Review: Gourmet Rhapsody by Muriel Barbery

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The Penguin Book of French Short Stories

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Review: The Toilers of the Sea by Victor Hugo

The Toilers of the Sea [1866] – ★★★★1/2

A novel of quiet, unassuming and yet extraordinary beauty, as well as a moving tribute to the sea and its people.

There is a pleasure in the pathless woods,/ There is a rapture on the lonely shore,/ There is society where none intrudes,/By the deep Sea, and music in its roar:/I love not Man the less, but Nature more… (Lord Byron). Reading this almost forgotten novel by Victor Hugo reminded me of this verse by Lord Byron which celebrates the nature’s hold on man like no human society can match. In The Toilers of the Sea, Victor Hugo pays a beautiful tribute to the Channel Islands archipelago, where he spent some 15 years in exile. His story is set in Guernsey, the second largest island of the archipelago, and, there, a small, rather superstitious community prides itself on having businessman Mess Lethierry, a pillar of the society, his beautiful niece Déruchette and Lethierry’s steamship Durande. When one skilful, but disliked seaman Gilliatt falls in love with Déruchette, his love seems hopeless, but when ship Durande suffers an unprecedented trouble in waters, Gilliatt may finally have a glimmer of hope in winning Déruchette’s hand. This tale of a shipwreck and betrayals is Victor Hugo’s less dynamic novel, but where it lacks in narrative vigour, it certainly makes up for in awe-inspiring nature descriptions and memorable characters, instilling a sense of wonder for the Channel Islands and its inhabitants.

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Victor Hugo

Today marks 220 years since the birth of French writer Victor Hugo on 26 February 1802. Hugo is best known for his great classic novels Les Misérables [1862] and The Hunchback of Notre-Dame [1831], and was also a passionate social and political activist who famously supported the abolition of the death penalty, the view that was taken in his short novel The Last Day of a Condemned Man [1829].

Our mind is enriched by what we receive, our heart – by what we give.”

The future has several names. For the weak it is impossible; for the fainthearted, it is unknown; but for the valiant, it is ideal” (Victor Hugo).

Review: The Erasers by Alain Robbe-Grillet

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Review: Le Père Goriot by Honoré de Balzac

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Le Père Goriot [1835/1991] – ★★★★★

This is my fourth Balzac (after Lost Illusions, The Black Sheep & Cousin Bette) and it is probably the best of the other novels I have read so far. Le Père Goriot (Father Goriot or Old Goriot) centres on one young man from France’s provinces, Eugène de Rastignac, who has just settled in Paris and set his sights on becoming a lawyer. He desires to climb the social ladder fast and his impatience for money, status and power soon makes him cross paths with one impoverished father of two daughters (old Goriot) who selflessly devotes his remaining time to them (or, more accurately, to the memory of them). From richly-decorated Parisian drawing-rooms to the bedlam that reigns in a poverty-stricken lodging house, the result of this crossing of the paths is a thrilling head-to-head collision of reality and illusion, youth and old age, ruthless selfishness and selfless devotion, all happening at the very heart of turbulent and exploitative Paris of 1819.

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Review: Bird in a Cage by Frédéric Dard

bird in a cage book cover

Bird in a Cage [1961/2016] – ★★★★

This short existential noir thriller tells of Albert, a thirty-year-old man, who arrives to his Paris apartment where he grew up. His mother died some years before, and, feeling nostalgic, Albert wonders around his Parisian quartier, trying to recall happy memories from his childhood. His day-dreaming is cut abruptly short when he meets a beautiful and enigmatic young woman with her daughter at the restaurant he never dared to go into before. Like some nightmare that he is unable to shake off, Albert soon finds himself trapped in a mystery so confusing and layered it is beyond his wildest imaginings – a dead body and a seemingly impossible crime emerge, and accounts of what happened are all as numerous as they are all improbable. Recalling the work of Georges Simenon, Bird in a Cage is a disturbingly delightful read, which is also suspenseful. Perhaps Dard is not as clever as he thinks he is with his big reveal, and much is left both unaccounted for and unbelievable in the story, but his concise and stylish approach to telling the story, that includes both existential and erotic themes, is rather fitting and appealing.

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