I got inspired to write this post by the recent International Chopin Piano Competition held in Warsaw, Poland. Chopin’s four ballades are among the most beautiful of his works, and my favourites among the four have been shifting over the years. Currently, my favourite is Ballade No. 3 in A♭ major, Op. 47. Chopin dedicated it to his pupil Pauline de Noailles (1823–1844), and it is said to be inspired by Adam Mickiewicz’s poem Undine. I love this ballade for its sophistication and thematic shifts.
I love the interpretation of it by Polish pianist Krystian Zimerman (1956-), the winner of the IX International Chopin Piano Competition in 1975. Although his take is considered now quite restrained and conservative, I still prefer it over modern versions because the ballade already has quite a number of eccentric, expressive elements, and it is Zimerman’s understated precision that brings the best in it without overdoing it or distracting.
