“Plant Horror”: 3 Classic Short Stories about “Monster” Orchids

There are such queer things about orchids…such possibilities of surprises” (H. G. Wells).

There is something about plant horror that stirs imagination like few other things, and evidence of this is the success of such astonishingly-premised books and films as The Day of the Triffids [1951], Invasion of the Body Snatchers [1956] and Annihilation [2014]. Orchids, in particular, have gathered quite a dark reputation over the decades, and academics like to link this reputation to orchids symbolising (the dark sides of) female sexuality. Also, just as there once was “tulipomania” in Holland in the 17th century, there was also once “orchidmania” in the 19th century, with the orchid becoming an obsession among botanists and travellers alike. Naturally, the more exotic the orchid was, the more it was sought after.

Below are three classic short stories that focus on “monster” orchids, and the interesting thing is that each of the stories below are connected through the “chain of inspiration”: Arthur C. Clarke’s story was inspired by H. G. Wells’s one, and Clarke and Collier’s stories provided inspiration for the horror-comedy films Little Shop of Horrors [1960] and [1986]. Two other books on a similar topic on my TBR list are Plants in Science Fiction: Speculative Vegetation by Katherine E. Bishop (ed.), and Plants That Kill: A Natural History of the World’s Most Poisonous Plants by Elisabeth A. Dauncey.

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Recent Reading: Short Stories & Novellas

The Duel [1891] by Anton Chekhov – ★★★★★

This novella by Chekhov is set in the Caucasus, near the Black Sea, and tells of Laevsky, a lazy, egoistic, good-for-nothing government official who spends his days playing cards, swimming, drinking, arguing with his mistress and getting deeper into debt. Laevsky is increasingly tired of and frustrated by his mistress, Nadezhda Fedorovna, the wife of another man, and decides “to get rid” of her by going away. However, he starts to understand that he is both out of money and out of friends. On his path then appears Von Koren, a scientist and a man of principles, who does not think twice about challenging Laevsky to a duel.

Chekhov had this incredible talent of conjuring up deep and unforgettable character studies/insights in a very few words and paragraphs, and The Duel is a classic tale of disillusionment, crushed ideals, deceiving appearances and humanity caught in an endless cycle of other people’s opinions and judgement. Everyone “has their own truth” in the story, especially Laevsky, who finds himself at the biggest crossroad in his life, facing the possibility of the weight of harsh reality crushing him. The largest sorrow in life may consist in the actual realisation of the truth of one’s existence and past actions, as well as in the process of brutal self-confrontation. With humour and wit, Chekhov takes a penetrating look at the human nature in The Duel, trying to answer the question whether even self-acknowledged scoundrels like Laevsky could hope for forgiveness and redemption; whether even these people are deserving of hope; and whether even they could also find their place among the virtuous and the good, mending their ways.

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