Hell Screen [1918/48] by Ryūnosuke Akutagawa – ★★★★★

This is a short story by “the father of the Japanese short story” who is probably best known for such short stories as Rashomon [1915] and In a Grove [1922]. Said to be the reworking of the Uji Shūi Monogatari, Japanese tales written in the thirteenth century, Hell Screen tells the story of Yoshihide, an eccentric painter and allegedly a despicable human being, who resides at the court of one powerful Lord Horikawa. When the Lord requests Yoshihide to paint the picture of Hell, the artist takes this request too close to heart. Moreover, slowly, Yoshihide’s beautiful daughter becomes the centre of the newest rumour and intrigue. Akutagawa’s story may be short, but it also evokes the most powerful imagery. The author was a master of story-telling, and in this story we are presented with vivid descriptions that he also coupled with the peculiarly Japanese literary minimalism. The outcome is one disturbing, unforgettable story of obsession and damnation. I read Hell Screen thanks to the amazing post by Juan Gómez-Pintado titled “10 Extraordinary Tales of Terror“.

Continue reading “November 2020 Wrap-Up: From Hell Screen to The Thousand Autumns of Jacob de Zoet” →