Miraculous Mysteries: Locked-Room Murders and Impossible Crimes –★★★★1/2
This is a fabulous collection of short murder mysteries (sixteen in total) that concern the so-called “impossible crime” scenario, where, seemingly, a murder could not have taken place or a murderer could not have possibly escaped after the commission of their crime (“locked-room” mysteries). I first saw the book reviewed at FictionFan’s Book Reviews and was immediately intrigued. Most of the stories concern the situation of “appearances deceiving” and come from various authors, from Arthur Conan Doyle and G. K. Chesterton to Margery Allingham and Sax Rohmer. In this book, there are such situations as (i) a confused policeman is not believed when he tells his tale of one gruesome murder scene he witnessed at one mysterious house no 13 – only, as it happens, there is no such house in existence; (ii) a night guard gets murdered in a museum room to which there is absolutely no access at night for anyone; and (iii) one invisible force striking people with an ornamented dagger. In this short review, I will highlight only three of these sixteen stories (these three are not necessarily the best or the most memorable ones, but simply the ones I chose for review).
Today, 20th April, is the unofficial Detective Fiction Day since on this day in 1841 Edgar Allan Poe’s story The Murders in the Rue Morgue was published by a magazine and many cite it as the world’s first detective story. Sir Arthur Conan Doyle, the creator of Sherlock Holmes, even wrote: “Each [of Poe’s detective stories] is a root from which a whole literature has developed… Where was the detective story until Poe breathed the breath of life into it?” So, to celebrate this occasion, I am presenting 15 books (in no particular order) which I reviewed on this blog and which all focus on solving of some murders.
American novelist Patricia Highsmith (1921 – 1995) is probably known for her Tom Ripley thrillers (among which is The Talented Mr Ripley ), as well as for psychological suspense/thriller books that later also became films – Strangers on a Train, The Price of Salt or The Two Faces of January. Below are the reviews of her two books, novels that showcase the depth of this author’s psychological character studies and her admirable, low-key stream of suspense.
I. Edith’s Diary  – ★★★★1/2
“The difference between dream and reality is the true hell” [Highsmith, 1977: 291].
I first spotted this great book onRadhika’s Reading Retreat (check out her amazing blog and book recommendations!) and I knew I had to read it. In this story, Edith Howland moves with her husband Brett and her young son Cliffie from New York City to Pennsylvania. The family is not rich and hopes for the best in their new community. Edith starts to run a political newspaper in the new place, while keeping in touch with her old neighbours in New York and her wealthy aunt Melanie. Pressure on Edith intensifies as her son Cliffie becomes first troublesome then passive and aimless in life and Brett’s uncle George arrives to demand attention to himself. Soon, it is evident that the life that Edith imagined for herself and her family does not quite accord with reality and Edith finds herself increasingly prone to fantasising as she writes in her dairy. What will be the cost of this fantasy? – Simple paranoia and mental health concerns, or maybe the complicity in the death of another person? Edith’s Diary is a nuanced, psychological novel full of hidden, but real fears, and a quietly disturbing account of a woman whose repressed despair caused by social and personal expectations may just surface to lead to tragic results. Continue reading “Patricia Highsmith: Edith’s Diary and The Tremor of Forgery”→
This short existential noir thriller tells of Albert, a thirty-year-old man, who arrives to his Paris apartment where he grew up. His mother died some years before, and, feeling nostalgic, Albert wonders around his Parisian quartier, trying to recall happy memories from his childhood. His day-dreaming is cut abruptly short when he meets a beautiful and enigmatic young woman with her daughter at the restaurant he never dared to go into before. Like some nightmare that he is unable to shake off, Albert soon finds himself trapped in a mystery so confusing and layered it is beyond his wildest imaginings – a dead body and a seemingly impossible crime emerge, and accounts of what happened are all as numerous as they are all improbable. Recalling the work of Georges Simenon, Bird in a Cage is a disturbingly delightful read, which is also suspenseful. Perhaps Dard is not as clever as he thinks he is with his big reveal, and much is left both unaccounted for and unbelievable in the story, but his concise and stylish approach to telling the story, that includes both existential and erotic themes, is rather fitting and appealing.Continue reading “Review: Bird in a Cage by Frédéric Dard”→
This is a debut historical fiction book that fictionalises realserial killer murders that shook New Orleans in 1918 and 1919 and were dubbed the Axeman’s murders. The book is a winner of the 2014 John Creasey (New Blood) Award, and I just could not pass by an opportunity to read this book since it is set in New Orleans of all places, a city that has been fascinating me for a long time and so much I have previously mentioned/talked on my blog about its history, artand notablecelebrations. This very atmospheric book follows three people investigating the gruesome murders of the Axeman: (i) a professional investigator Detective Lieutenant Michael Talbot; (ii) a nineteen year-old amateur sleuth and secretary at a local detective agency Ida Davis, and (iii) a recent convict and once detective Luca D’Andrea. Each one of them is under pressure to discover the identity of the murderer before anyone else, and the task is not easy since the murderer taunts the police and leaves strange clues behind, such as Tarot cards. Soon corruption in high places, the Mafia and false leads all complicate the case, as well as the most recent strange demand of the murderer: “play Jazz on one particular Tuesday and you will be safe”. Charmingly evoking the atmosphere of one-of-a-kind place in the world which was New Orleans in the early twentieth century, Ray Celestin concocts a worthy-of-a-read crime thriller, even if it is at times slow, overwritten, unnecessarily confusing and wobbly in its logic. Continue reading “Review: The Axeman’s Jazz by Ray Celestin”→
“There are no facts, only interpretations” (Friedrich Nietzsche).
I do not read many legal thrillers or courtroom dramas anymore (through I do read crime and detective stories). My “John Grisham” phase ended many years ago, and since I have a background in law, I tend to avoid fiction which makes me ceaselessly question/criticise legal inconsistencies/mistakes in a book. I had to make an exception with Miracle Creek, because there has been an overwhelmingly positive response to this courtroom thriller and debut book, and I just could not pass by an opportunity to read what has been called “a jaw-dropping, page-turner” of a book. Miracle Creek, is, indeed, not one’s ordinary legal thriller. Angie Kim centres her story around a pressured oxygen chamber or the Miracle Submarine that is used as an experimental treatment device in Miracle Creek, Virginia. The Miracle Submarine belongs to Pak Yoo, an immigrant from South Korea, who tries to do his best in the US so that his wife and daughter can find happiness in this foreign to them country. When a fatal accident happens at Pak’s treatment facility, one leading suspect emerges, but is the case as clear-cut as it appears at first? Soon, secrets, lies, and surprising relations between Pak Yoo’s patients emerge, complicating this seemingly open-and-shut case, as Angie Kim also makes insightful points on cultural divisions, on the issue of using certain experimental, controversial treatments to treat disabled children and on the trials of parenthood. Continue reading “Review: Miracle Creek by Angie Kim”→
Sébastien Japrisot (1931-2003) was an award-winning French author probably best known in the English-speaking world for his book A Very Long Engagement (Un long dimanche de fiançailles) , which was adapted into a well-known film by Jean-Pierre Jeunet. Japrisot’s Trap for Cinderella, translated by Helen Weaver, is an inventive psychological thriller which plays with one very curious scenario: two girls are found in a burnt down beach house – one dead and one alive. The survivor is burnt beyond recognition and remembers nothing about herself or her previous life. Who is she? And what was her relationship with the dead girl? The investigation into the fire uncovers evil intentions, and our main character begins to question everything she is told about herself. Japrisot’s tale of obsession, strange friendship and mistaken identity is a wild literary ride: intense and mentally-stimulating, even if it does rely on an unbelievable and slightly preposterous turn of events.
This bestseller is a debut novel of Jane Harper. It is a murder mystery with two tragedies at the heart of it. The setting is a small town of Kiewarra, Australia that was shaken by the gruesome murders of the Hadler family: Luke, Karen and their son Billy. The official version is that Luke, the father, killed his family before committing suicide. But is this open-and-shut case as straightforward as it seems? Aaron Falk, a police officer in Melbourne, arrives to his native town of Kiewarra for the funeral of his estranged pal Luke, and finds out that there is more to the deaths than first meets the eye. The Dry turns out to be a good, atmospheric book, but not necessarily because of the story. The story is actually quite typical in the genre of “small community” mysteries and not something extraordinary or special at all. What elevates this book above many others is the assured execution of the plot, the particular atmosphere conveyed, as well as some insightful character study. All this provides for an emotional and engaging read. Continue reading “Review: The Dry by Jane Harper”→