The Betrothed [1827/1972] – ★★★★★
The Betrothed is an Italian classic by Alessandro Manzoni, the man who happened to be the grandson of Cesare Beccaria, the world-famous criminologist and philosopher. The novel is set in medieval Italy where two lovers (Renzo and Lucia) are prevented from marrying by a cowardly priest. From this flows all sorts of misunderstandings and advances from corrupt regimes as the two lovers are trying to overcome numerous obstacles and go through life trials (including a war, a plague and famine) on their path to a reunion. Beautifully translated from the Italian by Bruce Penman and boasting colourful and memorable characters, this classic tale from Italy is about undying love, faith, hope and perseverance in the face of oppression, betrayal and despair.
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In past centuries, many artists have depicted the Last Supper scene found in the Gospels. This is a scene where Jesus shares a meal with his Apostles before his crucifixion, making his prophetic announcement. It is very easy to see why it is one of many favourite Biblical scenes to depict. There is a special dynamism to this scene since the Apostles can be presented having their own personalities, and their interaction with each other, their reaction to Jesus’s words, as well as a sense of foreboding, can give a painting a special aura/interest. The interesting thing for many when looking at these paintings is how Judas “The Traitor” is depicted in this scene, and most artists paid special attention to ensure that he stands out from the scene. Below are five “The Last Supper” paintings which I personally find particularly interesting (they are not necessarily the most famous ones).
I. The Last Supper by Leonardo da Vinci (Santa Maria delle Grazie, Milan, Italy)
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