An Autobiography: The Story of My Experiments with Truth [1929/48] by Mohandas K. Gandhi – ★★★★★
In this frank, unputdownable autobiography, Mahatma Gandhi talks about his life, from his upbringing in India (including child marriage) and travel to the UK (to study law) to actions in India, and thoughts on everything, from his relationship with his wife, to the WWI, religion and racism. I particularly appreciated book passages on his vegetarianism and Gandhi’s comments on introversion. Rather than it being a weakness or some “fault”, it helped him to establish that “quiet power” to conquer hearts and minds, and try to lead people to a better life; a very philosophical and deeply honest book with important life lessons.
This short novella was a heart-breaking read and probably goes well with the film of the same name by Max Ophüls. It is as much a story of hidden and forbidden passion as it is a tale about coming to terms with life disappointments and acknowledging people affected by one’s spur-of-the-moment whims and short-lived desires.
In Kazuo Ishiguro’s new book, Klara is an AF (Artificial Friend) or a highly advanced girl-robot created to be a companion for a child. Together with another AF Rosa, Klara spends her time shifting positions inside the store in a hope that some child will eventually choose her and she will fulfil her destiny. Relying on and worshipping the Sun, Klara never misses an opportunity to catch its rays: “…the big thing, silently understood by us all, was the Sun and his nourishment” [Ishiguro, 2021: 5]. She is both puzzled by and interested in humans. Then comes Josie, a kind, but sick child. As Klara enters Josie’s world, she gets to know more about humans and life, including its sorrows and unpredictability.
Klara and the Sun is Toy Story (together with the toy’s existential crisis)meets Never Let Me Go by way of one robot’s obsession with the Sun. It is a bitter-sweet and curious book with one fascinating narrator and a theme of hope. However, it also has a very “thin” story with vague world-building, severely under-explored themes, and characters and topics “recycled” from the author’s Never Let Me Go. A torrent of never-ending and sometimes pointless dialogue in the story does little service to Ishiguro, an author who is capable of far greater depth, nuance, subtlety, emotion, evocativeness and intelligence, than he delivered in this latest trendy, crowd-pleasing, YA-like book.