Tag: Japanese Literature Challenge

Review: The Three-Cornered World by Natsume Sōseki

The Three-Cornered World [1906/65] – ★★★★1/2

“Thank heaven for all those who, in devious ways by their art, bring tranquillity to the world, and enrich men’s hearts.”

In this novel by famous Japanese author Natsume Sōseki (1867 – 1916), a young painter travels the country in search of a source of true artistic inspiration, tying to be completely dispassionate about everything he sees. In his journey “to rise above emotions” and conquer his earthy desires he has the aim to reach the state of total objectivity so that his brush will be able to paint only the “truth” and “bare life”. However, when he stops briefly at a guesthouse of one Shioda in a hot-spring village of Nakoi, he encounters there a woman who may put a stop to all of his pretences to be an unemotional observer and a mere spectator of life. O-Nami is a beautiful and enigmatic young woman who has recently escaped her impoverished husband and may have had an affair with a local Buddhist priest. Intrigued by this woman and engulfed in the sheer beauty of the nature around him, our narrator plunges deep into the very heart of the meaning of art, poetry and life itself. The Three-Cornered World is a gentle novel of deep insights with intimate meditations on life and art, its secrets and manifestations.

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Japanese Short Stories from Akutagawa, Enchi, Endō, Inoue & Kawabata

Meredith at Dolce Bellezza is hosting The Japanese Literature Challenge 14, which takes place from January to March 2021, and this post on five Japanese short stories is my contribution to the challenge (see all the other exciting entries here and for my entries to the previous Japanese Literature Challenge 13 see my reviews here and here).

I. Murder in the Age of Enlightenment [1918] by Ryunosuke Akutagawa – ★★★★

This memorable story with confident prose by the “father” of Japanese short stories Akutagawa (Hell Screen [1918]) is told through a letter and diary entries written by one young man to Viscount and Viscountess Honda. The story’s unreliable narration that deludes the truth and makes motives questionable introduces us to one hidden obsession as we plunge deep into the psyche of one disturbed man. If Akutagawa’s short story The Spider’s Thread [1918] relied on Dostoyevsky’s story of a woman and an onion from The Brothers Karamazov [1879], here we also see certain close similarities with other works. The story starts close to The Sorrows of Young Werther [1774] by Goethe (unrequited, forbidden and passionate love/drastic action), but finishes very similarly to Doctor Glas [1905] by Hjalmar Söderberg (doctor/mental torment/similar action taken to secure the future of a beloved woman). I read this story in Murder in The Age of Enlightenment (Essential Stories) by Ryunosuke Akutagawa [translated by Bryan Karetnyk, Pushkin Press 2020].

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Review: The Silent Cry by Kenzaburō Ōe

the silent cry The Silent Cry [1967/1988] – ★★★★★

Since I am participating in the 13th Japanese Literature Challenge hosted by Dolce Bellezza, I am now reviewing this book by Japanese Nobel Prize winner Kenzaburo Ōe. In The Silent Cry, we are presented with the early 1960s and Mitsu, a disillusioned husband to an alcoholic wife and a father to a child who is now in an institution. Mitsu sees his life changing when his estranged brother Takashi arrives from America and together they travel to their native village in Shikoku, one of the main islands in Japan. There, they find that there is a shift in local power and one rich Korean magnate is proposing to buy what remains of Mitsu and Takashi’s land inheritance – their storehouse. Reluctantly, Mitsu finds himself drawn into a complicated political situation of the village, while also realising that Takashi starts to wield the unprecedented power over the village inhabitants. The Silent Cry is a slow-paced descent into one kind of a nightmare where the violent history of the village is about to be re-enacted and other grim discoveries made as the relationship between the two brothers takes an unexpected turn. Full of uneasiness and foreboding, The Silent Cy is a subtly powerful work that masterfully evokes the unsaid, the forbidden and the terrifying, getting us close to the real Truth and to the final Hope. It really becomes one of those books you do not have to enjoy, but to simply experience and live through. Continue reading “Review: The Silent Cry by Kenzaburō Ōe” →