My favourite film composer Gabriel Yared (1949-) is 70 years old today, and I am taking this opportunity to pay tribute to him by sharing his musical masterpiece below. Born in Beirut, Yared gained his law degree before switching to music composition while studying in France. Apart from The English Patient, Gabriel Yared is also known as a composer for such films as Betty Blue, Camille Claudel, The Talented Mr Ripley and Cold Mountain.
“Sometimes when she is able to spend the night with him they are wakened by the three minarets of the city beginning their prayers before dawn. He walks with her through the indigo markets that lie between South Cairo and her home. The beautiful songs of faith enter the air like arrows, one minaret answering another, as if passing on a rumour of the two of them as they walk through the cold morning air, the smell of charcoal and hemp already making the air profound. Sinners in a holy city” (Michael Ondaatje, The English Patient, 1992: 154).
Since my two recent book reviews were of books that resulted in major films – Fried Green Tomatoes at the Whistle Stop Café and The Night of the Hunter – I have decided to have a go at this book tag about literary adaptations, slightly changing the original book tag seen at Milibroteca (a Spanish language book blog).
I. What is your favourite literary adaptation?
Anthony Minghella’s The English Patient  adapted from the novel of the same name  by Michael Ondaatje.
The English Patient is far from being the most faithful adaptation, but Minghella (The Talented Mr Ripley ) conveyed the spirit and atmosphere of the novel perfectly, and the film boasts great performances from Ralph Fiennes, Kristin Scott Thomas and Juliette Binoche. The score by Gabriel Yared (Betty Blue ) is one of the most beautiful ever produced, too.
II. What do you consider to be the best book-to-film adaptation?
Sofia Coppola’s The Virgin Suicides  adapted from the novel of the same name  by Jeffrey Eugenides.
In my opinion, some of the best ever literary adaptations include Gone with the Wind , Rosemary’s Baby  and Harry Potter and the Philosopher’s Stone , but there is still something very special about Sofia Coppola’s The Virgin Suicides, so I choose that film. It is a beautiful, haunting adaptation which remains largely faithful to the source material. Coppola did an amazing job conveying the suburban claustrophobia and hidden despair and tension of the girls. Continue reading “The Literary Adaptation Book Tag”