Japanese Short Stories from Akutagawa, Enchi, Endō, Inoue & Kawabata

Meredith at Dolce Bellezza is hosting The Japanese Literature Challenge 14, which takes place from January to March 2021, and this post on five Japanese short stories is my contribution to the challenge (see all the other exciting entries here and for my entries to the previous Japanese Literature Challenge 13 see my reviews here and here).

I. Murder in the Age of Enlightenment [1918] by Ryunosuke Akutagawa ★★★★

This memorable story with confident prose by the “father” of Japanese short stories Akutagawa (Hell Screen [1918]) is told through a letter and diary entries written by one young man to Viscount and Viscountess Honda. The story’s unreliable narration that deludes the truth and makes motives questionable introduces us to one hidden obsession as we plunge deep into the psyche of one disturbed man. If Akutagawa’s short story The Spider’s Thread [1918] relied on Dostoyevsky’s story of a woman and an onion from The Brothers Karamazov [1879], here we also see certain close similarities with other works. The story starts close to The Sorrows of Young Werther [1774] by Goethe (unrequited, forbidden and passionate love/drastic action), but finishes very similarly to Doctor Glas [1905] by Hjalmar Söderberg (doctor/mental torment/similar action taken to secure the future of a beloved woman). I read this story in Murder in The Age of Enlightenment (Essential Stories) by Ryunosuke Akutagawa [translated by Bryan Karetnyk, Pushkin Press 2020].

Continue reading “Japanese Short Stories from Akutagawa, Enchi, Endō, Inoue & Kawabata”

Review: The Silent Cry by Kenzaburō Ōe

the silent cry The Silent Cry [1967/1988] – ★★★★★

Since I am participating in the 13th Japanese Literature Challenge hosted by Dolce Bellezza, I am now reviewing this book by Japanese Nobel Prize winner Kenzaburo Ōe. In The Silent Cry, we are presented with the early 1960s and Mitsu, a disillusioned husband to an alcoholic wife and a father to a child who is now in an institution. Mitsu sees his life changing when his estranged brother Takashi arrives from America and together they travel to their native village in Shikoku, one of the main islands in Japan. There, they find that there is a shift in local power and one rich Korean magnate is proposing to buy what remains of Mitsu and Takashi’s land inheritance – their storehouse. Reluctantly, Mitsu finds himself drawn into a complicated political situation of the village, while also realising that Takashi starts to wield the unprecedented power over the village inhabitants. The Silent Cry is a slow-paced descent into one kind of a nightmare where the violent history of the village is about to be re-enacted and other grim discoveries made as the relationship between the two brothers takes an unexpected turn. Full of uneasiness and foreboding, The Silent Cy is a subtly powerful work that masterfully evokes the unsaid, the forbidden and the terrifying, getting us close to the real Truth and to the final Hope. It really becomes one of those books you do not have to enjoy, but to simply experience and live through. Continue reading “Review: The Silent Cry by Kenzaburō Ōe”