In past centuries, many artists have depicted the Last Supper scene found in the Gospels. This is a scene where Jesus shares a meal with his Apostles before his crucifixion, making his prophetic announcement. It is very easy to see why it is one of many favourite Biblical scenes to depict. There is a special dynamism to this scene since the Apostles can be presented having their own personalities, and their interaction with each other, their reaction to Jesus’s words, as well as a sense of foreboding, can give a painting a special aura/interest. The interesting thing for many when looking at these paintings is how Judas “The Traitor” is depicted in this scene, and most artists paid special attention to ensure that he stands out from the scene. Below are five “The Last Supper” paintings which I personally find particularly interesting (they are not necessarily the most famous ones).
My readers probably already know that I love allegorical and symbolic paintings, and, thus, I could not resist to share and discuss a series of other ones – The Five Senses [1617-18] by Jan Brueghel the Elder and Peter Paul Rubens. The inspiration behind them was probably a series of tapestries known as The Lady and the Unicorn [circa 1500], each depicting one of the five senses – sight, hearing, smell, taste and touch (as well as the mysterious “sixth sense”). Brueghel and Rubens’s The Five Senses now have their home in the Prado Museum in Madrid.
Since this painting is supposed to represent sight, it is all about art, and, in particular, paintings, which are appreciated through sight. In this painting, Venus, a Roman goddess, and Cupid, a little boy, are in a cabinet (room) of curiosities. Cupid is showing Venus one of the Christian paintings – The Healing of the Blind Man, which is about the miraculous sight recovery of a man. Among other objects in this room are antique busts and scientific instruments, such as a telescope, which can also only be used through having vision. Continue reading “Allegorical Art: The Five Senses”