The Power of the Dog [1967] – ★★★★

“…there was no doubt in Phil’s mind of the end of [the] pursuit. The dog would have its prey. Phil had only to raise his eyes to the hill to smell the dog’s breath [Thomas Savage, 1967: 76].

This book is by an underappreciated American author Thomas Savage, and Jane Campion (The Piano (1993)), one of my favourite film directors, is currently shooting an adaptation of it. The story takes place in a small town in Montana in the 1920s where two brothers’ interests clash when one of them unexpectedly decides to marry a widow with a son. Raw, uncanny and psychological, The Power of the Dog is probably known for its intense character study of Phil Burbank, whose brooding and quietly menacing presence haunts the pages of this book, making it virtually unforgettable. Thomas Savage undoubtedly drew from his own previous experience of working as a ranch hand to produce a different kind of a western, whose deep sensitivity to the characters and their dynamics is nicely offset by the “harsh” authenticity of the language.  Continue reading “Review: The Power of the Dog by Thomas Savage” →