The Baron in the Trees (Il barone rampante)  – ★★★1/2
The Baron in the Trees is the fourth book of Italian author Italo Calvino (Invisible Cities ), telling of a young man, Cosimo, of the eighteenth century who decides to live on trees, never going down, sticking to his own principle that he would never touch the ground again. His family soon realises that what might have started as a childish tantrum has transformed into something big and life-changing. In time, Cosimo manages not only to live on the trees, but also to hunt, cook food, sleep and wash his clothes up there. He makes himself useful to others and develops friendship with a local girl Viola. The exploration of the new world of Cosimo up in the trees is fascinating and Calvino’s existentialist concept of one man eschewing society and its norms is appealing. It is then even more surprising to learn that, unfortunately, The Baron in the Trees is also quite plot-less and, in the end, delivers little by way of substance.
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Piranesi  – ★★★★
Piranesi is a new fantasy novel by the author of Jonathan Strange & Mr Norrell . This time, we have a diary-like narrative and our narrator observes, records and catalogues a curious World around him – the House. In the House, architectural splendours meet natural wonders – sea Tides, bringing marine life and vegetation, often flood the seemingly infinite number of opulent Halls, where numerous enigmatic statues of all sizes daze and confuse. Our narrator’s only human contact is the man only known as the Other, who also often frequents the Halls and who sees the World very differently from our narrator. Then, cryptic messages start to appear in some Halls, and our narrator witnesses strange visions. What other mysteries does the House hold, and is there really a Sixteenth Person who may be residing in the Far-Distant Halls? These are the questions that start to bother our narrator as he is slowly forced to question the very nature of his existence in this bewildering World of Tides and Architectural Beauty. In Piranesi, Susanna Clarke invented one mysterious, otherworldly place whose pull is irresistible, powerful and inescapable, and whose charm works like magic, saturating the reading experience with endless wonder, delight and fascination. Amidst all the watery and architectural beauty, though, there is a want for slightly more meaning and depth, and it is unfortunate that the second part of the book falls into some very familiar and overused literary “thriller” tropes.
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1Q84 [2009/2010] – ★★
This is going to be a very honest review of Haruki Murakami’s twelfth novel. 1Q84 is presented as a whimsical romance epic with elements of magical realism, and, in its proportion, has been linked to such extremely ambitious works as Roberto Bolano’s 2666 and Don DeLillo’s Underworld. In 1Q84, the year is 1984 and the location is Tokyo, Japan. Aomame, a thirty year old woman, becomes entangled in one strange affair involving a manuscript titled Air Chrysalis, a charity that seeks to help battered women seek revenge, and a menacing and unrelenting religious cult called Sakigake. In parallel to her story, we read the story of Tengo, a thirty year old man and Aomame’s alleged lost “love” whom she has not seen in twenty years. Tengo inexplicably gets implicated in the same affair of “another world” when he agrees to re-write Air Chrysalis. His fateful encounter with beautiful Fuka-Eri, original author of Air Chrysalis, soon makes him question his reality, as well as makes him reconsider his relationship with his estranged father. Soon, we read about the world where the so-called Little People have the upper hand and where there are two moons in the sky. Pursued by dangerous forces, will Tengo and Aomame ever meet again? The only problem with all that is that my summary sounds like it could be something far more exciting than what this book eventually delivers. In reality, the 1318-page mammoth that is 1Q84 delivers neither on its “wondrous, parallel-world” concept nor on its “star-crossed lovers” front. In all frankness, it is a tedious book which drags its feet for chapters and chapters and chapters, wasting its reader’s time. It is filled with complete meaninglessness from almost the very first chapter until the last, and from its dialogues to its character’s (almost completely sexual) activities. More than that, unfortunately, 1Q84 is also quite gaudy, ill-judged, melodramatic and pretentious. I will set out my issues with this book under the” story”, “characters”, and “author’s writing” headings, before talking about the good aspects.
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The Night Circus  – ★★★1/2
The Harry Potter generation is growing up, becoming a dominant group of consumers, and it seems that those books that contain magic or fairy-tale elements have the biggest chance of success in the market (see also Jonathan Strange & Mr Norrell ). The Night Circus can be considered as yet another book which was written on the back of the success of Harry Potter and its atmosphere of magic. The Night Circus was also originally written as part the NaNoWriMo competition, and contains non-linear, multiple viewpoints narrative. In this story, two “magicians” have arranged for their protégés to compete against each other in a mysterious magic competition. Hector has bound his young daughter Celia to compete against Marco, a protégé of a mysterious man named only as Alexander. Little the “magicians” suspect that Celia and Marco may grow up to be attracted to each other romantically, meaning that the competition may end up to be far from the battle it is meant to be. Meanwhile, Chandresh Lefèvre, a theatrical producer, has plans to set up a different kind of a circus, which functions as a completely “immersive entertainment” for the crowds, providing “a unique experience, a feast for the senses” [Morgenstern, 2011: 74]. The strength of The Night Circus lies in Morgenstern’s ability to establish a truly magical atmosphere (of the circus), as well as in the building of an enchanting, fairy tale-like beginning. The main weakness of the book remains in the plotting and in the establishment of the drama. It seems that Morgenstern was so taken by the task of immersing the reader into her magic circus atmosphere that she forgot to pay attention to the need for a dramatic plot or a hero’s journey. The result is that The Night Circus is almost predictable, devoid of any drama excitement or even a story in a strict sense of this word. In the author’s zeal to establish a Romeo & Juliet-setting for Celia and Marco, she also managed to present romantic love which is very unsympathetic (see the spoiler section below). Continue reading “Review: The Night Circus by Erin Morgenstern” →
Jonathan Strange & Mr Norrell  – ★★★★★
Neil Gaiman called Jonathan Strange & Mr Norrell “the finest English novel of the fantastic written in the last seventy years”, and I will agree with him. It is a very long book, but it is totally absorbing from the very first page. The novel begins in autumn 1806 with Mr Segundus, a theoretical magician, wanting to know why there was no more magic done in England. He is a new addition to the society of magicians in York, England. Practical magic has declined in England and there are apparently no practising magicians left in the country. The profession of a practising magician has fallen in reputation, and Mr Segundus comes to inquire of another magician who lives in Yorkshire why this is the case. He finds, however, that not only the reclusive Mr Norrell has an established library filled with rare books on the practice of magic, he also claims to be a practising magician himself! Mr Norrell soon desires to establish himself as the only practising magician in the country. The episodic-in-nature plot is delightful to read, and, in style, it reminds of Dickens’s Bleak House . Delving into the British folklore, Clarke opens up a fascinating magical world, which you will not want to leave, and takes her task quite seriously. Inside the book, one will find a gripping adventure-mystery, great characterisation, unforgettable atmosphere, humorous sequences, and the masterful use of the language. The book’s story, format, style and language all give the impression as though the book was written back when it was set – in the 19th century. In sum, Jonathan Strange & Mr Norrell is quite brilliant in every respect, and I cannot recommend the novel highly enough. As I would like to discuss the book here in some depth, the following review will contain spoilers. Continue reading “Review: Jonathan Strange & Mr Norrell by Susanna Clarke” →