“Her eyes, when they laughed for a moment into one’s own, seemed to promise a wild delight that he had not found in life. “I know where it is”, they seemed to say, “I could show you!“….She had always the power of suggesting things lovelier than herself, as the perfume of a single flower may call up the whole sweetness of spring” [Willa Cather, 1923: 136, 137].
I was impressed with Willa Cather’s Death Comes for the Archbishop, which I read in spring, and have now decided to try out another book by her. I ended up liking A Lost Lady even more than Death Comes for the Archbishop. The novel’s location is Sweet Water, a town in the “American West”, which is one of the hubs of the transcontinental railroad business activity. Marian Forrester, the young wife of successful Captain Daniel Forrester, holds a fascination for the entire community of Sweet Water, from the most hardened, aging businessmen to the children of local grocery men. Mrs. Forrester only comes to town to stay for her summer holidays, but her name is well-known and her coming is eagerly anticipated, especially by young Neil Herbert, the nephew of JudgePommeroy. Mrs. Forrester is, indeed, “bewitching”, the very definition of charm, grace and sophistication, “belonging to a different world”, “with a glance that made one’s blood tingle” [Cather, 1923: 38]. Amidst challenging times for the community, with financial hardship in sight for everyone, can Marian Forrester and her “elegant” world of principles survive? And then, who Mrs. Forrester really is? A Lost Lady may not be a classic book with a fully fledged plot that spans hundreds of pages and unforgettable twists, but probably that is where its charm lies – in its deceptively simple, beautifully-written story that reveals slowly its quiet character study that, in turn, has the ability to provoke and move.
Tennessee Williams (A Streetcar Named Desire ) published his partly-autobiographical play The Glass Menagerie in 1944 and this debut became an instant theatrical success. The play has only a handful of main characters, and centres on Amanda, a domineering mother to her two grown-up children – quietly rebellious Tom and completely submissive and “hopeless” Laura who “lives in a world of her own”. When Tom arranges for “a young gentleman caller” to come over for dinner so that he can meet Laura, the family’s hidden neurosesand insecurities come to the surface. Still reliving her years as a southern belle (probably as a way to cope with the Depression era realities), Amanda “overpowers” each individual around her, and her children devised special strategies to deal with their mother’s encroachment, and general isolation and loneliness. If Tom “goes to the movies” and drinks, Amanda’s unmarried and disabled daughter Laura retreats in her own imaginary world of glass figurines (which stand for the fragile world of dreams that is about to be shattered by brutal reality).
“The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth” [Ecclesiastes 7:4].
In this book, Lily Bart, a young woman from once aristocratic but now impoverished family, has reached her twenty-ninth year without finding a husband. Her beauty and financial resources declining, she notices changes in the society’s perception of her. Miss Bart, free-spirited, fun-loving, popular and, in her own words, “horribly poor – [but] very expensive] [1905: 12], soon faces an unenviable position worsened by the fact that she still loves shopping, jewellery and luxury. To what extent can she still count on the kindness of others to survive in the world that is increasingly becoming unforgiving and even hostile, full of social traps and intrigues? Considered scandalous upon its release, but converted Wharton into a successful author virtually overnight, this satire on New York City’s high society through the in-depth portrayal of a modern and increasingly fragile woman conveys the sheer pathos of a situation whereby individual willpower and the independence of spirit find themselves at odds with societal demands and expectations.
This American classic by John Williams is a great, even if heart-breaking read. It tells the story of Stoner, a university professor, as he finds his way through life. He means to lead a simple life, but certain tragedies and disappointments in it get the better of him. The book is beautifully-written and is a quiet meditation on life and its meaning. The book can be compared to Thomas Hardy’s Jude the Obscure  and to Jack London’sMartin Eden . Continue reading “May 2020 Wrap-Up”→
“He was not sure that he wanted to see the Countess Olenska again; but ever since he had looked at her from the path above the bay he had wanted, irrationally and indescribably, to see the place she was living in, and to follow the movements of her imagined figure…The longing was with him day and night, an incessant undefinable craving, like the sudden whim of a sick man for food and drink once tasted and long since forgotten. He could not see beyond the craving, or picture what it might lead to…He simply felt that if he could carry away the vision of the spot of earth she walked on…the rest of the world might seem less empty” [Edith Wharton, 1920: 191].