I would like to thank Cathy at 746books for recommending this book to me after I compiled list 7 Great Novels Revolving Around Visual Art. Tuesday Nights in 1980 presents New York City’s art scene of 1980. At the centre are three people whose destinies collide in the background of creative bohemia filled with liberties of all kinds, boundless artistic inspiration and ambition, and spurs of unusual creativity: James Bennett is a misunderstood person and a renowned art critic who has synaesthesia, a condition which means that he experiences ideas, people and objects as colours or a combination of colours; Raul Engales is a “free spirit” and up-and-coming Argentinean artist who left behind in his country one past better not recalled; and Lucy Olliason is a girl from Idaho who has just recently arrived to NYC and is open to everything and anything. Evocatively, even if exaggeratedly, Molly Prentiss captures in her story the thrill of being young and artistic in NYC, which itself starts to undergo many changes. Amidst obsessive art-making and pleasures of falling in love, there are also a transitory nature of success, creative doubts and personal tragedies.
I don’t think I shared a jazz piece before, so I thought I would share this composition sung by Ella Fitzgerald to brighten everyone’s Monday. “Skylark”  was composed by Hoagy Carmichael (“Georgia on My Mind“ ) with lyrics by Johnny Mercer (“Moon River” ).
This book review is my second contribution to theJapanese Literature Challenge 14 hosted by Meredith atDolce Bellezza. Winner of the prestigious Yomiuri Prize, Fires on the Plain details the experience of a Japanese soldier in the Philippines during the last months of the World War II (the Leyte island landing). This sometimes gruesome and traumatic, but vividly introspective and unputdowanable novel full of conviction is filled with psychological and philosophical insights. Drawing from his own experience of the WWII, Shōhei Ōoka wrote about the degradation, futility and meaninglessness of war through the experience of one injured and stranded soldier who gets suspended between complete despair, increasing apathy and little choice, but to commit war crimes, on the one hand, and glimpses of hope and religious visions, on the other. Plagued by contradictions and irrational thoughts, Private Tamura finds himself psychologically distancing from war horrors around him, as Ōoka makes a powerful statement on one situation where such concepts as morality or rationality no longer seem to have any meaning. Fires on the Plain is probably one of the most important anti-war novels ever written.
This is a story that I read in Russian. This novella by Chekhov is set in the Caucasus, near the Black Sea, and tells of Laevsky, a lazy, egoistic, good-for-nothing government official who spends his days playing cards, swimming, drinking, arguing with his mistress and getting deeper into debt. Laevsky is increasingly tired of and frustrated by his mistress, Nadezhda Fedorovna, the wife of another man, and decides “to get rid” of her by going away. However, he starts to understand that he is both out of money and out of friends. On his path then appears Von Koren, a scientist and a man of principles, who does not think twice about challenging Laevsky to a duel.
Chekhov had this incredible talent of conjuring up deep and unforgettable character studies/insights in a very few words and paragraphs, and The Duel is a classic tale of disillusionment, crushed ideals, deceiving appearances and humanity caught in an endless cycle of other people’s opinions and judgement. Everyone “has their own truth” in the story, especially Laevsky, who finds himself at the biggest crossroad in his life, facing the possibility of the weight of harsh reality crushing him. The largest sorrow in life may consist in the actual realisation of the truth of one’s existence and past actions, as well as in the process of brutal self-confrontation. With humour and wit, Chekhov takes a penetrating look at the human nature in The Duel, trying to answer the question whether even self-acknowledged scoundrels like Laevsky could hope for forgiveness and redemption; whether even these people are deserving of hope; and whether even they could also find their place among the virtuous and the good, mending their ways.
Enchanted forests have always had a special place in fairy-tales, folklore and mythology. In fantasy fiction, the forest is often perceived as a place of danger where anything can happen and where dark magicians or other dark forces dwell. In Slavic folklore, for example, the forest is a home to Baba Yaga, a kind of an evil witch who lives in a hut “on chicken legs”, and likes to cook and eat her victims. Similarly, in Hansel and Gretel, a brother and a sister find a gingerbread house deep in the forest, only to realise that its resident is a wicked witch. The Forbidden Forest in Harry Potter is equally a place of danger and morbid fascination, where centaurs, giant spiders and unicorns roam. Moreover, the forest can act as both a place to do evil deeds secretly and a place to hide and find the necessary refuge, as in the case of Snow White & the Seven Dwarfs, where the forest first acted as a place where the Queen’s huntsman had a task to kill Snow White, but then it became a welcoming abode for the Princess. In England, Sherwood Forest in Nottinghamshire is probably the most famous forest where the legend of Robin Hood is played out, and many cultures also have the tradition of a sacred grove (a holy place associated with secret rites and spiritual rituals). Below are three other examples of enchanted forests from mythology and folklore.
There are many character types in fiction and I have decided to create this tag to showcase some of them, taking inspiration from this website on writing. The first five character types presented below simply reflect the characters’ roles in a story (there are seven such roles overall), while the last five are typical archetypes (there are twelve overall, as categorised by Carl Jung and Joseph Campbell, among others).
I. Protagonist: “The main character of the story is the protagonist” – Klara from Kazuo Ishiguro’s sci-fi novel Klara and the Sun 
Klara is a very curious choice for a protagonist and I don’t think I’ve ever read a book before with such an unusual narrator. Klara and her vision of the world are presented convincingly and the readers are constantly wondering how much of a “human” Klara really is or is becoming. It is precisely when we follow Klara’s “mental-processes” that Ishiguro’s new novel really “shines”, which also means the beginning is one of this novel’s strengths.
In Kazuo Ishiguro’s new book, Klara is an AF (Artificial Friend) or a highly advanced girl-robot created to be a companion for a child. Together with another AF Rosa, Klara spends her time shifting positions inside the store in a hope that some child will eventually choose her and she will fulfil her destiny. Relying on and worshipping the Sun, Klara never misses an opportunity to catch its rays: “…the big thing, silently understood by us all, was the Sun and his nourishment” [Ishiguro, 2021: 5]. She is both puzzled by and interested in humans. Then comes Josie, a kind, but sick child. As Klara enters Josie’s world, she gets to know more about humans and life, including its sorrows and unpredictability.
Klara and the Sun is Toy Story (together with the toy’s existential crisis)meets Never Let Me Go by way of one robot’s obsession with the Sun. It is a bitter-sweet and curious book with one fascinating narrator and a theme of hope. However, it also has a very “thin” story with vague world-building, severely under-explored themes, and characters and topics “recycled” from the author’s Never Let Me Go. A torrent of never-ending and sometimes pointless dialogue in the story does little service to Ishiguro, an author who is capable of far greater depth, nuance, subtlety, emotion, evocativeness and intelligence, than he delivered in this latest trendy, crowd-pleasing, YA-like book.
Louisiana, 1828. Manon Gaudet, the wife of a domineering owner of a sugar plantation, tells us about her life, at times recalling her past. Her husband rules the house and the plantation with an iron fist, signalling slave girl Sarah as his lover. However, their stable life is soon repeatedly threatened by slaves’ rebellions in their region, making both re-evaluate their life positions. Although the novel is uneven and the narrator is made intentionally unlikeable, Valerie Martin still wrote a chilling, eye-opening and interesting account of slavery and the meaning of ownership in the mid-nineteenth century US, not least because of her particular focus on the perspective of a slave-owner.
This novel, which spans from 1848 to 1888, focuses on Jean Marie Latour, a young Frenchman recently appointed as a Vicar Apostolic in the state of New Mexico, a part of land which has only recently been annexed to the US. The Father becomes a new Bishop in the region and he came there with his loyal friend and compatriot Father Joseph Vaillant. The two priests face a whole array of problems in establishing a religious jurisdiction in the new area, from the region’s isolation and merciless climate to authority challenges on the part of Mexican priests. This historical novel can be called a “descriptive tour de force”, rather than a straightforward narrative story. It is more of an anthropological/historical travelogue, focusing on the nature of land and on the people living on it, rather than a linear story. However, this does not make this book a “lesser” novel. On the contrary, Cather leaves plenty of space in the book for colourful descriptions of exotic environs, paying attention to the particular themes, including the ardour of religious duty and the dilemmas of missionary work.