Review: Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach by John Eliot Gardiner 

Music in the Castle of Heaven [2013] – ★★★★

I was obliged to be industrious. Whoever is equally industrious will succeed equally well“. Johann Sebastian Bach

The music of Bach is complex, inventive, awe-inspiring and brimming with mathematical precision and religious fervour. The man behind it appears equally stern and unreachable. But, who was Johann Sebastian Bach really and how it came about that a cantor operating in a rather small region of Germany managed to compose music of such brilliant contours, imaginative force and spiritual depth that it now forms much of the foundation of our classical music and is worshipped by many across the globe? In this non-fiction, British conductor John Eliot Gardiner aims to shed light on these precise, still puzzling questions. Music in the Castle of Heaven is an illuminating account of Bach’s life and music that starts from the premise that to understand Bach’s art we have to first immerse ourselves in the very essence of his time and place of birth. Numerous factors influenced Bach and made him into a musician we know today – familial, historic, socio-economic, cultural, educational – and without knowing these we cannot fathom Bach’s mind and how it worked. Gardiner strikes at the very heart of Bach’s genius, presenting us with a complex and sometimes contradictory musician who was also a very empathetic man.

Continue reading “Review: Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach by John Eliot Gardiner “

Ludwig van Beethoven: 250 Years – Sonata “Pathetique”

17 December 2020 marks 250 years since the birth of Ludwig van Beethoven (he was baptised on 17 December 1770, but his real date of birth was probably 16 December 1770). Considered by many to be the greatest composer who has ever lived, Beethoven composed some of the world-famous classical music compositions, from Piano Sonata No. 14 (“Moonlight Sonata”) to “Emperor Concerto”. I would like take this opportunity to share one of his masterpieces – the beginning of “Sonata Pathetique”, No. 8. My favourite performance of this piece is by Vladimir Ashkenazy at the University of Essex in Colchester in 1972.