3 Enchanted Forests from Mythology & Folklore

Enchanted forests have always had a special place in fairy-tales, folklore and mythology. In fantasy fiction, the forest is often perceived as a place of danger where anything can happen and where dark magicians or other dark forces dwell. In Slavic folklore, for example, the forest is a home to Baba Yaga, a kind of an evil witch who lives in a hut “on chicken legs”, and likes to cook and eat her victims. Similarly, in Hansel and Gretel, a brother and a sister find a gingerbread house deep in the forest, only to realise that its resident is a wicked witch. The Forbidden Forest in Harry Potter is equally a place of danger and morbid fascination, where centaurs, giant spiders and unicorns roam. Moreover, the forest can act as both a place to do evil deeds secretly and a place to hide and find the necessary refuge, as in the case of Snow White & the Seven Dwarfs, where the forest first acted as a place where the Queen’s huntsman had a task to kill Snow White, but then it became a welcoming abode for the Princess. In England, Sherwood Forest in Nottinghamshire is probably the most famous forest where the legend of Robin Hood is played out, and many cultures also have the tradition of a sacred grove (a holy place associated with secret rites and spiritual rituals). Below are three other examples of enchanted forests from mythology and folklore.

The Sacred Grove [1886] by
Arnold Böcklin
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Celtic Mythology

Celtic mythology is fascinating and includes tales from Wales, Scotland, Ireland, England’s south-west and Brittany. The legends of King Arthur (including of such figures as Lancelot and Merlin) are probably the most famous example, but the romance between Tristan and Iseult is also well-known. Below are three figures from the Celtic mythology whose stories perhaps influenced modern literature. 

caer

I. Caer (Ibormeith)

Caer is a pan-Celtic goddess/fairy maiden (worshipped in Ireland, Scotland and Wales), who is associated with dreams, sleeping and prophecy. She takes the form of a swan and lives on a lake called The Dragon’s Mouth. Caer was a love interest of Aonghus, the Irish love god, who first saw her in a dream. Aonghus wanted to marry Caer, but he first had to pass one challenge – to recognise Caer, who took the form of a swam, among other seemingly identical one hundred and fifty swans. Caer and her sisters take the form of swans every second Samhain (a pagan festival celebrated on 31 October), and remain like that for a year. Aonghus successfully completed this challenge, and he and Caer were married. Swans feature in many Continental fairy-tales too, most famously in Hans Christian Andersen’s fairy-tale The Wild Swans [1838], where a wicked witch turns the main character’s brothers into swans, and in Tchaikovsky’s ballet Swan Lake [1876], where Prince Siegfried falls for the Swan Princess Odette. Interestingly, tasks to recognise someone and mistaken identities feature in many similar stories.

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