Review: 1Q84 by Haruki Murakami

1Q84 [2009/2010] – ★★

This is going to be a very honest review of Haruki Murakami’s twelfth novel. 1Q84 is presented as a whimsical romance epic with elements of magical realism, and, in its proportion, has been linked to such extremely ambitious works as Roberto Bolano’s 2666 and Don DeLillo’s Underworld. In 1Q84, the year is 1984 and the location is Tokyo, Japan. Aomame, a thirty year old woman, becomes entangled in one strange affair involving a manuscript titled Air Chrysalis, a charity that seeks to help battered women seek revenge, and a menacing and unrelenting religious cult called Sakigake. In parallel to her story, we read the story of Tengo, a thirty year old man and Aomame’s alleged lost “love” whom she has not seen in twenty years. Tengo inexplicably gets implicated in the same affair of “another world” when he agrees to re-write Air Chrysalis. His fateful encounter with beautiful Fuka-Eri, original author of Air Chrysalis, soon makes him question his reality, as well as makes him reconsider his relationship with his estranged father. Soon, we read about the world where the so-called Little People have the upper hand and where there are two moons in the sky. Pursued by dangerous forces, will Tengo and Aomame ever meet again? The only problem with all that is that my summary sounds like it could be something far more exciting than what this book eventually delivers. In reality, the 1318-page mammoth that is 1Q84 delivers neither on its “wondrous, parallel-world” concept nor on its “star-crossed lovers” front. In all frankness, it is a tedious book which drags its feet for chapters and chapters and chapters, wasting its reader’s time. It is filled with complete meaninglessness from almost the very first chapter until the last, and from its dialogues to its character’s (almost completely sexual) activities. More than that, unfortunately, 1Q84 is also quite gaudy, ill-judged, melodramatic and pretentious. I will set out my issues with this book under the” story”, “characters”, and “author’s writing” headings, before talking about the good aspects.

Continue reading “Review: 1Q84 by Haruki Murakami”

Review: The Lost Steps by Alejo Carpentier

Los Pasos Perdidos CoverThe Lost Steps [1953/1989] – ★★★★1/2 

“…we let ourselves succumb to the world of wonder, eager for still greater portents. There arose beside the hearth, conjured up by Montsalvatje, the medicine men who healed the wounds with the magic incantation of Bogotá, the Amazon Queen, Cicanocohora, the amphibious men who slept at night in the bottoms of the lakes, and those whose sole nourishment was the scent of flowers” [Carpentier/de Onis, 1954/89: 144].

Los Pasos Perdidos or The Lost Steps was translated from the Spanish by Harriet de Onis and represents what is believed to be one of the most important Latin American novels to come out in the twentieth century. In this story, our unnamed narrator (believed to be in New York) is sent on a mission to a jungle (believed to be in Venezuela) to discover and collect some ancient musical instruments for a museum. By accepting this request, the narrator has no idea that he is about to embark on one extraordinary journey of self-realisation and self-discovery, which will force him to rethink his previous inculcated beliefs. The Lost Steps is a complex literary work which sometimes slides into being rather metaphysical in nature, but without losing its conviction or power. Carpentier weaves his story in a beautiful, even though enigmatic, language, and the result is a book which puzzles, impresses and astonishes. Continue reading “Review: The Lost Steps by Alejo Carpentier”

Review: The Bedlam Stacks by Natasha Pulley

The Bedlam Stacks Cover The Bedlam Stacks [2017] – ★★★

You’re not off to find the Northwest Passage on a thousand-mile plain of ice populated by six Esquimaux and an owl. It’s only Peru” [Pulley, 2017: 46].

When I found out that there is a book set in Peru, takes place in the 19th century, and concerns itself with Incan mythology, I knew immediately I had to read it because all these things appeal to me immensely. In the book by Pulley, we meet an explorer Merrick Tremayne, previously of the East India Company, who now resides in Cornwall with his brother. He has an injured leg and no prospects in England since his family fortunes are in decline. When his friend Clem visits him and suggest that he goes to Peru to fetch cinchona cuttings (which yields quinine), which can then help to cure malaria in India (on the orders of the East India Company), it seems like an impossible task. This is not least because there is a local monopoly regarding the trees in the region, and the journey can prove to be very dangerous. Merrick goes to Peru, with the aim to reach the village of Bethlehem or Bedlam, and soon finds that he needs to rethink his understanding of indigenous traditions, history and beliefs, and do it quickly if he wants to survive. The Bedlam Stacks is steeped in Incan folklore and has an eerie atmosphere, providing for a curious read. However, this book was definitely not a page-turner for me. It has a messy and confusing overall theme, caricature presentations, some unclear and dull descriptions, and – what I believe – a very unsympathetic character in the centre, all making the reading experience less enjoyable.  Continue reading “Review: The Bedlam Stacks by Natasha Pulley”