As many of you know, this year I am hosting the Italia Reading Challenge and got inspired to do the following list by my previous edition of it titled Japanese Literature Recommendations for Each Zodiac Sign.
ARIES (March 21 – April 19) – Corto Maltese [1967 – 2019] by Hugo Pratt
Aries is full of energy and does not mind a healthy amount of danger in his or her life. The enigmatic, contradictory hero of Hugo Pratt’s famous series may appeal to these people who love adventure. Feeling strange that you have been assigned a comic? No, it is just the opposite – this graphic novel is one deep material. Umberto Eco (Foucault’s Pendulum) famously said: “When I want to relax, I read an essay by Engels. When I want to read something serious, I read Corto Maltese.”
TAURUS (April 20 – May 20) – The Betrothed  by Alessandro Manzoni
Alessandro Manzoni’s classic novel, Italy’s “national institution”, is a tale of two lovers, Renzo and Lucia, who are trying to overcome oppression, jealousy and injustice on their path to happiness. Loyal and dependable Taurus will appreciate the values, romance and a sense of adventure this beautiful novel offers.
GEMINI (May 21 – June 20) – The Tartar Steppe  by Dino Buzzati
Geminis are clever and curious and this is the novel that only looks like a simply story, but requires quite an analysis. This claustrophobic novel’s theme of loneliness, allegedly Gemini’s biggest fear, can strike home for this Zodiac sign. The Tartar Steppe and Gemini may be the case of the attraction of the opposites. Changeable Gemini, who likes variety in life, may find the story’s Kafkaesque theme of being stuck in a fortress in the middle of nowhere a frighteningly intriguing reading proposition.
Continue reading “Italian Literature Recommendations for Each Zodiac Sign” →
Foucault’s Pendulum [1988/89] – ★★★★
“…the important thing is not the finding, it is the seeking, it is the devotion with which one spins the wheel of prayer and scripture, discovering the truth little by little” [Umberto Eco/William Weaver, Vintage Press: 1988/89: 33].
Trying to review Foucault’s Pendulum is like trying to write with your left-hand (if you are right-handed, that is) – an enormous task which will not probably be very successful. Through one dense, rich and enigmatic narrative, Umberto Eco tells the story of Casaubon (our narrator) and his friendship with two employees of a publishing house Garamond Press – Belbo and Diotallevi. This trio of intellectuals, who are simply in love with all kinds of knowledge, historic mysteries and brainy puzzles, start their own intellectual “game” of drawing connections with seemingly unrelated things using one clever word-processing machine and a suggestion from one Colonel Ardenti which concerns the order of the Knights Templar and perhaps mysterious resemblances. Little do they know that their amassed knowledge will be too diverse and their power of belief – too strong for a game which started on a whim and so childishly. When certain deaths and disappearances occur as they the trio’s search for their ultimate and absolute truth continues, it may be already too late to seek the way out. But is Eco’s story even about that? Perhaps it is about something else too, and about something else, and, equally, about something else. From the intellectual hub of Milan to esoteric, mysterious corners of Brazil, Umberto Eco takes the reader on one uncanny literary journey and presents a narrative which informs, surprises and exhilarates, as it also confounds, exhausts and overwhelms.
Continue reading “Review: Foucault’s Pendulum by Umberto Eco” →
On this blog, I reviewed some debut books which I loved (such as When Rain Clouds Gather, Moth Smoke, The People in the Trees and The Disappearance of Adele Bedeau) and which I hated/disliked (such as The Miniaturist, The Seven Deaths of Evelyn Hardcastle, Idaho and A Pale View of Hills), and this got me thinking about debut novels – what are the chances of writing/publishing one’s first novel and it becoming a straight “literary masterpiece”? Apparently for the authors below exactly that happened. For the purposes of this list, a debut book is the first published (not written) novel of an author (excluding poems, plays, non-fiction and short stories). This list of 10 great debut novels is in no particular order:
I. The God of Small Things  by Arundhati Roy
It is hard to believe that this Booker Prize-winning novel is a debut of Arundhati Roy, but it is true. This book changed my perception of literature and what it can do. The tale of a pair of twins growing up in India in the late 1960s is a powerful and exceptionally beautifully account. Roy’s language is inventive as she explores in this book such themes as hope, love, loss and despair. A modern classic. Continue reading “10 Great Debut Novels” →
It is time for another Six Degrees of Separation post, which I first saw on Books are My Favourite and Best. I propose that there are six links connecting the above books, follow me:
Pride & Prejudice is my favourite novel by Jane Austen, but did you know that it was originally titled First Impressions? Another classic book which changed its title before publication is The Great Gatsby. F. Scott Fitzgerald seriously considered naming his book Trimalchio in West Egg, among other titles. Continue reading “Six Degrees of Separation – from Pride & Prejudice to The Name of the Rose” →