It is said that this “funny and sad novelis about religion, the fight between good and evil and the terrible accidents of human frailty.” The Bell should be right up my alley because I love stories that focus on small communities and morality. The synopsis reads: “A lay community of thoroughly mixed-up people is encamped outside Imber Abbey…A new bell, legendary symbol of religion and magic, is rediscovered“. At the same time, it appears that a number of characters also decide to either confront their partners or change their relationships status.
II. The Iliac Crest [2002/17] by Cristina Rivera Garza
Sometimes I am up for something subversive and unusual. The Iliac Crest is by Mexican author Cristina Rivera Garza who decided to explore the concepts of gender and identity, presenting in her story two women who come to an unnamed narrator’s house and start their questioning. “The increasingly frantic protagonist fails to defend his supposed masculinity and eventually finds himself in a sanatorium.” The novel has been called “haunting” and “otherworldly”, and I am sure there are many surprises along the way.
This book review is my second contribution to the Japanese Literature Challenge 14 hosted by Meredith at Dolce Bellezza. Winner of the prestigious Yomiuri Prize, Fires on the Plain details the experience of a Japanese soldier in the Philippines during the last months of the World War II (the Leyte island landing). This sometimes gruesome and traumatic, but vividly introspective and unputdowanable novel full of conviction is filled with psychological and philosophical insights. Drawing from his own experience of the WWII, Shōhei Ōoka wrote about the degradation, futility and meaninglessness of war through the experience of one injured and stranded soldier who gets suspended between complete despair, increasing apathy and little choice, but to commit war crimes, on the one hand, and glimpses of hope and religious visions, on the other. Plagued by contradictions and irrational thoughts, Private Tamura finds himself psychologically distancing from war horrors around him, as Ōoka makes a powerful statement on one situation where such concepts as morality or rationality no longer seem to have any meaning. Fires on the Plain is probably one of the most important anti-war novels ever written.
“The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth” [Ecclesiastes 7:4].
In this book, Lily Bart, a young woman from once aristocratic but now impoverished family, has reached her twenty-ninth year without finding a husband. Her beauty and financial resources declining, she notices changes in the society’s perception of her. Miss Bart, free-spirited, fun-loving, popular and, in her own words, “horribly poor – [but] very expensive] [1905: 12], soon faces an unenviable position worsened by the fact that she still loves shopping, jewellery and luxury. To what extent can she still count on the kindness of others to survive in the world that is increasingly becoming unforgiving and even hostile, full of social traps and intrigues? Considered scandalous upon its release, but converted Wharton into a successful author virtually overnight, this satire on New York City’s high society through the in-depth portrayal of a modern and increasingly fragile woman conveys the sheer pathos of a situation whereby individual willpower and the independence of spirit find themselves at odds with societal demands and expectations.
In this novel, Grace, an impressionable, recently-educated girl, “who has been around cultivated folks” arrives home to a small village of Little Hintock after a long absence and to the delight of her father Mr Melbury, a timber merchant. She soon rekindles her friendship with her childhood sweet-heart Giles Winterborne, an apple and cider farmer. However, as soon as she does so, she also notices a much more promising suitor who starts to intrigue her more than anyone else in this world: an educated, ambitious and “irresistible” doctor Edred Fitzpiers. Thomas Hardy’s narrative is like an exquisite painting created in a style of Old Masters, where money, ambition, sophistication, self-interest and the excess of knowledge clash violently with rural simplicity, kindness, loyalty and naïve mentality. The beauty/mastery of the prose is matched by the gripping plot full of vivid characters and psychological nuances. Emphasising the unbridgeable gap between the social classes and drawing attention to the iron confines of a marriage, while evoking the atmosphere of the old rural England, Hardy created with The Woodlanders the work that is on a par with some of his greatest literary creations – Tessof the d’Urbervilles  and Far from the Madding Crowd .
Bitter Orange is Claire Fuller’s third novel in which she mixes a crime mystery, antique house drama (a hint on a love triangle) and melancholic nostalgia for the past. Her main character Frances feels like she was given a new lease of life when, at the age of thirty-nine, her previously bedridden mother is dead and she is assigned a task to catalogue garden architecture in a semi-abandoned mansion – Lyntons. At the house, she befriends a couple who rents the first floor of the building, and their present relationships and past come head to head to result in something explosive. Bitter Orange is an oddly evocative book, but also an oddly imperfect one. Sometimes frustratingly uneventful and slow, the book’s main fault is still its underwhelming, under-thought and already unoriginal characters, premise and ending.