and “subtle”.
I haven’t done a post of this nature before, but this year I have been very much in the mood for Christmas-related things, activities, videos and posts (especially given how stressful this year has been given the still-ongoing global…health situation). In this post, I would like to suggest a number of (i) books, (ii) films, (iii) animations, (iv) musicand (v) ambience videosto boost everyone’sChristmas spirit and hopefully make the holidays even cosier/happier! I am limiting myself to three recommendations for each of the categories.
Books:(i) Hercule Poirot’s Christmas  by Agatha Christie – I love reading mysteries come Christmas time because of the atmosphere of cosiness. This book by the Queen of Crimeis a wonderful one to get anyone into the festive spirit since the events in the book take place over a Christmas Eve; (ii) A Surprise for Christmas: And Other Seasonal Mysteries(British Library Crime Classics)  – I have not read this one yet, but am planning to do so very soon and have heard very good things about it. The book contains stories by Julian Symons, G. K. Chesterton, Carter Dickson, Martin Edwards and others, and they all revolve around Christmas time: “A Postman murdered while delivering cards on Christmas morning“, “A Christmas pine growing over a forgotten homicide”, etc.; (iii)The Night Before Christmas  by Nikolai Gogol. This classic tale is about the adventures of Vakula, the blacksmith, as he battles the devil. The devil stole the moon above the village of Dikanka, and the blacksmith and the devil compete for the heart of the same beautiful young girl.
In this novel, Grace, an impressionable, recently-educated girl, “who has been around cultivated folks” arrives home to a small village of Little Hintock after a long absence and to the delight of her father Mr Melbury, a timber merchant. She soon rekindles her friendship with her childhood sweet-heart Giles Winterborne, an apple and cider farmer. However, as soon as she does so, she also notices a much more promising suitor who starts to intrigue her more than anyone else in this world: an educated, ambitious and “irresistible” doctor Edred Fitzpiers. Thomas Hardy’s narrative is like an exquisite painting created in a style of Old Masters, where money, ambition, sophistication, self-interest and the excess of knowledge clash violently with rural simplicity, kindness, loyalty and naïve mentality. The beauty/mastery of the prose is matched by the gripping plot full of vivid characters and psychological nuances. Emphasising the unbridgeable gap between the social classes and drawing attention to the iron confines of a marriage, while evoking the atmosphere of the old rural England, Hardy created with The Woodlanders the work that is on a par with some of his greatest literary creations – Tessof the d’Urbervilles  and Far from the Madding Crowd .
Joe Hisaishi (6 December 1950) is Japanese composer, probably best known for his music collaborations with director Hayao Miyazakion various Studio Ghibli films. Yesterday he turned 70 years old and I think it is a perfect time to share a couple of his best-known compositions for animations: Merry-Go-Round of Life from Howl’s Moving Castle(2004) and The Name of Life from Spirited Away (2001).
This is a short story by “the father of the Japanese short story” who is probably best known for such short stories as Rashomon  and In a Grove . Said to be the reworking of the Uji Shūi Monogatari, Japanese tales written in the thirteenth century, Hell Screen tells the story of Yoshihide, an eccentric painter and allegedly a despicable human being, who resides at the court of one powerful Lord Horikawa. When the Lord requests Yoshihide to paint the picture of Hell, the artist takes this request too close to heart. Moreover, slowly, Yoshihide’s beautiful daughter becomes the centre of the newest rumour and intrigue. Akutagawa’s story may be short, but it also evokes the most powerful imagery. The author was a master of story-telling, and in this story we are presented with vivid descriptions that he also coupled with the peculiarly Japanese literary minimalism. The outcome is one disturbing, unforgettable story of obsession and damnation. I read Hell Screen thanks to the amazing post by Juan Gómez-Pintado titled “10 Extraordinary Tales of Terror“.
In The Goldfinch, one boy comes to terms with his tragic past while clinging to one work of art that still reminds me of his late mother, an exquisite painting of a goldfinch created in 1654 by Carel Fabritius. This is a great book about growing up, friendship, love, loss and hope. Even though The Goldfinch is an international bestseller, I hold Tartt’s two previous books – The Secret History  and The Little Friend  – in an even higher esteem.
Turkish Nobel Laureate Orhan Pamuk has crafted something magnificent, unputdownable and exquisite with this book. Pamuk’s novel is part murder mystery, part meditation on history and the nature of art. When one of the miniaturists working in the Ottoman Empire is murdered, the suspicion falls on the three remaining, but who is the murderer and will Black, a recently returned miniaturist, help solve the murder? This is a beautifully- written novel with unreliable narrators, red herrings, and unexpected and delightful forays into the very nature of art-making in the Ottoman Empire.
Arnold Böcklin (1827 – 1901) was a Swiss painter working in the genre of symbolism. He was known for painting motifs from mythology, and his works often depicted otherworldly beings, mysterious places and dark allegories. In this post, I will talk about three of Böcklin’s works of art.
I. Isle of the Dead(Third Version) 
This is Böcklin’s best-known painting in which he depicted “the Isle of the Dead”, a mysterious island with dense vegetation inside (cypress trees) surrounded by the white “fortress” of white rock. A lone boat approaches the island head on with the mysterious veiled white figure standing in it. In the boat, one can also see another white object, probably a coffin. The dark waters and gloomy skies build a sombre atmosphere, and the funeral motifs are also emphasised by the cypress trees since these too have been traditionally associated with cemeteries and mourning.
Monarchs of the Sea: The Extraordinary 500-Million-Year History of Cephalopods[2017/2020] – ★★★★
This book is about the magnificent, enigmatic and elusive cephalopods (a class of molluscs to which octopuses and squid belong), their origin and 500-million-year history. Danna Staaf, a marine biologist, traces their evolution from the very origins of life on Earth in the sea, to the demise of some cephalopods in the Cretaceous period and our modern age. From the causes of the “Great Dying” that happened in the Permian period (when up to ninety-six percent of all marine species perished) to our present day threat of global warming and dangers that face nautiluses, Dr Staaf explains clearly the many issues that concern cephalopods, as well as introduces a whole variety of weird and fascinating sea creatures: from the first sponges and worms, to now extinct ammonoids and a variety of curious present-day octopuses and squid (for example, the pygmy squid and the mimic octopus). This well-illustrated book, which is written with surprising humour and succinctness, will completely delight all those who are interested in marine evolution and curious about the history of present-day cephalopods.
The Thousand Autumns of Jacob de Zoet  – ★★1/2
In this tale by David Mitchell (Cloud Atlas (2004)) the year is 1799, and Jacob de Zoet, a Dutch clerk, arrives with the Dutch East India Company to the trading post of Dejima, an artificial island in Nagasaki, Japan at the time of the sakoku, when Japan permitted only very limited contact with foreigners. Engaged to be married, de Zoet seeks a fortune and a high position to impress the family of his fiancée in Europe. However, “inadvertently”, he falls under the spell of one disfigured midwife Miss Aibagawa, who, in turn, aspires to knowledge and then freedom. In times of all kinds of persecutions and discriminatory policies, de Zoet has to navigate a very uneasy road in the foreign country through cultural differences and alleged conspiracies.
I am continuing my contribution to the Non-Fiction November Initiative with the list below of seven most fascinating “history of medicine” non-fiction books.
I. The Butchering Art: Joseph Lister’s Quest to Transform the Grisly World of Victorian Medicine by Lindsey Fitzharris
Lindsey Fitzharris’s book on British surgeon Joseph Lister and the transformation of the Victorian medicine is an unputdownable book that introduces the reader to the astonishing medical practices that people expected in the 19th century. In times when the “germ” theory was deemed “implausible” and when hospitals were places with unsanitary conditions, one man challenged the traditional way of looking at operations and diseases that follow open wounds. I cannot praise this book highly enough.
Since November is designated for the Non-Fiction Reading Challenge, I thought I would talk about my favourite non-fiction genres and my experience of reading non-fiction books. The only non-fiction genre which I love but will not cover below is medicine/cognitive science. It will be the topic of my next post and I also previously covered it in this list here.
Some of my favourite non-fiction books fall into the categories of history and travel (culture exploration). Be it dinosaurs (The Rise & Fall of the Dinosaurs), the Middle Ages (A Distant Mirror) or stories of survival in hostile terrains (Miracle in the Andes), I find all these topics completely fascinating. My previous favourite reads also included books on Mexico, New Orleans, New York and Rome. Though some I enjoyed more than others (for example, I did not get along with Peter Mayne’s Marrakesh book nor with Kurlansky’s Havana), I am always keeping my eyes open for interesting books in these categories. Thus, I am currently looking forward to reading A History of the Bible by John Barton, The Ghost: A Cultural History by Susan Owens, The Boundless Sea: A Human History of the Oceans by David Abulafia, and Medieval Civilisation 400-1500 by Jacques Le Goff, an author that was recommended to me by Ola G.
In The Scapegoat, two complete look-alikes switch places and we follow the Englishman John as he reluctantly takes the place of seemingly wealthy but troubled Frenchman Jean de Gué. Previously somewhat shy and leading an uneventful life, John is unexpectedly thrust into the very limelight of life, acquiring a big family overnight, but also overbearing responsibilities and a failing business. As this is a Daphne du Maurier book, this is no ordinary tale of switched identities. In this tale, we step into an atmosphere that is haunting and unsettling, into a strange château peopled by still stranger people whose complex relationships and buried secrets first puzzle and then “liberate” our protagonist. Blending wonderfully the surreal and the realist, Daphne du Maurier created a fascinating psychological situation, a deep and intricate central character study and vivid minor characters, while touching on such themes as the nature of identity, the unpredictability of the human nature, the meaning of a family and the importance of forgiveness. With du Maurier, readers know that they are in the safe and confident hands of a master who will deliver something subtle, unsettling and over and above their expectations.
A Distant Mirror: The Calamitous 14th Century  – ★★★★★
In this book, Barbara Tuchman explores the 14th century Europe focusing in particular on the situation in France and on the powerful clan of lords – the Coucy of Picardy, whose ambition at that time almost rivalled that of the King. The centre of the narrative here is the lifetime of Enguerrand VII de Coucy, whose double allegiances and adventures could be compared to some mythical storytelling. Providing vivid insight into various aspects of the medieval life, from childhood to tournaments, and from the state of medicine to the status of women, Tuchman’s book makes one truly step into the intriguing world of the Middle Ages and into the mentality of its people. This was a historical period that was deeply paradoxical and chaotic, in which famine, peasant revolts, foreign wars, the bubonic plague and religious struggles were all taking place in a non-stop succession amidst the existence and the proclamation of a high moral code of chivalry among the nobility, and where magic and superstition reigned inexplicably alongside one strict religious canon.
The Roots of Heaven (Les Racines du ciel) [1956/57] – ★★★★1/2
The Roots of Heaven, the winner of the prestigious Prix Goncourt, is set deep in the wilderness of Africa just after the WWII when the complex geopolitical situation meant a world on the brink of an explosion from the collusion of different interests, values and opinions. In this world, amidst all the criticisms levelled at colonialism, cries for African independence and still fresh horrors of the Nazi regime, there emerges a candle of “hope” in the form of one idealistic Frenchman – Morel, whose passion for the protection of elephants soon reaches mythical proportions in the region around Chad. He soon gathers around the most unlikely champions to ban the slaughter of elephants, for example Minna, a woman who suffered much during the Fall of Berlin, and Forsythe, an American who was dishonourably discharged from the army. Morel, equipped only with the belief that his cause will attract public sympathy, faces a lot of adversaries, such as the reality itself, as well as numerous people who hunt for business, pleasure and trophies. Because of his eccentricities and naïve outlooks, Morel is soon converted into a symbol of dignity and liberation, even though his enemies are already closing in on his noble campaign and it is far from certain what will be the real consequences of his increasingly drastic actions. Through Gary’s dense narrative and second-hand accounts, we can piece together a powerful story about the resilience of the human spirit and the power of one unshakeable belief, all coming from the author whose own life was probably more illustrious than any fiction he wrote.
A is for Arsenic: The Poisons of Agatha Christie  by Kathryn Harkup – ★★★★★
When it comes to morbidly-curious books, it does not get better that this book. The author takes a deep look into all the poisons that Agatha Christie used in her books to “kill off” her “victims”, and the result is a read that both fascinates and informs – Full Review.
Doctor Glas[1905/1963]by Hjalmar Söderberg – ★★★★1/2
“Truth is like the sun, its value depends wholly upon our being at a correct distance away from it” [Söderberg/Austen, 1905/1963: 138].
This little novel is a Swedish classic written in a diary form from the perspective of one dutiful doctor Tyko Gabriel Glas. He is a rather lonely and introverted individual who is used to handle expertly delicate matters of city inhabitants. That is, until he meets the charming wife of one “repulsive” priest Rev. Gregorius. As he gets entangled in the affairs of this couple, the doctor also starts rethinking his stance on life and his thoughts turn darker. Soon, torn between his medical ethics and objective morality on the one hand, and his rising sense of injustice and romantic emotions on the other, Doctor Glas is quite ready to commit the unthinkable. Deemed highly controversial upon its release in 1905, this tale of obsession, suppressed emotions, sexual frustration and jealousy is now rightly considered to be a national classic. Existential angst and hidden psychological torments mingle ominously within the pages, with the author making a sober, but surprisingly potent statement on the power of the unconscious in human actions and condition.
I got my idea for this post from youtuberA Little Bit of Monikawho made a post recommending different Studio Ghibli films to her followers based on their zodiac (star) signs. Given the twelve star signs that exist (and their characteristics), I will also try to recommend 12 Japanese fiction books to each of the twelve star signs.
ARIES (March 21 – April 19)
Aries will always be up for an adventure and an exciting action. Therefore, Eiji Yoshikawa’sMusashi  may be a perfect read for them because the book is all about an adventure revolving around an unlikely warrior Musashi. Being confident, courageous, energetic, as well as a natural leader, Aries could identify with the book and its characters.
TAURUS (April 20 – May 20)
Taurus is stable, reliable and devoted. They can be very family-oriented, as well as appreciative of beauty and tradition. Therefore, Jun’ichirō Tanizaki’s The Makioka Sisters  could be a good read for them since they will enjoy all the practical, day-to-day intricacies and familial values/duties than the book tries to present. The Makioka Sisters takes place in Japan from the years 1936 to 1941 and focuses on one’s family’s attempts to marry off Yukiko, already a thirty year old woman who remains woefully unmarried. Given Taurus’s patience and determination, I trust them to finish the 576-page book, finding it significant.
This is a painting that Dutch-Flemish Renaissance painter Pieter Bruegel the Elder painted in 1568 and left to his wife before his death. This is not merely a countryside scenery. There is something unsettling in this painting and some have suggested that it hides a secret meaning. In this painting, two men are seemingly enjoying the view to the river valley, but there is something disturbing that comes into their view – a group of dancers on the left happily passing their time in front of the gallows, which stand as an ominous reminder that one day human life comes to an end. Our attention is immediately drawn to the gallows because Bruegel depicted what seems to be an “impossible object” in art. The gallows’ posts are positioned in such a way that cannot occur in real life, with the right side receding into the distance. This alone gives the gallows in the painting a special significance. At the same time, the merry people to the side of the gallows, as well as the person who is squatting on the foreground, seem to be mocking the very symbol of death and “justice”. The contrast between their merriness, and the solitary and sombre gallows could not have been more pronounced, giving a peculiar unnaturalness to the scene. Over the years, there have been a number of interpretations put out forward regarding the magpie that sits on the gallows (as well as the one near the base of the gallows), and one of the most popular ones is that the magpie represents baseless and spiteful gossip that often leads to the gallows. This painting is currently held by the Hessisches Landesmuseum in Darmstadt, Germany.
Piranesi is a new fantasy novel by the author ofJonathan Strange & Mr Norrell. This time, we have a diary-like narrative and our narrator observes, records and catalogues a curious World around him – the House. In the House, architectural splendours meet natural wonders – sea Tides, bringing marine life and vegetation, often flood the seemingly infinite number of opulent Halls, where numerous enigmatic statues of all sizes daze and confuse. Our narrator’s only human contact is the man only known as the Other, who also often frequents the Halls and who sees the World very differently from our narrator. Then, cryptic messages start to appear in some Halls, and our narrator witnesses strange visions. What other mysteries does the House hold, and is there really a Sixteenth Person who may be residing in the Far-Distant Halls? These are the questions that start to bother our narrator as he is slowly forced to question the very nature of his existence in this bewildering World of Tides and Architectural Beauty. In Piranesi, Susanna Clarke invented one mysterious, otherworldly place whose pull is irresistible, powerful and inescapable, and whose charm works like magic, saturating the reading experience with endless wonder, delight and fascination. Amidst all the watery and architectural beauty, though, there is a want for slightly more meaning and depth, and it is unfortunate that the second part of the book falls into some very familiar and overused literary “thriller” tropes.
I have been thinking (again) about the place of food in booksrecently, and I thought it would be fun to make a post where I would try to imagine and devise culinary menus from books, and also come up with objects and particular atmosphere based on a number of books that I’ve read, trying to evoke the particular aesthetics of the books chosen. My selected books are Orhan Pamuk’s The Black Book, Jeffrey Eugenides’ The Virgin Suicides, Min Jin Lee’s Pachinko, Eleanor Catton’s The Luminaries and Yasunari Kawabata’s The Old Capital.
I. The Black Book [1990/2005] by Orhan Pamuk
Snow-covered Istanbul of the 1990s and 1960s: lonely streets and cold apartments.
What to bring:
Childhood memories, unresolved issues, newspaper clippings, old photographs, a mirror & green boll-point pen.
Drink:Turkish coffee or cold ayran (a yogurt drink mixed with salt);
Starter:Tomato soup (domates çorbası) or a plate of grilled meatballs (koftas);
Main: Lamb with basmati rice flavoured with cinnamon, mint and apricot, and a carrot salad;
A is for Arsenic: The Poisons of Agatha Christie  – ★★★★★
15 September 2020 marks 130 years since the birth of Agatha Christie in 1890, and this review is meant to pay tribute to the ultimate Queen of Crime. The author of A is for Arsenic is Kathryn Harkup, a chemist by profession, who decided to plunge into all the poisons that Christie used in her books to come up with her perfect crimes. In A is for Arsenic, we first read about the scientific properties of each of the poisons used by Christie in her fiction, from arsenic and belladonna to opium and phosphorus (including their histories and the ways they kill), before the author illuminates the real cases involving these poisons, and finally talks about the fictitious cases in Agatha Christie’s books. It is clear that reading about different poisons has never been as morbidly fun or interesting as with this book since Harkup is an intelligent and succinct writer with a great sense of humour. A is for Arsenic is sure to fascinate and delight this Halloween season.
Hieronymus Bosch [c. 1450 – 1516] was a Dutch painter known for his unique artistic style and enigmatic, intellectually complex paintings on religious subjects. He is also known as the innovative painter of the fantastic who, paradoxically, never went beyond the religious canon. Below, I would like to present three of his lesser-known works, one of which – Extracting the Stone of Folly – is considered to be the only one the painter produced which centred on a purely secular matter.
I. Extracting the Stone of Folly [c. 1505]
In this curious painting, a man tied to a chair in open countryside is ready to undergo a risky procedure – the removal of a stone of folly or madness from his brain. In medieval times, people believed that a stone lodged in someone’s brain was responsible for either their lack of intellectual prowess, their “madness” or their erratic behaviour. Professor Jos Koldeweij interprets this painting as a quack doctor (on the left) making an incision in the man’s scalp to extract the stone, while the man’s wife (on the far right) and her lover, the priest (in the middle) supervise the procedure. The interesting aspect of the painting is not only the macabre procedure, but also the division of power between the four people in the painting. Despite appearances, it is the wife of the man to be “dissected” who is in control. The book on her head may signal her possessing knowledge or power beyond that of those around her. The doctor is a quack or a fraudster because he has a funnel on his head and a jug hanging from his belt – he is after the money and is not interested in curing his patient. The priest in black, in turn, is supposed to calm the patient and provide a divine assent to the procedure. However, he also seems to possess ulterior motives for being there (having the jug in the hand may also signal deception). Moreover, being a lover of the man’s wife, he is unlikely to interfere to save the man from his fate. Meanwhile, the husband seated represents the party tricked into complete submission, as also evidenced by his overall helplessness to control the situation. The fact that the “surgeon” manages to extract not a stone, but a waterlily from the patient’s head only emphasises the ludicrousness of the procedure. The painting is currently in the Prado Museum in Madrid. Continue reading “Hieronymus Bosch: 3 Lesser-Known Artworks”→
My favourite time of the year has started, and this year I have decided to start the Readers Imbibing Peril Reading Challenge earlier than usual. This is because, firstly, yes, I am impatient to delve into all those exciting scary books, and, secondly, I want to have plenty of time to decide what I want read for this challenge, and then read and review those books. This year I spotted this challenge at Robin’s A Fondness for Reading (it was first started byCarl V), and the goal is to read a certain number of books associated with the Halloween season. This year I am planning to readat least four booksin one or more of the following categories: horror, thriller, mystery, dark fantasy and the supernatural. I have not yet decided on specific books, but I will definitely be reading something from both Daphne du Maurier and Shirley Jackson.Are you participating in this challenge this year? What authors or books are you planning to read?
This is going to be a very honest review of Haruki Murakami’s twelfth novel. 1Q84 is presented as a whimsical romance epic with elements of magical realism, and, in its proportion, has been linked to such extremely ambitious works as Roberto Bolano’s 2666 and Don DeLillo’s Underworld. In 1Q84, the year is 1984 and the location is Tokyo, Japan. Aomame, a thirty year old woman, becomes entangled in one strange affair involving a manuscript titled Air Chrysalis, a charity that seeks to help battered women seek revenge, and a menacing and unrelenting religious cult called Sakigake. In parallel to her story, we read the story of Tengo, a thirty year old man and Aomame’s alleged lost “love” whom she has not seen in twenty years. Tengo inexplicably gets implicated in the same affair of “another world” when he agrees to re-write Air Chrysalis. His fateful encounter with beautiful Fuka-Eri, original author of Air Chrysalis, soon makes him question his reality, as well as makes him reconsider his relationship with his estranged father. Soon, we read about the world where the so-called Little People have the upper hand and where there are two moons in the sky. Pursued by dangerous forces, will Tengo and Aomame ever meet again? The only problem with all that is that my summary sounds like it could be something far more exciting than what this book eventually delivers. In reality, the 1318-page mammoth that is 1Q84 delivers neither on its “wondrous, parallel-world” concept nor on its “star-crossed lovers” front. In all frankness, it is a tedious book which drags its feet for chapters and chapters and chapters, wasting its reader’s time. It is filled with complete meaninglessness from almost the very first chapter until the last, and from its dialogues to its character’s (almost completely sexual) activities. More than that, unfortunately, 1Q84 is also quite gaudy, ill-judged, melodramatic and pretentious. I will set out my issues with this book under the” story”, “characters”, and “author’s writing” headings, before talking about the good aspects.
Apollo’s Angels: A History of Ballet  – ★★★★
This book is about once purely aristocratic and social dance that was elevated to an art of purest form and principles, which then required almost inhuman perseverance and training, and whose spectacle simply takes one’s breath away – classical ballet. From France and Russia, to Denmark and the US, and from Giselle  and Swan Lake , to Cinderella  and Spartacus , Jennifer Homans traces the history and tradition associated with classical ballet in this book, from its origins in the royal courts of France and Italy to its modern variations of the twenty-first century. The result is a well-researched book that pays as much attention to the dates and principles as it does to the aesthetics and social context.
After Yann Tiersen’s Rue des Cascades, I feel like sharing this quieter but no less beautiful composition by the composer. Comptine d’un autre été forms part of the score for the film Amelie . This piano arrangement/performance is by Rousseau.
Dr Bloodmoney is a wildly imaginative sci-fi book which is set in distant future after a nuclear disaster left the society with new adaptive technologies, shocking mutations, inverted priorities and the hatred for one person who is deemed responsible for bringing it all about: Dr Bluthgeld (Dr Bloodmoney), a deranged physicist who went into hiding. One person who knows his real identity and location is Bonny Keller, the beautiful wife of a successful school principal, and Stuart McConchie, an unfortunate salesman, may also be starting to guess correctly. Meanwhile, orbiting around Earth is the “voice of wisdom” – Walter Dangerfield, and previously marginalised and ridiculed disabled person Hoppy Harrington seems to see his fortunes turn with prospects to gain enviable influence in the community. Although this increasingly disturbing tale from Philip K. Dick is an unfocused one with a questionable ending, it is also an enjoyable literary ride into one of a kind “end-of-the-world” chaos filled with colourful characters and a through-provoking satire on the survival of a community in times of a crisis.
Ingrid Rojas Contreras is a Colombian writer and Fruit of the Drunken Tree is her debut book in which she tells the story of seven-year old Chula and her family living in the 1990s in Bogotá, Colombia in the shadows of the unpredictable world of Pablo Escobar and his incessant spree of violence. In Contreras’s book, two sides of Colombia come face-to-face when the relatively well-to-do family of Chula hires a live-in maid Petrona, a young girl who lives in extreme poverty on the very fringes of Colombian society. Chula tries to penetrate the mystery that is Petrona, and when she tries to guess Petrona’s secrets, the cruel world that once seemed so far away to Chula’s family comes knocking right on their door. Fruit of the Drunken Tree is an emotional story that is also very personal to the author as she tries her best to capture the world of a child living in frightening conditions. However, it is also an imperfect book whose two points of view prevent the story from reaching its full potential. Overwritten, with its weak symbolism of el Borrachero and an even weaker main characters’ connection, Fruit of the Drunken Tree may generally be said to be a book of lost opportunity.
James Horner (1953 – 2015), an American composer, would have been 67 today (he tragically died in a plane crash in 2015), so, as a tribute, I thought I would share this beautiful musical composition of his for the film Braveheart  performed on the piano by Patrik Pietschmann.
I spotted this tag on Clemi’s Bookish World, and though I am not a Taylor Swift fan (or maybe I am and just don’t know it yet), I decided to post the tag because the questions are interesting. My answers somehow ended up to be more French than intended, and I omitted the category: “Peace: A book character you’d die for because you love them so much” because I could not decide on just one. I am tagging everyone who is interested in doing this fun tag.
– The Tenant(Le Locataire chimérique) by Roland Topor – After finishing this psychological, existential book, I really did not know what to make of the ending – but it is definitely thought-provoking. The book astutely explores alienation and the search for identity in a big city as the main character begins to realise that his neighbours may have nefarious designs upon him. The film of 1976 is equally good.
This French classic lived up to my high expectations and even went beyond them. This is a tale of Eugène de Rastignac, a young man from countryside, who gets entangled in some tricky situations while chasing his coveted place at the very top of Parisian high society. Impoverished Father Goriot may just force the young man to rethink his quick and morally-dubious leap to success.
This tale of two lovers separated by circumstances may remind of Romeo & Juliet, but there is more here than first meets the eye: colourful characters include the Unnamed, the Nun of Monza and Cardinal Federigo Borromeo, and it so happens that Renzo and Lucia must face a plague, a city in revolt and a war before even thinking about any reunion. This is a true Italian classic.
“I never weary of great churches. It is my favourite kind of mountain scenery. Mankind was never so happily inspired as when it made a cathedral.” (Robert Louis Stevenson)
My previous trilogies of travel-related posts concerned “three quirky museums” in Brussels, Paris and London, and “my three favourite bookshops” in Brussels,Parisand London, so this time I am focusing on churches in these three cities, and my first post is about three most beautiful churches in Brussels. I love exploring churches and religious architecture, and, though my favourite place to do so is Italy, I can never resist delving into some great examples of religious architecture of such grand cities as Paris or London.
I. Cathedral of St. Michael and St. Gudula
Gothic architecture and churches dating to the Middle Ages are my favourite, so it is no surprise that the Cathedral of St. Michael and St. Gudula starts my list. This cathedral dates to the 9th century when a St. Michael Chapel was established on the Treurenberg Hill, and the building was in construction from the 13th to 17th centuries. It is named as the patron saints of the City of Brussels – St. Michael and St. Gudula, and Victor Hugo once noted that the church represents “the purest flowering of the Gothic style”. Its imposing Gothic-style towers which are 64 metres long, its beautiful stained-glass windows and its famous Grenzing organ are just some of the reasons to visit this magnificent structure.
This is my fourth Balzac (after Lost Illusions, The Black Sheep & Cousin Bette) and it is probably the best of the other novels I have read so far. Le Père Goriot (Father Goriot or Old Goriot) centres on one young man from France’s provinces, Eugène de Rastignac,who has just settled in Paris and set his sights on becoming a lawyer. He desires to climb the social ladder fast and his impatience for money, status and power soon makes him cross paths with one impoverished father of two daughters (old Goriot) who selflessly devotes his remaining time to them (or, more accurately, to the memory of them). From richly-decorated Parisian drawing-rooms to the bedlam that reigns in a poverty-stricken lodging house, the result of this crossing of the paths is a thrilling head-to-head collision of reality and illusion, youth and old age, ruthless selfishness and selfless devotion, all happening at the very heart of turbulent and exploitative Paris of 1819.
Yann Tiersen  is a French musician and composer that likes to experiment with different instruments when creating his music. He is most famous for his soundtrack to the film Amélie . Below I am sharing his composition Rue des Cascades(the instrumental version).
The Betrothed is an Italian classic by Alessandro Manzoni, the man who happened to be the grandson of Cesare Beccaria, the world-famous criminologist and philosopher. The novel is set in medieval Italy where two lovers (Renzo and Lucia) are prevented from marrying by a cowardly priest. From this flows all sorts of misunderstandings and advances from corrupt regimes as the two lovers are trying to overcome numerous obstacles and go through life trials (including a war, a plague and famine) on their path to a reunion. Beautifully translated from the Italian by Bruce Penman and boasting colourful and memorable characters, this classic tale from Italy is about undying love, faith, hope and perseverance in the face of oppression, betrayal and despair.
This comprehensive biography talks about the life of an American icon – Fred Rogers (1928 – 2003), the man behind the famous American television show for children Mister Rogers’ Neighborhood (1962 – 2001). Fred Rogers was more than just a presenter, his show was more than just one’s usual children’s programme, and, hence, this biography is so much more than a book about one celebrity. Always championing children’s rights and their needs, Rogers has always been known for valuing each viewer “just the way they are” and a child was truly someone who mattered on his television. Unassuming, humble and even shy, but with captivating presence, Rogers hence revolutionised children’s day-time television in the US, believing that television can be uplifting, fun and educational for everyone [2018: 172]. From Rogers’ childhood to his last TV appearance, the biography touches on many aspects of his life, including Rogers’ unparalleled-on-television authenticity, his commitment to child development, and his love for music and swimming. The Good Neighbour is a book to read because Fred Rogers was one of those people whose efforts and commitments should never be forgotten. Fred Rogers’ life is a life worth knowing.
The Woman with a Worm in Her Head is a topical non-fiction book since it talks about those infectious diseases which present a real puzzle for medical staff. Referring to her experience of working as an infectious disease doctor, Nagami talks about real patients with such seemingly surreal diseases as cocci or valley fever, leishmaniasis, chickenpox and falciparum malaria, and, of course, with live worms loose in their bodies which cause havoc and distress. Nagami’s book is definitely not for the faint of heart or the squeamish, but those who are interested in mysterious diagnoses or in unusual and rare medical illnesses will find much to appreciate in this book.Continue reading “Mini-Review: The Woman with a Worm in Her Head by Pamela Nagami “→
I don’t review fantasy books often, but I do read and enjoy them (see my reviews of Jonathan Strange & Mr Norrell and The Night Circus). I love fantasy novels that are well-written, characterised and that take me to magical places. Below I am sharing five fantasy books that are currently on my TBR list and that I am excited to read in the near future.
I. The Gray House  by Mariam Petrosyan
“Rowling meets Rushdie via Tartt…Nothing short of life-changing.”The Guardian
The Gray House is an Armenian author’s debut which she published in Russia in 2009 to a critical and popular acclaim. Translated from the Russian by Yuri Machkasov, this book has been described as a magical realist saga about disabled students who live in the House under the direction of the Outsiders. With references to Russian folklore (a house that is alive) and popular Soviet literature, the tale takes a sinister turn when students deaths pile up and the leaders of the House struggle to maintain their control and power.
Thomas Cole [1801-1848] was an English-born American painter who painted Romantic landscapes and history art. Largely self-taught, he is also known as the founder of the Hudson River School. Below are five of his paintings that have historic significance and symbolic meaning.
This non-fiction book is Peter Mayne’s account of his life in Marrakesh, Morocco in the 1950s. Mayne recounts his bewilderment and mishaps as he tries to live the life of a local in a country that is very different from his own. He tries to learn Arabic and make friends with local people only to find that his attempts lead him to the myriad of unsaid etiquette rules and cultural intricacies still to be learnt. Though Mayne tries his best to capture the mentality of people living in Morocco and their culture, his account turns out to be predictable and exasperating, though with welcoming doses of humour.
Kenzaburo Oe’s debut should remind of Lord of the Flies  by William Golding, but, undoubtedly, the author had other inspirations too. In his first book, the Japanese Nobel Laureate tells of a group of boys from a reform school that get stranded high up in forested mountains and forced to confront hostile villagers, the possibility of a plague, starvation and inhumane conditions. As the boys take matters into their own hands, their boyish desire to play and youthful confidence/hopefulness clash violently with the necessities posed by the war and traumas experienced by the most desperate. The boys finally realise that they have to choose between truth, principle, loyalty and compassion, on the one hand, and their own lives, on the other.
I haven’t previously posted this tag, and I thought it would be fun – I have seen it on both theLiterary Elephantand There’s Something About KMblogs. I have also skipped the questions on “best sequel” and “newest fiction crush” because, so far this year, I haven’t read a good sequel nor had a fiction crush.
Best Book You’ve Read So Far in 2020
That’s a tough question – it will probably be Orhan Pamuk’s My Name is Red– I enjoyed the murder mystery there, the intellectual and historic atmosphere, and the ending. The Silent Cry by Kenzaburo Oe was my other memorable read.
New Release You Haven’t Read But Really Want To
Death in Her Handsby Ottessa Moshfegh (the author of Eileen  and My Year of Rest and Relaxation ).
The synopsis to Death in Her Hands reads that this is a novel “of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds a cryptic note on a walk in the woods that ultimately makes her question everything about her new home” (Goodreads). I also need to pick up The Truants by Kate Weinberg.
“Death was the only absolute value in my world. Lose life and one would lose nothing again forever… Death was far more certain than God, and with death there would be no longer the daily possibility of love dying. The nightmare of a future of boredom and indifference would lift. I could never have been a pacifist. To kill a man was surely to grant him an immeasurable benefit. Oh yes, people always, everywhere, loved their enemies. It was their friends they preserved for pain and vacuity”
Belgian author Amélie Nothomb (Sulphuric Acid) is known for her short, thought-provoking books that often shock, but Fear and Trembling misses the mark. In this story, translated from the French by Adriana Hunter, a young Belgian woman starts working for a prestigious Japanese company Yumimoto and soon finds herself overwhelmed: she is delegated meaningless, absurd and increasingly demeaning tasks, while her relationship with her immediate supervisor Fubuki Mori undergoes drastic changes – from deep admiration to extreme hate. While Nothomb’s deadpan satire on corporate culture works at the start of the book, her attempt to shockingly satirise the Japanese culture and the difficulty of the westerner to integrate into it is completely misguided. Thus, with Fear and Trembling, what starts as an intriguing and delicate satire soon turns into something bewildering, unfocused and ignorant, a strange, barely-hidden polemic on traditional female roles and Japan with some very needless and overly-shocking episodes. Continue reading “Review: Fear and Trembling by Amélie Nothomb”→
This American classic by John Williams is a great, even if heart-breaking read. It tells the story of Stoner, a university professor, as he finds his way through life. He means to lead a simple life, but certain tragedies and disappointments in it get the better of him. The book is beautifully-written and is a quiet meditation on life and its meaning. The book can be compared to Thomas Hardy’s Jude the Obscure  and to Jack London’sMartin Eden . Continue reading “May 2020 Wrap-Up”→
Shamanism is by a Romanian historian and author Mircea Eliade [1907 – 1986], and is considered to be one of the first attempts to approach shamanism so systematically and scholarly. From costumes and drums to spirit animals and dreams, Eliade elucidates one of the most misunderstood practices/traditions in the world. The great thing about the book is that it talks about shamanism as it is applicable in different regions of the world, from Siberia and India, to South America and Oceania, attempting to draw parallels between them and talking about their general concepts, including similarities in initiation processes. The result is a quite fascinating account of shamanism, even if somewhat dated.Continue reading “Review: Shamanism: Archaic Techniques of Ecstasy by Mircea Eliade”→
Erik Satie [1866 – 1925] was a French composer known for his Gymnopédies and Gnossiennescompositions, among other late 19th century experimental music (he was “a precursor of minimalism, repetitive music and the Theatre of the Absurd”). This week it will be 154 years since the composer’s birth, and I would like to share his uplifting Je te veux composition to brighten everyone’s Wednesday.
“…there was no doubt in Phil’s mind of the end of [the] pursuit. The dog would have its prey. Phil had only to raise his eyes to the hill to smell the dog’s breath [Thomas Savage, 1967: 76].
This book is by an underappreciated American author Thomas Savage, and Jane Campion (The Piano (1993)), one of my favourite film directors, is currently shooting an adaptation of it. The story takes place in a small town in Montana in the 1920s where two brothers’ interests clash when one of them unexpectedly decides to marry a widow with a son. Raw, uncanny and psychological, The Power of the Dog is probably known for its intense character study of Phil Burbank, whose brooding and quietly menacing presence haunts the pages of this book, making it virtually unforgettable. Thomas Savage undoubtedly drew from his own previous experience of working as a ranch hand to produce a different kind of a western, whose deep sensitivity to the characters and their dynamics is nicely offset by the “harsh” authenticity of the language. Continue reading “Review: The Power of the Dog by Thomas Savage”→
It is Victory Day in Russia (my homeland), and I thought I would post a tribute especially since today marks 75 years since the defeat of Nazi Germany and the end of the World War II in Europe. My grandparents lived through the WWII (for example, my grandfather on my mother’s side was a paratrooper (a military parachutist) and was involved in many WWII operations and my grandmother on my mother’s side worked in trenches). Some heroic actions are less evident than others and some heroes remain either unknown or forgotten. I have always found it touching when children or young teenagers distinguished themselves as heroes of war. Although there were many such examples, below, I would like to briefly talk about Zinaida Portnova. Continue reading “Victory Day: 9th May”→
This is a book by a Dutch writer Gerbrand Bakker, whose previous book The Twin won the International Dublin Literary Award. The Detour (also known as Ten White Geese), translated from the Dutch by David Colmer, is about a Dutch woman who moves from her country and starts to live alone on a farm in rural Wales. Some of her nearby neighbours are badgers, cows and ten white geese whose number declines rapidly and mysteriously the longer she lives on her rented farm. Equipped with a poetry book by Emily Dickinson, the woman seems to be on the run from her past, trying to either delay or solve her immediate problems by seeking refuge in an unknown and isolated location. Her peace is soon disturbed by those with curiosity and inquisitiveness. With elegance and delicacy, Bakker draws on the nature in his book to shed light on the mystery that is this woman and her past, with his book becoming a quiet and poignant exploration of loneliness, pain and human connection.Continue reading “Review: The Detour by Gerbrand Bakker”→
“A. J. Finn’s voice and story were like nothingI’d ever heard before,” Editor, William Morrow Publishing; “Even in fiction, there are precedents in copyright law where the borrowing of plot elements is so extensive and blatant that plagiarism crosses into copyright infringement”, Rebecca Tushnet, Intellectual Property Expert, Harvard Law School
The Woman in the Window is a 2018 debut thriller and international bestseller by A. J. Finn (Dan Mallory), which sold millions of copies, with the film based on the book to be released in 2020 starring Julianne Moore. Daily Express called the book “masterpiece of storytelling” and Stephen King said that it was “unputdownable”. Saving April is a 2016 lesser-known book by Sarah A. Denzil, released two years beforeThe Woman in the Window and first being available in an e-book format. As I will show below, the similarities between the two books are overwhelming, both in their scope and in their nature, and, clearly, Finn took everything that he possibly could from Denzil’s thriller to write his bestseller. Jane Harper noted that Finn is “a tremendous new talent”. By the end of my comparison, it may become clear that the only talent Finn possibly has (apart from insolence) is taking nearly all of other writers’ ideas, elaborating on them slightly and then passing others’ stories as his own.
Both books undoubtedly drew inspiration from classic film noir, especially from Hitchcock’s Rear Window  and Amiel’s Copycat  as well as from such books as Gone Girl  and The Girl on the Train . However, even though The Woman in the Window feels like a more accomplished and elaborate book that Saving April, it is still the same exact story as Saving April and the similaritiesbetween the two are too numerous in their number and too close in their nature for there to be any talk of “inspiration” or “simple source”. In fact, the two stories are so similar that Saving April can be the first/second/third draft of The Woman in the Window. Reading the two thrillers side-by-side, one may become immediately confused which part they read in which book – so similar they are in virtually every way.
Edward Hopper (1882 – 1967) was an American realist painter, depicting both landscapes and social situations. Some of his most well-known paintings are Nighthawks  and Automat . His paintings are often said to portray people’s social isolation and loneliness, and even his landscape paintings feel desolate. Hopper’s paintings also inspired numerous filmmakers, for example, Alfred Hitchcock drew inspiration from Hopper’s House by the Railroad  to make his film Psycho  and Ridley Scott purposively wanted his film Blade Runner  to have the atmosphere of Hopper’s Nighthawks. Below I discuss four other works by this interesting painter.
“Those who experienced evil may forget it, but those who committed it – never” (A. Mare).
This is a true story of Eric Lomax, a British Army Officer and ex-Prisoner-of-War (POW) during the World War II, who was tortured and held in confinement while he and his fellow comrades were forced to work on the Siam-Burma railway line. Years after the WWII, he came face-to-face with one of his captors – Japanese interpreter Takashi Nagase, a meeting that finally led to a reconciliation. This is Lomax’s incredible true story, which is an inspirational and moving read.
American novelist Patricia Highsmith (1921 – 1995) is probably known for her Tom Ripley thrillers (among which is The Talented Mr Ripley ), as well as for psychological suspense/thriller books that later also became films – Strangers on a Train, The Price of Salt or The Two Faces of January. Below are the reviews of her two books, novels that showcase the depth of this author’s psychological character studies and her admirable, low-key stream of suspense.
I. Edith’s Diary  – ★★★★1/2
“The difference between dream and reality is the true hell” [Highsmith, 1977: 291].
I first spotted this great book onRadhika’s Reading Retreat (check out her amazing blog and book recommendations!) and I knew I had to read it. In this story, Edith Howland moves with her husband Brett and her young son Cliffie from New York City to Pennsylvania. The family is not rich and hopes for the best in their new community. Edith starts to run a political newspaper in the new place, while keeping in touch with her old neighbours in New York and her wealthy aunt Melanie. Pressure on Edith intensifies as her son Cliffie becomes first troublesome then passive and aimless in life and Brett’s uncle George arrives to demand attention to himself. Soon, it is evident that the life that Edith imagined for herself and her family does not quite accord with reality and Edith finds herself increasingly prone to fantasising as she writes in her dairy. What will be the cost of this fantasy? – Simple paranoia and mental health concerns, or maybe the complicity in the death of another person? Edith’s Diary is a nuanced, psychological novel full of hidden, but real fears, and a quietly disturbing account of a woman whose repressed despair caused by social and personal expectations may just surface to lead to tragic results. Continue reading “Patricia Highsmith: Edith’s Diary and The Tremor of Forgery”→
“Why does man not see things? He is himself standing in the way: he conceals things.” “What are man’s truths ultimately? Merely his irrefutable errors“. (Friedrich Nietzsche)
In My Name is Red by Nobel Laureate Orhan Pamuk, murder of one miniaturist – Elegant Effendi – was committed within the circle of miniaturists working for the Sultan in medieval Istanbul. At the same time, thirty-six year old Black returns to his hometown of Istanbul after his twelve years’ absence to seek once again the hand of his beloved Shekure, an opportunity that was denied to him twelve years previously. Unwittingly, Black becomes entangled in the intrigues of miniaturists working under Enishte Effendi, Black’s uncle and Shekure’s father. Masterfully, Pamuk takes us deep within the art circle of medieval craftsmen who labour to produce a mysterious new book, a circle repleted with professional jealousy, narcissism, hidden love and, above all, differences as so the proper way of painting and representing pictures under one strict religious canon. In this historical novel, Persian art-forms clash violently with rising Venetian art influences as Black starts to realise that, in order to find the murderer of Elegant Effendi, it is necessary to go deep into the worldviews and art opinions of each of the three suspected miniaturists – “Stork”, “Olive” and “Butterfly”, testing their loyalties and beliefs. It is impossible not to get swept away by this novel of great insight and intelligence. My Name is Red is like a rich, tightly-woven exotic tapestry whose secrets lie in elaborate details, red herrings and in the depth of the soul of its maker, celebrating the beauty, imagination and intelligence of ancient artworks and methods of painting. Continue reading “Review: My Name is Red by Orhan Pamuk”→
I thought The Way of Zen was a great introduction to the concept of Zen and its origins. The book does not just talk of hard-to-grasp notions within Zen, but also explains the application of Zen to such arts as poetry, painting and gardening.
Bury My Heart at Wounded Knee: An Indian History of the American West  by Dee Brown – ★★★★1/2
“They made us many promises, more than I can remember, but they never kept but one: they promised to take our land, and they took it“. Brown wrote a detailed and engaging book showing the history of the American West from the point of view of the Native American population. From Columbus who described native people as “so tractable, so peaceful” [1970: 1] to the battle of Black Rock, Brown’s account is an important read even though emotional as the story is filled with all kinds of injustice that have been committed against the native population. The book shows the bravery of individual American Indian leaders who simply tried to defend their people and land against the onslaught of white settlers and numerous unfair treaties. Native people were caught in the senselessness, savagery and greed of white settlers who were after more productive land and precious metals and who wanted either to convert Native Americans to their own ways, leave them to die in hostile conditions or simply eliminate them leading to hundreds of thousands of lives destroyed through hunger, combat, murder or plagues only in one broad region of the Americas. Continue reading “March 2020 Wrap-Up”→
My readers probably know by now that I love film music. In October 2019, I “celebrated” the 70th birthday of film composer Gabriel Yared (The English Patient , Betty Blue ), so now I want to highlight that today Alan Silvestri, an American film composer known for his collaborations with director Robert Zemeckis, is 70 years old too. Given this, I think it is perfect time to share one of this composer’s greatest scores for the film Forrest Gump  that starred Tom Hanks.
“…the true practice of Zen is no practice, that is, the seeming paradox of being a Buddha without intending to be a Buddha” [1957: 95, 96]. “The basic position of Zen is that it has nothing to say, nothing to teach. The truth of Buddhism is so self-evident, so obvious that it is, if anything, concealed by explaining it” [1957: 163].
This non-fiction book by a British philosopher and writer illuminates one of the least understood concepts in the world – Zen. Patiently, Watts traces the origins of Zen Buddhism– its Mahayana Buddhism and Taoism foundations, and then explains very clearly some of its basic principles and practices (such as the nature of direct experience, “no-mind”, the present “Now” and sitting meditation). The last chapter in this book is devoted to the application of Zen to a number of arts: from haiku (a form of Japanese poetry) to archery, with the author explaining how Zen started to permeate virtually every aspect of life. The Way of Zen is a short and remarkably lucid account of Zen which is very informative, on top of being a pure pleasure to read.Continue reading “Review: The Way of Zen by Alan Watts”→
To complement my previous post that was about books featuringidentical twins, I am presenting this list of 7 books that feature doppelgängers and look-alike people. Doppelgängers or doubles sometimes appeared in folklore and paranormal stories and, famously, Johann Wolfgang von Goethe, a German writer, saw his identical self on horseback. The way literature deals with this phenomenon is also curious, giving rise to very thought-provoking and interesting psychological situations, with characters or narrators sometimes questioning their own identity. In that vein, short stories by Edgar Alan Poe (William Wilson ), Henry James (The Jolly Corner ) and by Guy de Maupassant (La Horla ) all focused on this theme, and this situation involving the meeting of two look-alike people also appeared in such novels as Dickens’s A Tale of Two Cities  and in Du Maurier’s The Scapegoat .
I. The White Castle  by Orhan Pamuk
In this book, Turkish author and Nobel Prize Laureate Orhan Pamuk introduces a young Italian scholar who becomes a prisoner in the Ottoman Empire. He meets Hoja (the master) and it soon becomes apparent that both men are virtually identical to each other in appearance. Fiercely intelligent, uncanny and mythical, The White Castle may a short novel, but it astutely portrays a curious situation whereby the two men grapple with each other, each other’s identities, each other’s knowledge and with their respective countries’ histories and cultures. Continue reading ““Mirror Image”: 7 Books That Focus on Doppelgängers/Doubles”→
“And the angel said to them “Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Saviour, who is Christ the Lord” [Luke 2: 8 – 14].
I thought I would return to religious art (see also my previous post 5 “The Last Supper” Paintings). I am choosing to focus on three artworks that depict the annunciation to the shepherds because this is a somewhat overlooked episode from the Bible and most prefer to focus on the nativity scene itself or on the adoration of the Magi when depicting Biblical episodes. The episode concerns the appearance of the angel who tells the shepherds the location of the Christ Child.
I. Annunciation to the Shepherds by Taddeo Gaddi
Maybe this artwork is my favourite because I remember I visited many times the Basilica of Santa Croce when I lived in Florence and this fresco is from there – located in the Baroncelli Chapel. It dates to around 1328 and is said to be one of the first night-time depictions of this kind. Taddeo Gaddi approached differently the presentation of the angel here, especially by the standards of that time, and the spiritual light surrounding the angel and the casting of this light on the rocky surface and on the shepherds are striking. In this fresco, the shepherds are slowly arousing themselves from their deep sleep, their cattle is still asleep and one of their dogs is already awake, looking distrustfully, but also obediently at the source of the light. There are both quietness to this depiction (especially in comparison to the paintings below) and a sense of conviction: the messanger has come and what he has to say is true. Continue reading “Annunciation to the Shepherds: 3 Artworks”→
Maybe because I have a twin brother myself I have always been fascinated by twins and especially how they are presented in literature. Some narratives focus on the differences between identical twins (one “evil” and another “good”) or on the infernal competition between them, while others are more realistic and emphasise brotherly love or the pain of separation. A pair of twins has always represented something mysterious, poorly understood, and even eerie and unsettling. The level of this close emotional bond between identical twins can hardly be comprehended for someone born without a twin. What is it really like growing up with another human being beside you who looks exactly like you? Below, in no particular order, are 7 fiction books that focus on identical twins or on the consequences of having an identical twin in one’ s life:
I. The Separation  by Christopher Priest
This book is the book about identical twins since every imaginable and unimaginable scenario involving them is explored, including mistaken identity and a battle for one girl. At the centre here are two brothers who find themselves on the eve of the WWII – one becomes a RAF pilot and another is a conscientious objector. Their destinies play out in a curious manner, and Priest employs sci-fi elements and the alternative history trope to make the story more intriguing. Continue reading ““Double Trouble”: 7 Books That Focus on Identical Twins”→
First, I would like to say that I loved Sarah Perry’s The Essex Serpent , its historical context, its beautiful prose, its main character, its plot – it read (almost, perhaps) like a modern classic, and it was a very enjoyable experience. Melmoth is Perry’s third book in which she focuses on the legend of Melmoth the Wanderer as it is seen through the eyes of modern-day characters living in Prague. In this story, Helen Franklin is a forty-something-year-old woman living in the Czech Republic in 2016 and working as a translator. She strikes up a friendship with one “posh” couple Karel and Thea, and it is through them that she reads a mysterious manuscript that details the confessions of certain people who allegedly had an encounter with Melmoth or Melmotka (a lonely woman who once denied the resurrection of Christ and is doomed to wander the Earth forever bearing witness to the humanity’s cruelty). The obsession with the manuscript soon makes Helen confront her own past. Even though there is an attempt made by the author to make this book deep and philosophical by touching upon such issues as sin, guilt, regret and atonement, these messages never get across in a compelling manner, and, overall, the book feels dull and very contrived. As in The Essex Serpent, Perry uses one intriguing and spooky legend here as a bait to entice her readers into picking up this “Gothic and unsettling” book only for those readers to then discover that they, instead, have been served with merely a collection of sad personal historical accounts that the author never even managed to bring convincingly together to make her final important point on history, witnessing and responsibility.Continue reading “Review: Melmoth by Sarah Perry”→
I am continuing my contribution to the 13th Japanese Literature Reading Challenge with this book by Seishi Yokomizo. The Honjin Murders is considered to be the classic Japanese murder mystery, first serialised in 1946 and published in 1973. It is a debut work of the author and the winner of the first Mystery Writers of Japan Award. This story centres on the well-to-do Ichiyanagi family living in the village of Okamura who prepare for the wedding of their eldest son– Kenzo to a young woman of humbler origins – Katsuko. The whole village is shaken when both Kenzo and Katsuko are found slashed to death in their room in the early morning hours after their wedding. One strange clue follows another and soon it becomes clear that the murderer could not have possibly escaped the premises after the commission of the murder. The local police feels stuck with this case, and it is at this point that one young and unassuming amateur detective Kosuke Kindaichi takes his turn to try to solve this highly unusual “locked-room” mystery. Offering a curious insight into traditional Japan, The Honjin Murders is a compact, tightly-woven crime mystery, which, while paying a direct tribute to other crime masterworks, provides its own similar brain-teaser.Continue reading “Review: The Honjin Murders by Seishi Yokomizo”→
This list features book-to-film adaptations where either the film director or book author (or both) was female. This list excludes Jane Austen& Bronte sisters’ adaptations  to draw attention to other novels/stories. In no particular order:
1)To Kill a Mockingbird (1962): Harper Lee, author
2) The Virgin Suicides (1999): Sofia Coppola, director
3) The Talented Mr Ripley (1999): Patricia Highsmith,author
Since I am currently learning Japanese, as well as participating in the Japanese Literature Challenge, I thought I would talk more about Japan, and its culture and tradition. Below, I will briefly and very generally highlight 3 aspects of the traditional culture of Japan which I find fascinating.
I. Inari Shrines
Inari is a deity (a Shinto God) associated with foxes, rice, prosperity and household-wellbeing. There are many Inari shrines in Japan (close to 3000!) since this deity is much respected in the country (rice, as well as its protection, is very important). The origin of this worshipping goes back to ancient times, and both Shinto and Buddhist traditions have this deity in their ranks. Inari’s messenger and guardian is a fox or kitsune (a fox in Japanese) – probably because foxes were traditionally seen as rodent-eating creatures who help to preserve rice. Thus, often, you can find small kitsune statues near the shrines, under which one can leave their offering to the spirit in the form of cooked rice soaked in rice liquor (inari-zushi). No statue of kitsune resembles any other, and there is a great variety of them. It is said that Inari shrines even have symbolic holes somewhere so that spirit foxes may have an ease of access to the shrine. There is also a special festival called Motomiya-sai (“Main Shrine Festival”) held during the summer at Fushimi Inari-taisha or the head shrine of Inari in Fushimi-ku, Kyoto to celebrate this kami (or a spirit in Japanese). Continue reading “3 Aspects of Japanese Culture and Tradition”→
Since I am participating in the 13th Japanese Literature Challenge hosted by Dolce Bellezza, I am now reviewing this book by Japanese Nobel Prize winner Kenzaburo Ōe. In The Silent Cry, we are presented with the early 1960s and Mitsu, a disillusioned husband to an alcoholic wife and a father to a child who is now in an institution. Mitsu sees his life changing when his estranged brother Takashi arrives from America and together they travel to their native village in Shikoku, one of the main islands in Japan. There, they find that there is a shift in local power and one rich Korean magnate is proposing to buy what remains of Mitsu and Takashi’s land inheritance – their storehouse. Reluctantly, Mitsu finds himself drawn into a complicated political situation of the village, while also realising that Takashi starts to wield the unprecedented power over the village inhabitants. The Silent Cry is a slow-paced descent into one kind of a nightmare where the violent history of the village is about to be re-enacted and other grim discoveries made as the relationship between the two brothers takes an unexpected turn. Full of uneasiness and foreboding, The Silent Cy is a subtly powerful work that masterfully evokes the unsaid, the forbidden and the terrifying, getting us close to the real Truth and to the final Hope. It really becomes one of those books you do not have to enjoy, but to simply experience and live through.Continue reading “Review: The Silent Cry by Kenzaburō Ōe”→