The Scapegoat [1957] – ★★★★1/2

Blending the surreal and the realist, du Maurier creates a fascinating psychological situation, a deep and intricate central character study and vivid minor characters, while touching on such themes as the nature of identity and the unpredictability of the human nature.

In The Scapegoat, two complete look-alikes switch places and we follow Englishman John as he reluctantly takes the place of seemingly wealthy but troubled Frenchman Jean de Gué. Previously somewhat shy and leading an uneventful life, John is unexpectedly thrust into the very limelight of life, acquiring a big family overnight, but also overbearing responsibilities and a failing business. As this is a Daphne du Maurier book, this is no ordinary tale of switched identities. In this tale, we step into an atmosphere that is haunting and unsettling, into a strange château peopled by still stranger folks whose complex relationships and buried secrets first puzzle and then “liberate” our protagonist. With du Maurier, readers know that they are in the safe and confident hands of a master who will deliver something subtle, unsettling and over and above their expectations.

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