“Her eyes, when they laughed for a moment into one’s own, seemed to promise a wild delight that he had not found in life. “I know where it is”, they seemed to say, “I could show you!“….She had always the power of suggesting things lovelier than herself, as the perfume of a single flower may call up the whole sweetness of spring” [Willa Cather, 1923: 136, 137].
I was impressed with Willa Cather’s Death Comes for the Archbishop, which I read in spring, and have now decided to try out another book by her. I ended up liking A Lost Lady even more than Death Comes for the Archbishop. The novel’s location is Sweet Water, a town in the “American West”, which is one of the hubs of the transcontinental railroad business activity. Marian Forrester, the young wife of successful Captain Daniel Forrester, holds a fascination for the entire community of Sweet Water, from the most hardened, aging businessmen to the children of local grocery men. Mrs. Forrester only comes to town to stay for her summer holidays, but her name is well-known and her coming is eagerly anticipated, especially by young Neil Herbert, the nephew of JudgePommeroy. Mrs. Forrester is, indeed, “bewitching”, the very definition of charm, grace and sophistication, “belonging to a different world”, “with a glance that made one’s blood tingle” [Cather, 1923: 38]. Amidst challenging times for the community, with financial hardship in sight for everyone, can Marian Forrester and her “elegant” world of principles survive? And then, who Mrs. Forrester really is? A Lost Lady may not be a classic book with a fully fledged plot that spans hundreds of pages and unforgettable twists, but probably that is where its charm lies – in its deceptively simple, beautifully-written story that reveals slowly its quiet character study that, in turn, has the ability to provoke and move.
The Baron in the Trees (Il barone rampante)  – ★★★1/2
The Baron in the Trees is the fourth book of Italian author Italo Calvino (Invisible Cities ), telling of a young man, Cosimo, of the eighteenth century who decides to live on trees, never going down, sticking to his own principle that he would never touch the ground again. His family soon realises that what might have started as a childish tantrum has transformed into something big and life-changing. In time, Cosimo manages not only to live on the trees, but also to hunt, cook food, sleep and wash his clothes up there. He makes himself useful to others and develops friendship with a local girl Viola. The exploration of the new world of Cosimo up in the trees is fascinating and Calvino’s existentialist concept of one man eschewing society and its norms is appealing. It is then even more surprising to learn that, unfortunately, The Baron in the Trees is also quite plot-less and, in the end, delivers little by way of substance.
An Autobiography: The Story of My Experiments with Truth [1929/48] by Mohandas K. Gandhi – ★★★★★
In this frank, unputdownable autobiography, Mahatma Gandhi talks about his life, from his upbringing in India (including child marriage) and travel to the UK (to study law) to actions in India, and thoughts on everything, from his relationship with his wife, to the WWI, religion and racism. I particularly appreciated book passages on his vegetarianism and Gandhi’s comments on introversion. Rather than it being a weakness or some “fault”, it helped him to establish that “quiet power” to conquer hearts and minds, and try to lead people to a better life; a very philosophical and deeply honest book with important life lessons.
This short novella was a heart-breaking read and probably goes well with the film of the same name by Max Ophüls. It is as much a story of hidden and forbidden passion as it is a tale about coming to terms with life disappointments and acknowledging people affected by one’s spur-of-the-moment whims and short-lived desires.
I would like to thank Cathy at 746books for recommending this book to me after I compiled list 7 Great Novels Revolving Around Visual Art. Tuesday Nights in 1980 presents New York City’s art scene of 1980. At the centre are three people whose destinies collide in the background of creative bohemia filled with liberties of all kinds, boundless artistic inspiration and ambition, and spurs of unusual creativity: James Bennett is a misunderstood person and a renowned art critic who has synaesthesia, a condition which means that he experiences ideas, people and objects as colours or a combination of colours; Raul Engales is a “free spirit” and up-and-coming Argentinean artist who left behind in his country one past better not recalled; and Lucy Olliason is a girl from Idaho who has just recently arrived to NYC and is open to everything and anything. Evocatively, even if exaggeratedly, Molly Prentiss captures in her story the thrill of being young and artistic in NYC, which itself starts to undergo many changes. Amidst obsessive art-making and pleasures of falling in love, there are also a transitory nature of success, creative doubts and personal tragedies.
First, I would like to say that I loved Sarah Perry’s The Essex Serpent , its historical context, its beautiful prose, its main character, its plot – it read (almost, perhaps) like a modern classic, and it was a very enjoyable experience. Melmoth is Perry’s third book in which she focuses on the legend of Melmoth the Wanderer as it is seen through the eyes of modern-day characters living in Prague. In this story, Helen Franklin is a forty-something-year-old woman living in the Czech Republic in 2016 and working as a translator. She strikes up a friendship with one “posh” couple Karel and Thea, and it is through them that she reads a mysterious manuscript that details the confessions of certain people who allegedly had an encounter with Melmoth or Melmotka (a lonely woman who once denied the resurrection of Christ and is doomed to wander the Earth forever bearing witness to the humanity’s cruelty). The obsession with the manuscript soon makes Helen confront her own past. Even though there is an attempt made by the author to make this book deep and philosophical by touching upon such issues as sin, guilt, regret and atonement, these messages never get across in a compelling manner, and, overall, the book feels dull and very contrived. As in The Essex Serpent, Perry uses one intriguing and spooky legend here as a bait to entice her readers into picking up this “Gothic and unsettling” book only for those readers to then discover that they, instead, have been served with merely a collection of sad personal historical accounts that the author never even managed to bring convincingly together to make her final important point on history, witnessing and responsibility.Continue reading “Review: Melmoth by Sarah Perry”→
Mohsin Hamid’s The Reluctant Fundamentalist  is one of my favourite novels. Therefore, I had high expectations prior to reading Hamid’s debut book Moth Smoke . These expectations were met. In Moth Smoke, Darashikoh Shezad or Daru is a hash-smoking banker living in Lahore, Pakistan who rekindles his friendship with his childhood friend Ozi, who is now an influential and rich man living under the protection of his equally influential, but corrupt father. Daru also realises that he is attracted to Ozi’s wife Mumtaz, and, among his friends is also a shady character Murad Badshah, who sometimes acts as his drugs supplier. After Daru is fired from his job, his societal divide from influential and rich Ozi grows even further, and he finds himself on the dark path towards immorality and crime. Moth Smoke is a fascinating, eye-opening journey into Lahore’s criminal underbelly, which makes observations on the societal class divisions and east vs. west mentality conflicts. But, it is also so much more than that: it has an experimental structure and style (with at least four unreliable narrators); employs symbolism and fable-like story-telling; and becomes a book about the limits of morality, friendship and love, while also exploring the nature of guilt and the malleability of truth. Continue reading “Review: Moth Smoke by Mohsin Hamid”→