The Erasers [1953/1964] – ★★★★
French author Alain Robbe-Grillet (1922 –2008) was one of the main proponents of the experimental Nouveau Roman (French New Novel) style in literature. In this book of his, translated from the French by Richard Howard, the story concerns special agent Wallas who arrives to one obscure Flemish town to investigate the murder of one Professor Dupont. He is only yet another one dead in the series of gruesome murders that have already been committed in town: “in nine days, nine violent deaths have occurred one after another, of which at least six are definitely murders” [Robbe-Grillet/Howard, 1953/64: 57]. One possible witness is Professor Dupont’s housekeeper Madame Smite, but she cannot provide any help. On the scene was also Doctor Juard who took the victim, the wounded man, to the hospital where he allegedly died. Commissioner Laurent and Wallas have started a murder investigation, seeking an assassin, but was there even a murder? Was there even an assassin? Then, there emerges one horrifying and unbelievable possibility – did the guilty man himself [took] charge of the investigation? [1953/64: 200].What is the truth? The Erasers is a mystery novel that constantly questions reality, offering multiple perspectives on the same situation. It is a refreshingly different, kaleidoscopic murder mystery that puts the absurdity and the ambiguity front and centre.
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The Axeman’s Jazz  – ★★★
This is a debut historical fiction book that fictionalises real serial killer murders that shook New Orleans in 1918 and 1919 and were dubbed the Axeman’s murders. The book is a winner of the 2014 John Creasey (New Blood) Award, and I just could not pass by an opportunity to read this book since it is set in New Orleans of all places, a city that has been fascinating me for a long time and so much I have previously mentioned/talked on my blog about its history, art and notable celebrations. This very atmospheric book follows three people investigating the gruesome murders of the Axeman: (i) a professional investigator Detective Lieutenant Michael Talbot; (ii) a nineteen year-old amateur sleuth and secretary at a local detective agency Ida Davis, and (iii) a recent convict and once detective Luca D’Andrea. Each one of them is under pressure to discover the identity of the murderer before anyone else, and the task is not easy since the murderer taunts the police and leaves strange clues behind, such as Tarot cards. Soon corruption in high places, the Mafia and false leads all complicate the case, as well as the most recent strange demand of the murderer: “play Jazz on one particular Tuesday and you will be safe”. Charmingly evoking the atmosphere of one-of-a-kind place in the world which was New Orleans in the early twentieth century, Ray Celestin concocts a worthy-of-a-read crime thriller, even if it is at times slow, overwritten, unnecessarily confusing and wobbly in its logic. Continue reading “Review: The Axeman’s Jazz by Ray Celestin”
I started reading Agatha Christie’s detective novels when I was very young, and my passion for crime mysteries stems largely from my early literary acquaintance with the Queen of Crime. I believe that when you read Christie’s crime mysteries, you also pretty much read the best and certainly most influential murder/detective mysteries there are (apart from probably those of Arthur Conan Doyle and Edgar Allan Poe), and others either influenced Christie herself, see The Mystery of the Yellow Room , or are twisted imitations, see The Seven Deaths of Evelyn Hardcastle . Below are my ten favourite books from Agatha Christie (as you can see I prefer Hercule Poirot mysteries over those of Miss Marple, and also enjoy “exotic location” mysteries).
I. And Then There Were None 
Obviously, And Then There Were None leads my list since this is Christie’s detective masterpiece. In it, eight people arrive to an isolated island invited for different reasons (some with job prospects in mind). They do not find their host on the island, and, it turned out that the cause of their arrival is more sinister as one by one they die from unnatural causes, with their deaths eerily in line with one nursery rhyme. Full of twists, with one big unbelievable reveal towards the end, this book is Christie at her best, and the cleverness and originality of the plot design is still unsurpassed, even though widely imitated.
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