This book on Polish composer Fryderyk Chopin is the culmination of a ten years’ research project. Fryderyk or Frédéric Chopin is considered to be the greatest composer of the Romantic period, and this biography details his life from his early education and success in native Poland to his move and conquest of Paris through salon appearances, concerts and published works. Much in this book is about Chopin’s long-term relationship with French female novelist George Sand, but Chopin’s musical masterpieces, technique and piano theories are also dissected. Walker employs an engaging story-format to tell us about Chopin, a composer who was also largely self-taught and perpetually ill, providing invaluable insights into Chopin’s relationships with others. And, this well-researched book would have been a “must-read” biography if not for the fact that it is also over-written, with the author making some insensitive faux pas as he proceeds with his over-zealous narration.
This month I have intensified my piano-learning (finally finishing all the piano method books I once started and jumping on Duvernoy, Schytte and Lemoine’s studies) and been listening to a lot of piano music (especially to Godowsky’s Java Suite this month), so I have also decided to share some piano-related books I have been reading recently.
I. Journey of a Thousand Miles: My Story  by Lang Lang – ★★★★1/2
Chinese pianist Lang Lang is considered to be one of the leading figures of today’s classical music world and one of the most accomplished pianists of our modern time. This is his memoir in which he tells his story, from his birth in 1982 in China’s north-eastern city of Shenyang, his early musical education and upbringing, to his hard-work and his family sacrificing everything to see him become “the world’s no. 1”. It is a moving autobiography of a child once living in near-poverty, but always working very hard and dreaming “big”, and then of a young man, not always believing in himself, but always being clear in his mind what he wants to achieve next, overcoming his tricky family life and the Chinese competitive system. There are no “self-indulgent” paragraphs in this memoir. It is clear and to the point, with very short chapters, in which Lang Lang, first and foremost, pays tribute to his family and his teachers, who always believed in him and enabled him to become what he is now, an immensely popular classical pianist.
Today, 12 October, is Spain’s National Day and I am sharing Isaac Albéniz’s Cantos de España (or Chants d’Espagne). Isaac Albéniz (1860 – 1909) was an influential Spanish virtuoso pianist and composer and some of his best-known compositions incorporate Spanish folk music.
My previous post was about classical piano music, and I thought I would do a post sharing my thoughts on learning piano from scratch at the age of thirty one without any previous knowledge of music. I first started learning the instrument around January 2020, but I am sad to report that since that time I have practised the piano on and off and even spent whole months without practising (up to four consecutive months without playing once), so my progress has been very slow and protracted. Nevertheless, I did make small progress, finished a couple of beginner books and enjoyed my journey. So, my notes below apply to *absolute adult beginners* and I hope the post will be interesting/useful at least to some of you who are considering picking up this instrument in future.
I. 3 things I wish I knew at the start of my piano-learning journey:
(i) It is important to learn to appreciate simple piano pieces and not try to produce Beethoven’s Moonlight Sonata or some complicated piece by Chopin in the first year. Just because a piece of music sounds simple, it does not mean it cannot be beautiful and some Grade 1/2 pieces are just lovely (check out these – Krieger’s Minuet in A Minor, Purcell’s Air in D Minor or Beethoven’s Sonatina in G Major (my personal favourite)). Learning simple songs not only helps to lay down important technique foundation for more complex pieces to come in future, but also boosts confidence. I think no musical piece should be seen as too insignificant or “childish” to play and learning to appreciate the sound of every note/key pressed will go a long way; (ii) linked to the first, is the advice to avoid learning pieces that are way beyond one’s musical level. It is great to challenge oneself once in a while, but most of the time learning a musical piece way beyond one’s ability will be a difficult and disheartening task. Patience is key, and what may take you three months to learn now may be accomplished in three weeks a year or two from now; (iii) learning scales and arpeggios early will be beneficial, not only for exercising hands, but also for recognising and learning key signatures.
Carlos Gardel was a French-Argentine singer, songwriter and composer. Born in Toulouse, France, he was celebrated throughout Latin America and became known for his melancholy ballads and classic tango songs. Often referred to as “The King of Tango”, he created hundreds of recordings and one of his songs titled Por una Cabeza was featured in such films as Scent of a Woman  and Schindler’s List . The lyrics were written by Alfredo Le Pera, and Gardel himself sang to his own piece in a film Tango Bar . “Por una Cabeza” is a gambling jargon signifying a horse winning a race narrowly and, in this case, probably also refers to the possibility of losing a beloved woman. The mood of the song is said to be “passionate and vivid”, and the composition is often praised for its contrasting use of minor and major chords.
The video below shows the piano performance by Stanislav Stanchev who plays his own arrangement. Carlos Gardel tragically died in an airplane crash in 1935. He was 44.
17 December 2020 marks 250 years since the birth of Ludwig van Beethoven (he was baptised on 17 December 1770, but his real date of birth was probably 16 December 1770). Considered by many to be the greatest composer who has ever lived, Beethoven composed some of the world-famous classical music compositions, from Piano Sonata No. 14 (“Moonlight Sonata”) to “Emperor Concerto”. I would like take this opportunity to share one of his masterpieces – the beginning of “Sonata Pathetique”, No. 8. My favourite performance of this piece is by Vladimir Ashkenazy at the University of Essex in Colchester in 1972.
This American classic by John Williams is a great, even if heart-breaking read. It tells the story of Stoner, a university professor, as he finds his way through life. He means to lead a simple life, but certain tragedies and disappointments in it get the better of him. The book is beautifully-written and is a quiet meditation on life and its meaning. The book can be compared to Thomas Hardy’s Jude the Obscure  and to Jack London’sMartin Eden . Continue reading “May 2020 Wrap-Up”→