The Films of Michael Powell and The Archers [1997] – ★★★1/2

A good, introductory book on The Archers’ craft, and how the times in which the directors worked impacted their cinematic masterworks.

“In my films, images are everything” (Michael Powell).

The Red Shoes (1948), The Life & Death of Colonel Blimp (1943), Black Narcissus (1947), A Matter of Life & Death (1946) – these are some of the greatest films ever produced, but how did one unlikely duo of British film-makers, Michael Powell (1905-1990) and Emeric Pressburger (1902-1988), better known as The Archers, manage to achieve such level of cinematic mastery, while also working in a tricky political and economic situation, and more amazingly, without the support from Hollywood? In his bibliographical non-fiction, Scott Salwolke may not be unveiling all the keys to the mysteries of The Archers’ craft, but he certainly provides a fascinating historical background to many of their cinematic masterworks, focusing on the film-makers’ influencers and revealing how their films emerged to be so different from those of their contemporaries.

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