Mini-Review: Tuesday Nights in 1980 by Molly Prentiss

Tuesday Nights in 1980 [2016] – ★★★★

I would like to thank Cathy at 746books for recommending this book to me after I compiled list 7 Great Novels Revolving Around Visual Art. Tuesday Nights in 1980 presents New York City’s art scene of 1980. At the centre are three people whose destinies collide in the background of creative bohemia filled with liberties of all kinds, boundless artistic inspiration and ambition, and spurs of unusual creativity: James Bennett is a misunderstood person and a renowned art critic who has synaesthesia, a condition which means that he experiences ideas, people and objects as colours or a combination of colours; Raul Engales is a “free spirit” and up-and-coming Argentinean artist who left behind in his country one past better not recalled; and Lucy Olliason is a girl from Idaho who has just recently arrived to NYC and is open to everything and anything. Evocatively, even if exaggeratedly, Molly Prentiss captures in her story the thrill of being young and artistic in NYC, which itself starts to undergo many changes. Amidst obsessive art-making and pleasures of falling in love, there are also a transitory nature of success, creative doubts and personal tragedies.

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Review: Melmoth by Sarah Perry

A15Zne-lCL Melmoth [2018] – ★★1/2 

First, I would like to say that I loved Sarah Perry’s The Essex Serpent [2016], its historical context, its beautiful prose, its main character, its plot – it read (almost, perhaps) like a modern classic, and it was a very enjoyable experience. Melmoth is Perry’s third book in which she focuses on the legend of Melmoth the Wanderer as it is seen through the eyes of modern-day characters living in Prague. In this story, Helen Franklin is a forty-something-year-old woman living in the Czech Republic in 2016 and working as a translator. She strikes up a friendship with one “posh” couple Karel and Thea, and it is through them that she reads a mysterious manuscript that details the confessions of certain people who allegedly had an encounter with Melmoth or Melmotka (a lonely woman who once denied the resurrection of Christ and is doomed to wander the Earth forever bearing witness to the humanity’s cruelty). The obsession with the manuscript soon makes Helen confront her own past. Even though there is an attempt made by the author to make this book deep and philosophical by touching upon such issues as sin, guilt, regret and atonement, these messages never get across in a compelling manner, and, overall, the book feels dull and very contrived. As in The Essex Serpent, Perry uses one intriguing and spooky legend here as a bait to entice her readers into picking up this “Gothic and unsettling” book only for those readers to then discover that they, instead, have been served with merely a collection of sad personal historical accounts that the author never even managed to bring convincingly together to make her final important point on history, witnessing and responsibility. Continue reading “Review: Melmoth by Sarah Perry”

Review: Moth Smoke by Mohsin Hamid

Moth Smoke Cover Moth Smoke [2000] – ★★★★1/2    

Mohsin Hamid’s The Reluctant Fundamentalist [2007] is one of my favourite novels. Therefore, I had high expectations prior to reading Hamid’s debut book Moth Smoke [2000]. These expectations were met. In Moth Smoke, Darashikoh Shezad or Daru is a hash-smoking banker living in Lahore, Pakistan who rekindles his friendship with his childhood friend Ozi, who is now an influential and rich man living under the protection of his equally influential, but corrupt father. Daru also realises that he is attracted to Ozi’s wife Mumtaz, and, among his friends is also a shady character Murad Badshah, who sometimes acts as his drugs supplier. After Daru is fired from his job, his societal divide from influential and rich Ozi grows even further, and he finds himself on the dark path towards immorality and crime. Moth Smoke is a fascinating, eye-opening journey into Lahore’s criminal underbelly, which makes observations on the societal class divisions and east vs. west mentality conflicts. But, it is also so much more than that: it has an experimental structure and style (with at least four unreliable narrators); employs symbolism and fable-like story-telling; and becomes a book about the limits of morality, friendship and love, while also exploring the nature of guilt and the malleability of truth.  Continue reading “Review: Moth Smoke by Mohsin Hamid”