Following from my previous post of top ten disturbing books for this Halloween season, here is my post of some recommendations to soak up and enjoy that spooky atmosphere surrounding Halloween, my favourite time in the whole year. I am presenting four sections (short stories, films, music and ambience videos) that include four recommendations each:
SHORT STORIES: (i)Don’t Look Now and Other Stories  by Daphne du Maurier – In this collection, Don’t Look Now is a particularly eerie story about a couple John and Laura on their trip to Venice. In my review, I said that du Maurier makes “Venice claustrophobic, day-to-day reality – enigmatic, the mind – paranoiac, and ordinary people – full of threatening agendas“; (ii)Murder in the Age of Enlightenment(and other Stories)  by Ryunosuke Akutagawa – This collection of short stories by Japanese author Akutagawa includes his unforgettable horror storyHell Screen; (iii)The Signal-Man  by Charles Dickens is an incredible, frightening ghost story which has its own unique atmosphere (see also the short film adaptation (1976) of the story here); and (iv) Shirley Jackson’s The Lottery (my review).
This is a story that I read in Russian. This novella by Chekhov is set in the Caucasus, near the Black Sea, and tells of Laevsky, a lazy, egoistic, good-for-nothing government official who spends his days playing cards, swimming, drinking, arguing with his mistress and getting deeper into debt. Laevsky is increasingly tired of and frustrated by his mistress, Nadezhda Fedorovna, the wife of another man, and decides “to get rid” of her by going away. However, he starts to understand that he is both out of money and out of friends. On his path then appears Von Koren, a scientist and a man of principles, who does not think twice about challenging Laevsky to a duel.
Chekhov had this incredible talent of conjuring up deep and unforgettable character studies/insights in a very few words and paragraphs, and The Duel is a classic tale of disillusionment, crushed ideals, deceiving appearances and humanity caught in an endless cycle of other people’s opinions and judgement. Everyone “has their own truth” in the story, especially Laevsky, who finds himself at the biggest crossroad in his life, facing the possibility of the weight of harsh reality crushing him. The largest sorrow in life may consist in the actual realisation of the truth of one’s existence and past actions, as well as in the process of brutal self-confrontation. With humour and wit, Chekhov takes a penetrating look at the human nature in The Duel, trying to answer the question whether even self-acknowledged scoundrels like Laevsky could hope for forgiveness and redemption; whether even these people are deserving of hope; and whether even they could also find their place among the virtuous and the good, mending their ways.
In The Scapegoat, two complete look-alikes switch places and we follow the Englishman John as he reluctantly takes the place of seemingly wealthy but troubled Frenchman Jean de Gué. Previously somewhat shy and leading an uneventful life, John is unexpectedly thrust into the very limelight of life, acquiring a big family overnight, but also overbearing responsibilities and a failing business. As this is a Daphne du Maurier book, this is no ordinary tale of switched identities. In this tale, we step into an atmosphere that is haunting and unsettling, into a strange château peopled by still stranger people whose complex relationships and buried secrets first puzzle and then “liberate” our protagonist. Blending wonderfully the surreal and the realist, Daphne du Maurier created a fascinating psychological situation, a deep and intricate central character study and vivid minor characters, while touching on such themes as the nature of identity, the unpredictability of the human nature, the meaning of a family and the importance of forgiveness. With du Maurier, readers know that they are in the safe and confident hands of a master who will deliver something subtle, unsettling and over and above their expectations.