Thomas Hardy (1840-1928) was an English novelist who wrote such classics as Tess of the d’Urbervilles, Far from the Madding Crowd, Jude the Obscure, and The Woodlanders. He was also a poet (Wessex Poems) and short story writer. Hardy’s collection of ten or so short stories is compiled in The Fiddler of the Reels & Other Stories, Penguin Classics, and I am sharing my thoughts on three of them from this collection below. These are tales of romance, tragedies, and fate working in mysterious ways.

The Fiddler of the Reels [1893] – ★★★★

“Crowds of little chromatic subtleties, capable of drawing tears from a statue, proceeded straightway from the ancient fiddle, as if it were dying of the emotion which had been pent up within it ever since its banishment from some Italian city where it first took shape and sound…” (Thomas Hardy).

This is a story about eccentric fiddler “Mop” Ollamoor who can make any woman swoon with his almost devilish in its effectiveness fiddle-playing, and one of the “victims” who fell for his charm is young woman Car’line Aspent of Stickleford, who is already engaged to Ned Hipcroft, a mechanic. What began as one-sided romance soon morphed into something else – something more. We see in this story Hardy’s common love triangle – a woman chooses between a down-to-earth, hard-working man of practicality (Ned) and a visually-striking, albeit unreliable, man of shiny appearances and whimsies of all kinds (“Mop”). Hardy writes with elegance, passion and humanism, and this heart-breaking story, that is also set against the backdrop of the Great Exhibition of 1851, reminds very much of his other, heavier tragedies. Even in his short stories, Thomas Hardy can provoke us, surprise greatly, and deeply move.            

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