The Experimental Fire: Inventing English Alchemy, 1300-1700 by Jennifer M. Rampling
“Alchemy is the art of manipulating life, and consciousness in matter, to help it evolve, or to solve problems of inner disharmonies“. Jean Dubuis
“I had discovered, early in my researches, that [alchemists’] doctrine was no mere chemical fantasy, but a philosophy they applied to the world, to the elements, and to man himself”. William Butler Yeats, Rosa Alchemica
Alchemy, an ancient, mysterious practice of transmuting base metals and finding the Elixir of Life, is a fascinating subject to read about, and I previously talked about alchemy in art.This new book traces the history of alchemy in England from the fourteenth to the seventeenth century, illuminating “the role of alchemical reading and experimental practice in the broader context of national and scientific history“. The great thing abut this book is that Jennifer Rampling uses “new manuscript sources” to support her arguments, and emphasises “how English alchemy was continually [reinventing itself] over the space of four centuries, resulting in changes to the science...”
“Alchemy is not merely an art or science to teach metallic transmutation, so much as a true and solid science that teaches how to know the centre of all things, which in the divine language is called the Spirit of Life” (Stanislas Klossowski de Rola).
Before alchemy became the modern practice of “consciousness” transmutation, it was an occult art through which people tried to know the secrets of nature and, in the process, discover the “philosopher’s stone” that would grant them immortality or turn ordinary metals into gold. It was a very complicated and obscure process that involved many uneasy steps and sometimes years of work. The six paintings below completed by six different artists can be divided into two camps – (i) those that portray alchemy as a practice of charlatans or the ignorant that leads to poverty, and (ii) those that portray alchemy as a serious and noble intellectual pursuit that laid the foundations of modern chemistry.
This book is the one that surprised me the most this month. I found myself enchanted and slightly disturbed by Ogawa’s world of disappearing objects. It was very interesting to read about the uncertainty and characters’ determination to live normal lives despite the disappearances and the Memory Police’s harassment.
Kōbō Abe’s unusual book proved to be a great read for me. When a scientist in this story becomes facially disfigured, he vows to become “normal” again and have a face to fit into the Japanese society again. Abe explores the mental torment of someone who no longer sees himself as part of a society, making insightful observations on the power of personal transformation. Continue reading “October 2019 Wrap-Up: From The Memory Police to The Axeman’s Jazz”→