
The Time of the Hero [1963] – ★★★★
The Time of the Hero (La Cuidad y Los Perros) is a controversial novel written by Nobel Prize winner Mario Vargas Llosa. The fictional story takes place in Lima, Peru at the Leoncio Prado Military Academy, a military educational establishment once attended by the author. In the story, a group of cadets is trying to steal the questions to the forthcoming chemistry exam, while being involved in a number of other similar “illicit” activities, such as fighting among themselves, bullying younger year groups and drinking. Little everyone knows that one careless action while trying to copy the exam leads to one irreparable tragedy and the shocking cover-up. It is without any doubt that The Time of the Hero is a literary work of great importance. The novel may not be easy or enjoyable to read, but its message is powerful, its themes – timeless, and its simple story is all the more significant for portraying what it means to be human and good in a society where cunningness, forcefulness and competitiveness are encouraged and lauded.
Continue reading “Review: The Time of the Hero by Mario Vargas Llosa”

The Miniaturist [2014] – ★★

II. Brave New World [1932] by Aldous Huxley












Nearby, there is also the infamous and majestic-looking, in all its Gothic glory, Dakota Building, which was built in 1884 across from Central Park and was the city’s first luxury apartment block. It notoriously housed a number of celebrities, including Leonard Bernstein, Rosemary Clooney, Boris Karloff, Judy Garland and Rudolf Nureyev. The interesting trivia here is that the building has its own in-house power plant to provide heating for its notable residents, and the applicants who were rejected by the board to be residents include Cher, Madonna and Antonio Banderas. The site can now be considered strangely eerie and tragic since in the building’s entrance corridor occurred the murder of John Lennon and the building also features in the psychological horror by Roman Polanski Rosemary’s Baby [1968].
“There was, she thought, so much to be said in favour of a game of cards. One was not compelled to pretend, could be silent without being dull, could frown without people being overtly solicitous about one’s happiness, could triumph over a man and not have to giggle and simper when one did it. One could kill time, obliterate loneliness, have a friendship with strangers one would never see again and live on that sweet, oiled cycle of anticipation, the expectation that something delicious was about to happen” 

“Nothing is stranger or more ticklish than a relationship between people who know each other only by sight, who meet and observe each other daily – no hourly – and are nevertheless compelled to keep up the pose of an indifferent stranger, neither greeting nor addressing each other, whether out of etiquette or their own whim. Between them there exists a disquiet, a strained curiosity, the hysteria of an unsatisfied, unnaturally repressed need for recognition and exchange of thoughts – and also, especially, a sort of nervous respect. For one person loves and honours another only as long as he is unable to assess him, and yearning is a result of a lack of knowledge” (Thomas Mann, Death in Venice [1912:41]).
It seems that every allegorical painting opens a door to deeper truth. The Calumny of Appelles was painted by Sandro Botticelli in 1494 from the description of a lost painting by Apelles, a Greek painter, who lived in the 4th century BC.


These are the portraits painted by
I. In Praise of Shadows [1933] by Junichiro Tanizaki
II. Quiet [2012] by Susan Cain 



I. The Bonfire of the Vanities [1987] by Tom Wolfe
II. Breakfast at Tiffany’s [1958] by Truman Capote 
Favourite book: Revolutionary Road by Richard Yates
Book that drowned you in feels: The Remains of the Day by Kazuo Ishiguro