This will be my 500th post, and I thought I would do something different. I have recently been exploring world literature translated to Japanese, and have stumbled upon some beautiful book covers I want to share. The general tendency of Japanese book covers seems to be either intricate, detailed artworks or minimalist designs, with few covers falling somewhere in between. The book covers below appear to fall into the former category. You can see that many Japanese book covers favour the long distance/panoramic perspective, rather than one focusing on the individual being the centre as western book covers usually do. This is an echo of Asian philosophy that we are all part of the whole, a community, being interconnected.

The stunning Japanese edition of Umberto Eco’s historical novel The Name of the Rose (on the left) depicts artworks from Beatus of Liébana’s The Commentary on the Apocalypse (commentary on the biblical Book of Revelation) written around 776. There is a number of copied versions of this manuscript, and, in particular, the first book cover above is the Vision of the Lamb, the Four Cherubim and the Twenty-Four Elders from the 1047 version painted by Facundus. As book covers, these are excellent choices because they capture the mystery, monastic life and the religious folklore of the novel.

Continue reading “Japanese Book Covers (Favourite Books)” →