I watched Conor McPherson’s adaptation of Anton Chekhov’s celebrated play Uncle Vanya , filmed at Harold Pinter Theatre in London in 2020. Directed by Ian Rickson and starring such names as Toby Jones (The Painted Veil (2006)), Roger Allam (V for Vendetta (2005)) and Richard Armitage (Hobbit (2012)), the story concerns an aging Professor Serebryakov, his young wife Yelena, his brother-in-law Uncle Vanya (by Serebryakov’s first wife), Serebryakov’s daughter Sonya, his mother-in-law Mariya (also by Serebryakov’s first wife) and a local doctor Astrov, who all try to come to terms with their different stations and situations in life. Uncle Vanya is living comfortably on Serebryakov’s estate, which belongs legally to Sonya, and “does nothing”, but the situation takes a turn for the worse when Professor suddenly announces that he would like to sell the house and the land. The situation is even more complicating because almost all men in the story are infatuated with Serebryakov’s beautiful wife Yelena and tensions soon reach a boiling point. This is a play which hinges on great performances and the cast delivers. This is a stylish and considerate adaptation of the play which has a very human drama at its centre.
Tennessee Williams (A Streetcar Named Desire ) published his partly-autobiographical play The Glass Menagerie in 1944 and this debut became an instant theatrical success. The play has only a handful of main characters, and centres on Amanda, a domineering mother to her two grown-up children – quietly rebellious Tom and completely submissive and “hopeless” Laura who “lives in a world of her own”. When Tom arranges for “a young gentleman caller” to come over for dinner so that he can meet Laura, the family’s hidden neurosesand insecurities come to the surface. Still reliving her years as a southern belle (probably as a way to cope with the Depression era realities), Amanda “overpowers” each individual around her, and her children devised special strategies to deal with their mother’s encroachment, and general isolation and loneliness. If Tom “goes to the movies” and drinks, Amanda’s unmarried and disabled daughter Laura retreats in her own imaginary world of glass figurines (which stand for the fragile world of dreams that is about to be shattered by brutal reality).
I thought The Way of Zen was a great introduction to the concept of Zen and its origins. The book does not just talk of hard-to-grasp notions within Zen, but also explains the application of Zen to such arts as poetry, painting and gardening.
Bury My Heart at Wounded Knee: An Indian History of the American West  by Dee Brown – ★★★★1/2
“They made us many promises, more than I can remember, but they never kept but one: they promised to take our land, and they took it“. Brown wrote a detailed and engaging book showing the history of the American West from the point of view of the Native American population. From Columbus who described native people as “so tractable, so peaceful” [1970: 1] to the battle of Black Rock, Brown’s account is an important read even though emotional as the story is filled with all kinds of injustice that have been committed against the native population. The book shows the bravery of individual American Indian leaders who simply tried to defend their people and land against the onslaught of white settlers and numerous unfair treaties. Native people were caught in the senselessness, savagery and greed of white settlers who were after more productive land and precious metals and who wanted either to convert Native Americans to their own ways, leave them to die in hostile conditions or simply eliminate them leading to hundreds of thousands of lives destroyed through hunger, combat, murder or plagues only in one broad region of the Americas. Continue reading “March 2020 Wrap-Up”→