Top 5 Anti-War/Protest Songs of the 1980s and 1990s (Part II)

I. “Zombie” (1994) by The Cranberries

This song was written as a response to the then ongoing violence knowing as the “Troubles” in Northern Ireland. In particular, the song commemorates the victims of the Warrington bombing that happened in 1993 when two children aged 3 and 12 (Johnathan Ball and Tim Parry) were tragically killed and 54 others were injured. The song, written by Dolores O’Riordan (1971 2018), talks about the personal devastation caused by the terrorist attacks, criticising how desensitised the public and media have become to them and calling for sympathy.

Continue reading “Top 5 Anti-War/Protest Songs of the 1980s and 1990s (Part II)”

National Day of Spain: Isaac Albéniz’s Cantos de España

Today, 12 October, is Spain’s National Day and I am sharing Isaac Albéniz’s Cantos de España (or Chants d’Espagne). Isaac Albéniz (1860 – 1909) was an influential Spanish virtuoso pianist and composer and some of his best-known compositions incorporate Spanish folk music.

Remembering 9/11: Terence Blanchard’s Score

#NeverForget

Today (11th September 2021) marks 20 years since the 9/11 terrorist attacks which took the lives of 2.977 people (see also this article on people who died from cancer which was directly related to the tragedy). Given this important date, I thought I would pay tribute to all those who suffered and/or died in this tragedy, as well as to all those who fought bravely to save people in the aftermath, by sharing this powerful soundtrack composed by Terence Blanchard for Spike Lee’s film 25th Hour (2002). I consider this film, based on a book by David Benioff, to be the most significant 9/11 feature film. While it does not speak of the tragedy directly, it conveys movingly the 9/11 atmosphere just after the attacks and somehow manages to show collective and individual trauma caused by the tragedy, albeit indirectly and somewhat symbolically. The film contains resonating messages on loss, grief, isolation, confusion, anxiety, missed opportunities and responsibility.

Recent History, Science & Music Non-Fiction Reads: Five Points, When Brains Dream & Year of Wonder

I. Five Points: The Nineteenth-Century New York City Neighborhood That Invented Tap Dance, Stole Elections and Became the World’s Most Notorious Slum [2002] by Tyler Anbinder ★★★★

I love reading about the history of New York City, for example see my review of Mark Kurlanskys The Big Oyster: A Molluscular History of New York [2006]. In Five Points, Tyler Anbinder focuses his attention on once the most notorious area in New York – the infamous Five Points, once a densely-populated, poverty, crime, riots and disease-ridden area. The area, which was once a green place with a lake called “The Collect Pond”, became by the end of the eighteenth century “a putrid nuisance” (due to local industries’ contamination) [Anbinder, 2002: 14] and, later, a place to be feared and ruled by criminal gangs. However, what became a place of danger for some, also turned into a place of fun and unthought-of opportunities for others. This non-fiction book is a very detailed account of the history of Five Points in the nineteenth century. Through documents, contemporaries’ accounts (each chapter starts with a “personal story” prologue), maps, graphs and old photographers, the author shows how Five Points gained such a vile reputation around the world and what made it so different from other New York neighbourhoods.

Continue reading “Recent History, Science & Music Non-Fiction Reads: Five Points, When Brains Dream & Year of Wonder”

Carlos Gardel (11 December 1890 – 24 June 1935)

Carlos Gardel was a French-Argentine singer, songwriter and composer. Born in Toulouse, France, he was celebrated throughout Latin America and became known for his melancholy ballads and classic tango songs. Often referred to as “The King of Tango”, he created hundreds of recordings and one of his songs titled Por una Cabeza was featured in such films as Scent of a Woman [1992] and Schindler’s List [1993]. The lyrics were written by Alfredo Le Pera, and Gardel himself sang to his own piece in a film Tango Bar [1935]. “Por una Cabeza” is a gambling jargon signifying a horse winning a race narrowly and, in this case, probably also refers to the possibility of losing a beloved woman. The mood of the song is said to be “passionate and vivid”, and the composition is often praised for its contrasting use of minor and major chords.

The video below shows the piano performance by Stanislav Stanchev who plays his own arrangement. Carlos Gardel tragically died in an airplane crash in 1935. He was 44.

Review: Beethoven: A Life in Nine Pieces by Laura Tunbridge

Beethoven: A Life in Nine Pieces [2020] – ★★★★★

Did you know that a music piece (a Septet) that made Beethoven’s name in the nineteenth century is hardly ever played today? Or that later pieces by Beethoven that are now known to everyone were considered in the composer’s time too complex and brazen to merit any attention? Beethoven’s elusive “Immortal Beloved” is still without identity, and his attempts at self-promotion were not always successful. Through just nine musical pieces, Laura Tunbridge places Beethoven in a particular time and place in her well-researched book, presenting an intimate and detailed image of the great composer. Rather than Beethoven being an isolated genius making music masterpieces on his own, the author talks of Beethoven as a gifted person that was depended on others (such as on his friends and patrons), as well as on the particular time, norms and politics, as well as on the musical tradition in which he lived. Tunbridge demonstrates how Vienna and Beethoven’s own personal life affected his music, and how changing perceptions, as well as tastes of nobility, ultimately dictated and shaped the man and his music that is now admired by millions.

Continue reading “Review: Beethoven: A Life in Nine Pieces by Laura Tunbridge”

Ludwig van Beethoven: 250 Years – Sonata “Pathetique”

17 December 2020 marks 250 years since the birth of Ludwig van Beethoven (he was baptised on 17 December 1770, but his real date of birth was probably 16 December 1770). Considered by many to be the greatest composer who has ever lived, Beethoven composed some of the world-famous classical music compositions, from Piano Sonata No. 14 (“Moonlight Sonata”) to “Emperor Concerto”. I would like take this opportunity to share one of his masterpieces – the beginning of “Sonata Pathetique”, No. 8. My favourite performance of this piece is by Vladimir Ashkenazy at the University of Essex in Colchester in 1972.

Joe Hisaishi: Howl’s Moving Castle (2004) & Spirited Away (2001)

Joe Hisaishi (6 December 1950) is Japanese composer, probably best known for his music collaborations with director Hayao Miyazaki on various Studio Ghibli films. Yesterday he turned 70 years old and I think it is a perfect time to share a couple of his best-known compositions for animations: Merry-Go-Round of Life from Howl’s Moving Castle (2004) and The Name of Life from Spirited Away (2001).

Continue reading “Joe Hisaishi: Howl’s Moving Castle (2004) & Spirited Away (2001)”

Yann Tiersen – Comptine d’un autre été

After Yann Tiersen’s Rue des Cascades, I feel like sharing this quieter but no less beautiful composition by the composer. Comptine d’un autre été forms part of the score for the film Amelie [2001]. This piano arrangement/performance is by Rousseau.

Erik Satie: Je te veux

Erik Satie [1866 – 1925] was a French composer known for his Gymnopédies and Gnossiennes compositions, among other late 19th century experimental music (he was “a precursor of minimalism, repetitive music and the Theatre of the Absurd”). This week it will be 154 years since the composer’s birth, and I would like to share his uplifting Je te veux composition to brighten everyone’s Wednesday. 

Alan Silvestri: Forrest Gump

My readers probably know by now that I love film music. In October 2019, I “celebrated” the 70th birthday of film composer Gabriel Yared (The English Patient [1996], Betty Blue [1986]), so now I want to highlight that today Alan Silvestri, an American film composer known for his collaborations with director Robert Zemeckis, is 70 years old too. Given this, I think it is perfect time to share one of this composer’s greatest scores for the film Forrest Gump [1994] that starred Tom Hanks. 

25 Music Hits from the 1980s

tapes-everywhereThis will be an unusual post for me, but since I heard of the death of Marie Fredriksson (1958 – 2019), a once lead singer in a Swedish band Roxette, I thought I would also pay tribute on my blog to the music (and love ballads) of the 1980s by compiling a list of memorable songs from that decade. In the 1980s, Roxette had a hit song – “The Look[1989] and it is also the band behind a song “It Must Have Been Love” [1987], featured in a film Pretty Woman [1990]. Even though I do not listen to the 1980s music anymore, I recognise that that decade produced some of the greatest hits ever, especially in pop music, and no music could compare to the instantly recognisable beat of the 1980s. This was also the decade that produced the best love songs, whose quality (and cheesiness!) is unmatched to this day. In no particular order (trying to feature different genres without repeating artists):  

I. Pet Shop Boys – “West End Girls” [1984]

II. A-Ha – “Take On Me” [1985]  Continue reading “25 Music Hits from the 1980s”

Solitaire

Neil Sedaka (1939-), an American singer, composer and producer, is 80 years old today. He is a writer or co-writer of more than 500 songs, and was also a popular singer with some serious hits under his belt. In 1972, Sedaka co-wrote with Phil Cody a beautiful song Solitaire, and it was later famously performed by The Carpenters. The audio below is the performance by Mark Lanegan, an alternative rock artist who I consider to be rather underrated (see the greatest cover of the song Man in the Long Black Coat). Lanegan’s album Imitations [2013] is composed of song covers that he heard when growing up at his parents’ home.