Since my two recent book reviews were of books that resulted in major films – Fried Green Tomatoes at the Whistle Stop Café and The Night of the Hunter – I have decided to have a go at this book tag about literary adaptations, slightly changing the original book tag seen at Milibroteca (a Spanish language book blog).
I. What is your favourite literary adaptation?
Anthony Minghella’s The English Patient  adapted from the novel of the same name  by Michael Ondaatje.
The English Patient is far from being the most faithful adaptation, but Minghella (The Talented Mr Ripley ) conveyed the spirit and atmosphere of the novel perfectly, and the film boasts great performances from Ralph Fiennes, Kristin Scott Thomas and Juliette Binoche. The score by Gabriel Yared (Betty Blue ) is one of the most beautiful ever produced, too.
II. What do you consider to be the best book-to-film adaptation?
Sofia Coppola’s The Virgin Suicides  adapted from the novel of the same name  by Jeffrey Eugenides.
In my opinion, some of the best ever literary adaptations include Gone with the Wind , Rosemary’s Baby  and Harry Potter and the Philosopher’s Stone , but there is still something very special about Sofia Coppola’s The Virgin Suicides, so I choose that film. It is a beautiful, haunting adaptation which remains largely faithful to the source material. Coppola did an amazing job conveying the suburban claustrophobia and hidden despair and tension of the girls. Continue reading “The Literary Adaptation Book Tag”
I. The Bonfire of the Vanities  by Tom Wolfe
Tom Wolfe’s acclaimed novel is set in New York as it tells of a high-flying bond trader Sherman McCoy and his eventual fall from the societal ladder when he is involved in a hit-and-run accident alongside his strikingly-beautiful lover Maria. We get a fascinating glimpse into the lives of the New York’s privileged, while also mull over the lives of the disadvantaged living in the Bronx and those on the media outlets’ outskirts desperate to make a big story whatever it takes. Though, in terms of plot, it probably takes cues from both The Great Gatsby  and the Spanish film Death of a Cyclist , Wolfe’s novel is still a pure joy to read: witty, bitter-sweet and engrossing. One of the chapters is titled The Masque of the Red Death, so there is plenty of nuance and hidden irony.
II. Breakfast at Tiffany’s  by Truman Capote
“What I’ve found does the most good is just to get into a taxi and go to Tiffany’s. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets” (2001: 36, Capote). Capote’s novella is short, and both sweet and melancholy in a way. It is about Holly Golightly, a stylish, vivacious young woman, living and enjoying life in Manhattan, not even wanting to think of her past, while men who admire her continue to speculate and probe into her mysteries and the secrets to her success. It is an easy read, but no less fascinating for it. Continue reading “10 Great Novels set in New York, NY”
I. Albert Camus – The Stranger 
“Mother died today. Or maybe yesterday, I don’t know.” [1984: 9, Camus/translation]. “You could never change your life…[and] that in any case one life was as good as another and…I wasn’t at all dissatisfied with mine here” [1984: 44, Camus/translation].
II. José Saramago – The Cave 
“Human vocabulary is still not capable, and probably never will be, of knowing, recognising and communicating everything that can be humanly experienced and felt” [2002: 254, Saramago/translation]. “What a strange scene you describe and what strange prisoners, They are just like us” [Plato, The Republic, Book VII]. Continue reading “10 “Must-Read” Existentialist Novels with Memorable Lines”