Review: Am I Dreaming? by James Kingsland

Am I Dreaming? The New Science of Consciousness and How Altered States Reboot the Brain [2019] – ★★★

From lucid dreaming and hallucinations to hypnotism and various effects of LSD and DMT, science journalist James Kingsland takes the reader on a journey explaining the altered states of consciousness and the present state of knowledge in this field, making his case that inducing altered states of consciousness is beneficial, and much can be gained by experimenting with psychoactive substances. Am I Dreaming? is an unnecessarily chaotic book, but if you are prepared to sift through the author’s more obvious statements on consciousness and his not-always-so-clear scientific explanations, there is some insight gained as the author talks about more recent studies and people’s first-hand experiences.

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Dreaming in Art: 5 Fantastical Paintings

The mystery of dreams and dreaming has been fascinating artists since ancient times. Many famous artists (from Hieronymus Bosch, Francisco de Goya and William Blake to Gustav Klimt, René Magritte and Salvador Dalí) had tried to give life and form on canvas to the wondrous and bewildering nature of dreams. Whether taking folklore, mythology or biblical scenes as their main themes, artists’ greatest challenge was to enable the easy differentiation in the painting between the waking and the dreaming lives of their subjects. Below is just a snippet of this fascinating art tradition.

I. The Stuff That Dreams Are Made Of/Dreams [1858] by John Anster Fitzgerald 

John Anster Fitzgerald (1819 – 1906) was a British painter of the Victoria era known for producing detailed, colourful artwork depicting various mythological figures: fairies, ghouls, demons, and also effects of drug-consumption. Dreams is just one of his paintings that depicts a young girl sleeping and seeing dreams. Those dreams “materialise” around her in this piece, showing various mischievous spirits playing musical instruments at the foot of the girl’s bed, while the more benevolent ones dance in the painting’s background, encircling the girl’s most pleasant dream of forming a couple with a (real or imagined) man she loves. The girl’s chic dress is probably also a part of her dream, and the red drapery around the girl’s bed work almost as stage curtains further emphasising the effect of an ongoing performance.

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