An Autobiography: The Story of My Experiments with Truth [1929/48] by Mohandas K. Gandhi – ★★★★★
In this frank, unputdownable autobiography, Mahatma Gandhi talks about his life, from his upbringing in India (including child marriage) and travel to the UK (to study law) to actions in India, and thoughts on everything, from his relationship with his wife, to the WWI, religion and racism. I particularly appreciated book passages on his vegetarianism and Gandhi’s comments on introversion. Rather than it being a weakness or some “fault”, it helped him to establish that “quiet power” to conquer hearts and minds, and try to lead people to a better life; a very philosophical and deeply honest book with important life lessons.
This short novella was a heart-breaking read and probably goes well with the film of the same name by Max Ophüls. It is as much a story of hidden and forbidden passion as it is a tale about coming to terms with life disappointments and acknowledging people affected by one’s spur-of-the-moment whims and short-lived desires.
This is a story that I read in Russian. This novella by Chekhov is set in the Caucasus, near the Black Sea, and tells of Laevsky, a lazy, egoistic, good-for-nothing government official who spends his days playing cards, swimming, drinking, arguing with his mistress and getting deeper into debt. Laevsky is increasingly tired of and frustrated by his mistress, Nadezhda Fedorovna, the wife of another man, and decides “to get rid” of her by going away. However, he starts to understand that he is both out of money and out of friends. On his path then appears Von Koren, a scientist and a man of principles, who does not think twice about challenging Laevsky to a duel.
Chekhov had this incredible talent of conjuring up deep and unforgettable character studies/insights in a very few words and paragraphs, and The Duel is a classic tale of disillusionment, crushed ideals, deceiving appearances and humanity caught in an endless cycle of other people’s opinions and judgement. Everyone “has their own truth” in the story, especially Laevsky, who finds himself at the biggest crossroad in his life, facing the possibility of the weight of harsh reality crushing him. The largest sorrow in life may consist in the actual realisation of the truth of one’s existence and past actions, as well as in the process of brutal self-confrontation. With humour and wit, Chekhov takes a penetrating look at the human nature in The Duel, trying to answer the question whether even self-acknowledged scoundrels like Laevsky could hope for forgiveness and redemption; whether even these people are deserving of hope; and whether even they could also find their place among the virtuous and the good, mending their ways.
Tennessee Williams (A Streetcar Named Desire ) published his partly-autobiographical play The Glass Menagerie in 1944 and this debut became an instant theatrical success. The play has only a handful of main characters, and centres on Amanda, a domineering mother to her two grown-up children – quietly rebellious Tom and completely submissive and “hopeless” Laura who “lives in a world of her own”. When Tom arranges for “a young gentleman caller” to come over for dinner so that he can meet Laura, the family’s hidden neurosesand insecurities come to the surface. Still reliving her years as a southern belle (probably as a way to cope with the Depression era realities), Amanda “overpowers” each individual around her, and her children devised special strategies to deal with their mother’s encroachment, and general isolation and loneliness. If Tom “goes to the movies” and drinks, Amanda’s unmarried and disabled daughter Laura retreats in her own imaginary world of glass figurines (which stand for the fragile world of dreams that is about to be shattered by brutal reality).
This is a short story by “the father of the Japanese short story” who is probably best known for such short stories as Rashomon  and In a Grove . Said to be the reworking of the Uji Shūi Monogatari, Japanese tales written in the thirteenth century, Hell Screen tells the story of Yoshihide, an eccentric painter and allegedly a despicable human being, who resides at the court of one powerful Lord Horikawa. When the Lord requests Yoshihide to paint the picture of Hell, the artist takes this request too close to heart. Moreover, slowly, Yoshihide’s beautiful daughter becomes the centre of the newest rumour and intrigue. Akutagawa’s story may be short, but it also evokes the most powerful imagery. The author was a master of story-telling, and in this story we are presented with vivid descriptions that he also coupled with the peculiarly Japanese literary minimalism. The outcome is one disturbing, unforgettable story of obsession and damnation. I read Hell Screen thanks to the amazing post by Juan Gómez-Pintado titled “10 Extraordinary Tales of Terror“.
The Legend of Sleepy Hollow is a short story by American author Washington Irving. Drawing inspiration from folklore that dates back to the Middle Ages and which concerns the sightings of the Headless Horseman, Irving wrote a haunting tale of one strange village, ghostly apparitions and unrequited love. At the centre of this tale is Ichabod Crane, an odd and superstitious young man who teaches at a local school in one Dutch settlement in New York State. When he sets his eyes on a local beauty Katrina Van Tassel, the daughter of a rich local farmer, he does not even imagine yet the competition he has yet to overcome to claim her hand, the competition that stems especially from Katrina’s suitor Brom Van Brunt. Nor does our young hero imagines the extent of the horror that can be experienced by one who is actually confronting the central figure of many horror stories told by a cosy fireplace. The Legend of Sleepy Hollow is a very memorable short story, largely because of its haunting atmosphere and the early romanticism of Johann Wolfgang von Goethe (“The Sorrows of Young Werther” ) that Irving injects into the story to make it more compelling. Continue reading “Halloween Reads: The Legend of Sleepy Hollow by Washington Irving and The Lottery by Shirley Jackson”→
Yesterday was the International Women’s Day – 8 March 2019, and although I am a bit late, I thought I would still review one of the stories from the feminist literature. This will also be the first post towards the Colour Coded Reading Challenge (Colour Yellow (I hope short stories count!)), and I am reviewing the book edited by Dale M. Bauer. The Yellow Wallpaper is a short story about the narrator’s path towards madness. The narrator is a woman who has recently given birth and is advised by her husband John, a physician, to have more rest and to stop writing in her diary. The narrator, however, loves to write and is very imaginative. On the top floor of their rented cottage, she finds a room which was once a nursery. There, one presence does not let her enjoy her stay – the presence of the yellow wallpaper on the walls. She gradually becomes fixated and obsessed with it until she cannot distinguish reality and imagination. This story by Charlotte Perkins Gilman has always been known for its eeriness, as well as for multiple interpretations that can be given to it. Whether the book is viewed as an unsettling horror story, a mental illness case study or a purely feminist text to highlight the plight of woman at the turn of the century, it still remains a compelling and thought-provoking read. Continue reading “Review: The Yellow Wallpaper by Charlotte Perkins Gilman”→